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ATTA (Japan Version)

UA
Our Price: US$36.99
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ATTA (Japan Version)

Technical Information

Product Title: ATTA (Japan Version) ATTA (日本版) ATTA (日本版) ATTA (日本版) ATTA (Japan Version)
Singer Name(s): UA UA UA UA UA
Release Date: 2009-07-22
Publisher Product Code: VICL-63363
Language: Japanese
Disc Format(s): CD
Other Information: Album
Package Weight: 100 (g)
Shipment Unit: 1 What is it?
Publisher: Victor Entertainment
YesAsia Catalog No.: 1020265393

Product Information / Track List

07年6月発売『Golden green』に続くUAのアルバム。LITTLE CREATURES、内橋和久、半野善弘、細野晴臣他、多数のアーティストが参加。
01 愛の進路 (4'30)
02 TIDA (6'44)
03 Purple Rain (5'28)
04 KOSMOS (6'41)
05 2008 (5'47)
06 Reveilles−toi! 目覚めよ (3'22)
07 アスパラガス(Album Mix) (4'57)
08 picnic_20c. (5'17)
09 13番目の月 (5'11)
10 怪物 (4'13)
11 Familia (4'22)
12 月がきえてゆく (4'26)
13 トキメキ (4'16)
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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Customer Review of "ATTA (Japan Version)"

Average Customer Rating for this Edition: Customer Review Rated Bad 10 - 10 out of 10 (2)

weep
See all my reviews


April 15, 2010

Back with Pride Customer Review Rated Bad 10 - 10 out of 10
UA is back with a brand new album ATTA. This album consider the extend from golden green regarding the Horn sessions. There's a lot of drumming and percussion around the album. The most surprising track is TIDA. Very powerful song, with strong drums and vocals. It creates a very powerful and soulful atmosphere when the drums start "drumming". A surprise collaboration & duet with 細野晴臣 with beautiful track 月がきえてゆく, their vocals are perfectly match in this track. This album definitely full of surprises, UA's voice really has reach at her top form. Musically, this album is very rich, the melodies are full of energy. Overall, this album gave a different feel from her previous albums. TIDA in my opinion, the highlight of the album.
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NipponRock.net
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July 27, 2009

NipponRock.net review Customer Review Rated Bad 10 - 10 out of 10
ATTA combines some of the best elements of UA’s most accessible songs with the most successful experiments from her albums Sun and Breathe. The end result can be likened to Radiohead’s In Rainbows: Instead of stepping into a new direction with ATTA, UA demonstrates all the things she’s learned from her past work. It’s an incredibly self-assured album, and perhaps the best of her career.

UA is often compared to Bjork, both due to the production style of much of her work and due to her breathy, rich vocals. The production on this album wisely places that voice at the front of the mix. UA’s voice can be very soothing, and is particularly highlighted through the use of harmonies in ‘The Moon Is Fading’, one of ATTA’s strongest tracks.

Much of the instrumentation is based upon percussion. It’s clear that a lot of attention was paid to the rhythms, with the drums being significantly different each song. Stylistically, this album combines subdued electronica, jazz, soul and alternative. Rather than coming across as a particularly eclectic album, however, common elements such as abundant horns and UA’s voice tie ATTA together into a cohesive whole.

UA’s confidence on this album is especially evident on ‘picnic_20c.’, which has wild dynamic shifts, constantly swelling and suddenly shifting in intensity. It’s one of the busiest tracks on the album, with swirling acoustic guitars, strings, various types of percussion and a stream of different vocal melodies throughout the song.

The strength of this album is based on how subdued it can be. There is quite a lot going on, and for most artists it would be a wildly ambitious accomplishment. It’s a very mature album and unlike many artists who attempt to combine genres, UA never sounds indulgent, or as if the genre is controlling her. With ATTA, UA is completely self-assured. A great album.
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