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Bare Essence Of Life (DVD) (English Subtitled) (Hong Kong Version) DVD Region 3

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Bare Essence Of Life (DVD) (English Subtitled) (Hong Kong Version)

YesAsia Editorial Description

Matsuyama Kenichi turns on his strange charms for the quirky comedy Bare Essence of Life (a.k.a. Ultra Miracle Love Story). This oddball love story about a lovestruck, mentally challenged farmer is set in Aomori in Northern Japan, the native prefecture of both Matsuyama Kenichi and the film's director, up-and-coming female filmmaker Yokohama Satoko (German + Rain). Both bring a strong local flavor to the story, with Matsuyama speaking in Aomori's Tsugaru dialect for the entire film. The object of his affections is Aso Kumiko (Instant Swamp), who's known for playing offbeat roles herself. Far from a standard romance or comedy, Bare Essence of Life embraces its myriad eccentricities and peculiar protagonists with screwball energy and sincere gusto.

Man-child Yojin (Matsuyama Kenichi) is easily distracted and has a hard time staying still or listening. Between running around and raising trouble, he devotes his greatest time and energy to maintaining his grandmother's vegetable garden. Meanwhile, kindergarten teacher Machiko (Aso Kumiko) has just moved from Tokyo to rural Aomori in hopes of putting past ghosts to rest. When Yojin meets Machiko, it's love at first sight, and he won't have it any other way.

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Technical Information

Product Title: Bare Essence Of Life (DVD) (English Subtitled) (Hong Kong Version) 戀愛植男 (DVD) (中英文字幕) (香港版) 恋爱植男 (DVD) (中英文字幕) (香港版) ウルトラミラクルラブストーリー Bare Essence Of Life (DVD) (English Subtitled) (Hong Kong Version)
Also known as: Ultra Miracle Love Story Ultra Miracle Love Story Ultra Miracle Love Story Ultra Miracle Love Story Ultra Miracle Love Story
Artist Name(s): Matsuyama Kenichi (Actor) | Aso Kumiko (Actor) | ARATA | Harada Yoshio | Watanabe Misa 松山研一 (Actor) | 麻生久美子 (Actor) | ARATA | 原田芳雄 | 渡邊美佐 松山研一 (Actor) | 麻生久美子 (Actor) | ARATA | 原田芳雄 | Watanabe Misa 松山ケンイチ (Actor) | 麻生久美子 (Actor) | ARATA | 原田芳雄 | 渡辺美佐 Matsuyama Kenichi (Actor) | Aso Kumiko (Actor) | ARATA | Harada Yoshio | Watanabe Misa
Director: Satoko Yokohama 橫濱聰子 横滨聪子 Satoko Yokohama Satoko Yokohama
Release Date: 2010-11-26
Language: Japanese
Subtitles: English, Traditional Chinese
Country of Origin: Japan
Picture Format: NTSC What is it?
Aspect Ratio: 1.78 : 1
Disc Format(s): DVD
Region Code: 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it?
Rating: IIA
Publisher: Vicol Entertainment Ltd. (HK)
Package Weight: 120 (g)
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1023698323

Product Information

Director: Satoko Yokohama

One day, Yojin, an eccentric young farmer who lives in the countryside, falls in love for the first time in his life with Machiko, a nursery teacher from Tokyo. Yojin visits her everyday and unabashedly tells her how much he loves her, regardless the fact that she is unable to overcome the trauma of losing her boyfriend in a car accident. Yojin's strong, straightforward feelings for Machiko create one outlandish miracle after another. An unheard of romance, it is a story of Yojin's explosive, reckless love.
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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YumCha! Asian Entertainment Reviews and Features

Professional Review of "Bare Essence Of Life (DVD) (English Subtitled) (Hong Kong Version)"

December 13, 2010

Bare Essence of Life (a.k.a. Ultra Miracle Love Story) is a unique slice of Japanese weirdness, helmed by female writer director Yokohama Satoko, who was previously responsible for the oddly titled comedy German + Rain. The film is another decidedly offbeat affair, headlined by popular actor Matsuyama Kenichi, recently in the hit Death Note series and Detroit Metal City and who is soon to be seen in the blockbuster live action Gantz adaptation. A bizarre mix of romance, comedy, drama and existential ponderings, the film also stars actress Aso Kumiko, following up her role in Satoshi Miki's delightful, and equally quirky Instant Swamp. The film is an authentically local production, taking place in the Aomori prefecture in Northern Japan, of which both Satoko and Kenichi are natives, with him speaking in Tsugaru dialect throughout.

The actor plays Yojin, a mentally challenged farmer who spends his days working in his grandmother's fields and vegetable garden, following the instructions his grandfather recorded for him before his death. With an incredibly short attention span and predilection for loud and unpredictable behaviour, Yojin is an energetic, though frequently very troublesome young man, who causes a lot of trouble for the other locals. One day, a new teacher called Machiko (Aso Kumiko) arrives in his small town, and he instantly sets his sights on winning her heart. However, this task is made difficult not only by his own eccentricities, but by her personal demons and secrets.

Bare Essence of Life is one of those films that is genuinely impossible to neatly categorise, and is a strongly individual and wonderfully creative piece of work. Although selling the film as a kind of offbeat love story doesn't do it justice, it does have hints of romance, though in a truly unexpected manner, with the relationship between Yojin and Machiko developing into something different, and far more rewarding. The film is possibly best described as a piece of philosophical musing on the nature of existence and the adaptability of the human organism. Though it would be unfair to spoil some of the near surreal plot developments, despite its weird and miraculous twists, it progresses in surprisingly coherent fashion. In narrative terms, Satoko allows much to go unexplained, though thanks to an ambient, almost zen-like atmosphere, at the same time the viewer never feels lost. Through this, although much of the film doesn't make sense in traditional terms, it is charming and engaging throughout, with its gently thoughtful manner leaving a lasting impression. At the same time, it is very funny in places, at times simply due to its out and out strangeness. Satoko really does throw the viewer a fair number of curve balls, though without ever seeming too wilfully kooky, and the film impresses with its straight faced, naturalistic approach.

To a large extent, the film's success is down to Matsuyama Kenichi's central turn, which really holds everything together. The actor was certainly an interesting and brave choice for the role, given that he could have easily have tipped the film into Forrest Gump territory. Instead, he manages a fine, winning balance, portraying a desperately random young man, whose annoying tendencies are part of a bigger picture which itself is not without some logic or sympathy. As a result, although its fair to say that the viewer is fascinated by him rather than actually liking him, he makes for an almost hypnotically interesting subject as his life goes through its various changes. Aso Kumiko is also on good form, playing things less cutesy or wacky than in other films, and the way in which her gradual, hesitant coming out of her shell becomes central to the film is very rewarding in itself.

Bare Essence of Life is a very rare film, which verges on the abstraction of art house while at the same time engaging the viewer through its characters and strangely meandering plot. Although it may not be for everyone, and indeed may disappoint those looking for a straightforward romance or comedy, it certainly stands as a one of a kind viewing experience that should be enjoyed by anyone looking for something a little different.

by James Mudge - BeyondHollywood.com

Editor's Pick of "Bare Essence Of Life (DVD) (English Subtitled) (Hong Kong Version)"

Picked By Sanwei
See all this editor's picks


November 30, 2010

Strange movie is strange
Considering the DVD cover is a picture of Matsuyama Kenichi's grinning face emerging from a bed of dirt like a happy head of lettuce, it's fair to expect something strange from Yokohama Satoko's Bare Essence of Life. The air of strangeness is apparent early on as Aso Kumiko's character Machiko rolls into her new home, a small rural town whose eccentric denizens all have to duck for cover when the pesticide plane comes flying through. The movie's setting is beautifully captured on screen, the sun-drenched fields, leafy vegetation, and simple farming folks evoking a pastoral charm that contrasts with Machiko's strangely sullen demeanor.

Machiko has moved to the town in hopes of coping with her boyfriend's death, but there's no peace and quiet to be had once she meets Yojin i.e., Cabbage Patch Kenichi. Taking his hyperactive act to the next level, Matsuyama plays the man-child hero whose brain is wired a bit differently than other people's. Matsuyama often plays the socially awkward oddball, but Yojin is different from the lovable loners of Death Note, Detroit Metal City, or Sexy Voice and Robo as his self-aware quirkiness seems to stem from some kind of developmental disorder.

The vegetable garden is Yojin's life until he meets and falls immediately in love with Machiko. His childlike obsession with Machiko is both endearing and alarming, what with the stalkerish behavior, unconventional mannerisms, temper tantrums, and the whole dousing himself in pesticide thing. It's not exactly your typical movie, but for the first half Bare Essence of Life is still in the hopeful vicinity of an odd couple romance or heroine rediscovers self in the countryside story. The Japanese title of the movie is after all Ultra Miracle Love Story. The "ultra miracle" part of the story, however, is ultra strange.

Things go from quirky to downright kooky in the surreal second act when a headless guy shows up and the English title of the movie - Bare Essence of Life - becomes more telling than the Japanese one. The final scene in particular is so casually weird it's almost scarring. Is Bare Essence of Life some kind of new-age meditation on life, death, and the mind? Or maybe it's a cautionary tale about the hazards of pesticide. Bare Essence of Life is clearly wired a bit differently than other movies, and comprehension is optional. The whole is not coherent - and probably isn't meant to be - but the parts are memorable and beautifully shot. Just like its hero Yojin, the film's offbeat energy and sincerely strange charm keep it going for longer and stronger than expected.
This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.
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