Bleak Night (DVD) (Korea Version) DVD Region 3
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YesAsia Editorial Description
Shot on handheld cam, Bleak Night drew acclaim for its realistically grim portrayal of the complex dynamics that built and broke the three teens' friendship. The film's astute study of how shifting loyalties, high school politics, and bullying catapulted towards a shocking tragedy is both believable and compelling. Writer-director Yoon Sung Hyun makes an impressive debut with a student film that has proven to be much more, garnering great praise for the young filmmaker at international fests and marking him as a name to watch in Korean cinema.
This edition comes with commentary, trailer, and the short film "Children" (31min).
Technical Information
| Product Title: | Bleak Night (DVD) (Korea Version) 青春夜行 (DVD) (韓國版) 青春夜行 (DVD) (韩国版) 番人 (DVD) (韓国版) 파수꾼 (DVD) (한국판) |
| Also known as: | 那一夜,青春褪色 那一夜,青春褪色 見張り |
| Artist Name(s): | Lee Je Hoon (Actor) | Seo Jun Young (Actor) | Jo Sung Ha Lee Je Hoon (Actor) | Seo Jun Young (Actor) | Jo Sung Ha Lee Je Hoon (Actor) | Seo Jun Young (Actor) | Jo Sung Ha イ・ジェフン (Actor) | ソ・ジュンヨン (Actor) | Jo Sung Ha 이제훈 (Actor) | 서준영 (Actor) | 조성하 |
| Director: | Yoon Sung Hyun 尹成賢 尹成贤 ユン・ソンヒョン 윤성현 |
| Release Date: | 2011-07-07 |
| Language: | Korean |
| Subtitles: | English, Korean |
| Country of Origin: | South Korea |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Publisher: | Art Service |
| Other Information: | 1-Disc |
| Package Weight: | 100 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1024540773 |
Product Information
*Screen Format: 1.85:1 Anamorphic widescreen
*Sound Mix: Dolby Digital 5,1
*Extras:
-Commentary by 윤상현 감독, 변봉선 촬영감독, 송현식 조명감독, 이제훈, 서준영, 박정민, 배제기
-단편영화 “아이들” (31분32초)
-예고편 (1분 29초)
*Director: 윤성현
-2011년 올해의 발견, 가장 빛나는 데뷔작! <파수꾼> “DVD출시”
-2010년 부산국제영화제 뉴커런츠 부문수상
-2011년 로테르담국제영화제 경쟁 부문 진출!
-지금껏 발견하지 못한, 전혀 다른 청춘영화!
-<질투는 나의힘>의 박찬옥감독,<똥파리>의 양익준 감독의 뒤를 잊는 29세 젋은 감독 윤성현 감독의 데뷔작!
Synopsis
잘못된 건 없어,
처음부터 너만 없었으면 돼…”
한 소년이 죽었다. 평소 아들에게 무심했던 소년의 아버지(조성하)는 아들의 갑작스런 공백에 매우 혼란스러워하며 뒤늦은 죄책감과 무력함에, 아들 기태(이제훈)의 죽음을 뒤쫓기 시작한다. 아들의 책상 서랍 안, 소중하게 보관되어 있던 사진 속에는 동윤(서준영)과 희준(박정민)이 있다. 하지만 학교를 찾아가 겨우 알아낸 사실은 한 아이는 전학을 갔고 한 아이는 장례식장에 오지도 않았다는 것. 뭔가 이상하다.
그러던 중, 간신히 찾아낸 희준은 ‘기태와 제일 친했던 것은 동윤’이라고 말하며 자세한 대답을 회피한다. 결국 아버지의 부탁으로 동윤을 찾아나선 희준. 하지만, 학교를 자퇴하고 떠나버린 친구는 어디에도 없다.
천진하고 순수했던 그 시절, 미성숙한 소통의 오해가 불러 일으킨 비극적 파국. 독단적 우정이 가져온 폭력과 그 상처의 전염은 우리를 아프고 충격적인 결말로 이끌어간다.
서로가 전부였던 이 세 친구들 사이에서 과연 무슨 일이 벌어진 걸까?
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Awards
-
Dae Jong Award Festival 2011
- Best New Actor Winner
-
Blue Dragon Film Awards 2011
- Best New Actor Winner
Search Keywords
YumCha! Asian Entertainment Reviews and Features
Professional Review of "Bleak Night (DVD) (Korea Version)"
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As its title suggests, Bleak Night is a grim slice of Korean indie drama, which marks the debut of writer director Yoon Sung Hyun. Remarkably, the film was actually Yoon's graduation project from the Korean Academy of Film Arts, though it certainly never feels anything like a student production, showing an impressive maturity and dark emotional complexity. As a result, the film was the subject of considerable critical acclaim, both at home and abroad, winning the New Currents award at the 2010 Pusan Film Festival, thanks in part to a talented cast of young actors that includes Lee Je Hoon (Just Friends), Seo Jun Young (Grudge: The Revolt of Gumiho) and Park Jung Min, with actor Jo Sung Ha (Yellow Sea) in a supporting adult role.
The film is framed by Jo as the father of high school student Gi Tae (Lee Je Hoon), who is trying to track down his son's friends in the aftermath of his apparent suicide, attempting to understand why he took his life. At the same time, the relationship between Gi Tae and his best friends Dong Yoon (Seo Jun Young) and Hee Joon (Park Jung Min) plays out through flashbacks, revealing a tragic story of deteriorating friendships and bullying. Bleak Night really isn't a film about friendship. Instead, Yoon Sung Hyun goes down a far braver and more difficult route, by charting the ambiguous and painful bonds which tie together the three boys, which go far beyond simple camaraderie. Through this, it lays bare some very uncomfortable truths, showing how people often cling together due to loneliness or a need for security rather than actual connections. The film does cover some very tough ground, aiming for real misery as opposed to the usual teen angst, though in an even handed manner, focusing on the pain of being ignored, and on bullying as a means of getting attention. The relationship and dynamics between the protagonists shift constantly, with pent up emotions and feelings being hinted at as things gradually worsen and awkwardness gives way to violence. Shot using a handheld camera, the film certainly has an authentic feel, with Yoon achieving gritty realism through some barren landscapes which appropriately reflect the characters' despair. Painted mainly with greys and pale colours, the film is atmospheric and tense, with an ominous, foreboding air that leaves the viewer in no doubt that it is building towards something unpleasant. The film does meander somewhat, and at nearly two hours is perhaps a little long, with long stretches of male posturing and anger, though Yoon holds the interest and keeps things moving at a decent pace. The narrative structure itself works reasonably well, though the use of Gi Tae's father as a means of pushing the story forward does flounder a bit during the later stages, especially since it's obvious that Yoon is interested almost exclusively in the emotional aspects of the film rather than playing it as any kind of detective story. In this respect, some viewers may be frustrated by the film's deliberately ambiguous and occasionally obtuse approach, with very little being provided in the way of answers. This is compensated for by some very powerful performances from the superb young cast, with Lee Je Hoon in particular making a real mark as the emotionally unstable Gi Tae, a difficult and multi-layered role which effectively holds the film together. Certainly, both Lee Je Hoon and Yoon Sung Hyun are talents to look out for in the future, and help to confirm Bleak Night one of the better Korean independent films of the last year. Dark and gripping, the film makes for a hard-hitting, horribly believable picture of tortured and torturing youth. by James Mudge - BeyondHollywood.com |
Customer Review of "Bleak Night (DVD) (Korea Version)"
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October 24, 2011
When The Boys Cry
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“Bleak Night” is an excellently made film; well acted by the young cast and I’d imagine a lot of personal insight here from young director Sung-hyun Yoon. This hard tragedy really hits home about maladjusted and broken friendships within school life. The most striking is the film’s intense dark emotive atmosphere and isolating high-rise apartment blocks. Shown in a semi-documentary format and shot on handheld camera the story pivots around troubled school lad Gi-tae (Je-hoon Lee) and of his manipulative grip over high school mates Hee-joon (Jeong-min-I Park) and Dong-yoon (Jeon-yeong Seo). A strong story of growing pains, even with intimations of possessive homosexuality, its Gi-tae’s cutting and obsessive emotions that dominate over mere foibles of sexual boyhood frustration. From the onset Gi-tae had committed suicide and his father visits his son’s school to find out why two of Gi-tae’s best friends, Hee-joon, had moved to another school and Dong-yoon, had never shown up at Gi-tae’s funeral. The story then alternates from present to past describing throughout to the reason of Gi-tae’s suicide. A replay account of possessive friendship, Gi-tae’s brittle and violent obsession towards his two school mates, that slowly breaks apart as Gi-tae patches ‘people need’ over his personal troubled complex of family rejection and mistrust. Psychologically Gi-tae demands close friendship due to being abandoned by his mother as a child. His paranoia and anger switching into quick irritable intimidation if ever introvert Hee-joon ignores, contradicts or questions Gi-tae’s ‘reasonable’ often-pretentious suggestions. By Gi-tae’s control, he becomes erratically violent at the slightest negation from other lads around him. And other lads Gi-tae certainly needs; a school posse that looks up to Gi-tae’s leadership, but still regard him as mentally troubled. The gang element also intensifies a ‘bully’ aspect in Gi-tae’s persona who uses violence on his friends if ignored or contradicted. If Hee-joon doesn’t respond say to Gi-tae’s trivial ‘wassup’ request, the latter will irritably single out and yell at Hee-joon in school corridors, even slapping his head and beating him up. All due to Hee-joon ’s tiredness over Gi-tae’s hard boy complex that cries inside his soul. The three boys though constantly meet up on a railroad track and at one point decide on a visit to China on a triple boy/girl date. But even then Gi-tae gets obsessive and possessive about his friend’s. |
See all my reviews
October 24, 2011
When Demanding Friendship’s Break
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Although Gi-tae is manipulative and needs to be someone, by his constant volatile control of others, even to the point of self deception and lying, leaves Gi-tae a lonely boy. Hee-joon and Dong-yoon find it almost impossible to sensibly reason why Gi-tae as calculative reasons for them to be his mates. Dong-yoon tries to keep the peace between Gi-tae’s violent bullying of Hee-joon and even threatens Gi-tae for crossing the friendship line. Gi-tae also tries to keep Dong-yoon his close friend, after introverted Hee-joon had moved to another school, by telling Dong-yoon his girlfriend Se-jeong (Cho-hee Lee) had ‘slept’ with other boys, even becoming pregnant and aborting, so should ditch her. Whatever a truth, any friend’s emotional independence from Gi-tae was anathema to Gi-tae’s fragile emotions. Even embarrassment is a cuss when one of Gi-tae’s gang upsets Gi-tae’s sensitivity of his mother abandoning him. Gi-tae not receiving a mother’s love and by his gang bantering about motherly affection caused embitterment in Gi-tae and with angry scowling and shirt pulling, head slaps ‘friends’ who don’t ‘understand’ Gi-tae’s emotional crisis. It paints it black here for Gi-tae, but all this relates to happenings where ‘friends’ can control others. But, due to high static emotion, all the boys here are rarely amiable to each other (the directors reflection, maybe), even considering the high needs and violent tension Gi-tae creates. Maybe it’s better for Hee-joon and Dong-yoon to wear the face of indifferent truth about Gi-tae’s nature than smile and say ‘okay, Gi-tae, we’re here’ to try to keep him satisfied, but ‘lie’ in the pandering. But friends generally bolster the others needs positively, and in “Bleak Night” (Korean title: “Lookout”) all three are swept into a negative repelling force of Gi-tae’s dominating and violent manipulative attitude. Hee-joon and Dong-yoon would surly wish to get away from Gi-tae’s stifling motivation, so to maybe love a girl, be free to cut the breeze and not be questioned or pulled up about every farting thing that didn’t include Gi-tae. Yet by Gi-tae’s suicide, due to cutting ‘truths’, was indeed needful of help and love. His force was proof of that and the tragic destructive decision he made. His feelings were true, just messed up! If only love was what we dream it to be! Anyway, intense, sad and attention grabbing, “Bleak Night” is a small masterpiece and Je-hoon is utterly convincing but brilliant to watch! |










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