Bloody Parrot (DVD) (Hong Kong Version) DVD Region 3
YesAsia Editorial Description
Hell is raised in the martial arts world as forces of good and evil engage in a life-or-death battle for the fabled "bloody parrot". According to legend, this bloody parrot, transformed by dark magic, grants three wishes to anyone who sees it. Like many other people in the martial arts world, swordsman Yeh Ting Feng (Pai Piao) is curious about the truth behind the bloody parrot, and has been investigating its whereabouts. Renowned constable Tieh Han (Tony Liu), meanwhile, is tracing thirteen chests that mysteriously disappeared from the Wang manor. Yeh and Tieh cross paths one night in a cemetery. As the bloody parrot flies overhead, Tieh falls under its curse...
Technical Information
| Product Title: | Bloody Parrot (DVD) (Hong Kong Version) 血鸚鵡 (DVD) (香港版) 血鹦鹉 (DVD) (香港版) Bloody Parrot (DVD) (Hong Kong Version) Bloody Parrot (DVD) (Hong Kong Version) |
| Artist Name(s): | Jason Pai (Actor) | Anthony Lau (Actor) | Liang Zhen Ni (Actor) 白彪 (Actor) | 劉永 (Actor) | 梁珍妮 (Actor) 白彪 (Actor) | 刘永 (Actor) | Liang Zhen Ni (Actor) 白彪(バク・ビウ) (Actor) | 劉永(トニー・リュウ) (Actor) | Liang Zhen Ni (Actor) Jason Pai (Actor) | Anthony Lau (Actor) | Liang Zhen Ni (Actor) |
| Director: | Hua Shan 華山 华山 Hua Shan Hua Shan |
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| Release Date: | 2007-12-20 |
| Language: | Mandarin |
| Subtitles: | English, Traditional Chinese |
| Country of Origin: | Hong Kong |
| Picture Format: | NTSC What is it? |
| Aspect Ratio: | 2.35 : 1 |
| Widescreen Anamorphic: | Yes |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Duration: | 92 (mins) |
| Publisher: | Intercontinental Video (HK) |
| Package Weight: | 100 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1005162226 |
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導演︰華山
Director: Hua Shan
本片由古龍原著,倪匡改編劇本,華山執導。故事講述據說幽冥中諸魔用魔血化成了血鸚鵡,只要你能看見它,就會有三個願望。江湖俠盜葉停楓(白彪 飾)與其他高手一樣,一直在追尋血鸚鵡的真相;而中原名捕「鐵手無情」鐵恨(劉永 飾),則對王府一夜之間突告失竊的十三箱珠寶緊緊追查。一夜,葉、鐵二人在墳場相遇,血鸚鵡突告出現,鐵死於它的魔力之下……
Let's get one thing straight right away. There is no blood-splattered bird in this fast paced fantasy kung-fu film, but there is a swashbuckling mercenary of that nickname, who seems to be helping the Chief of the Imperial Vault recover the Emperor's stolen riches until the Chief is stabbed to death by the imperial concubine. Then it's up to mercenary swordsman Pai Piao to brave blades, poison pins, and several booby-trapped mazes to save the royal jewels.
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Professional Review of "Bloody Parrot (DVD) (Hong Kong Version)"
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The oddly titled Bloody Parrot is a somewhat obscure Shaw Brothers re-release from 1981, the period when the studio was mainly known for churning out lots of gory and grotesque fantasises and tales of dark magic. The film is no exception, being a nasty and often downright bizarre mystery directed by Hua Shan, best known for somewhat more normal fare such as the Jin Yong adaptations Little Dragon Maiden and Tales of a Eunuch and the wuxia outings Usurpers for Emperor's Power and excellent Ti Lung vehicle Soul of the Sword. The film starts with the retelling of the legend of the bloody parrot, which apparently comes to earth on the devil king's birthday and grants three wishes to anyone who finds it. As is usually the case, these wishes turn sour for poor Guo Fan, an official whose neck is on the line for losing the fabled treasure of Dian and who asks the sinister bird for their return. They do, though soon after his son dies, after which they promptly disappear again, leading to bloodshed and tragedy. Word of the fabled treasure spreads throughout the martial arts world and many fighters seek out the parrot, which it is said will lead them to the riches. Wandering swordsman Yeh Ting Feng (Pai Piao, also in Killer Constable and Shaolin Rescuers) is intrigued by the story and tracks down Guo Fan's brother, only to find him horribly poisoned. Teaming with famed constable Tieh Han (Tony Liu, another studio regular who featured in the likes of Spirit of the Sword and Return of the Sentimental Swordsman), he sets out to get to the bottom of the mystery. Sure enough, the two soon cross paths with the parrot, though the encounter unfortunately leaves Tieh dead, and so Yeh takes his coffin with him on the hunt, searching for a prostitute called Xue Nu (the clearly uninhibited actress Liang Zhen Ni, who starred in a number of other Shaw horrors such as Bewitched and Hex Vs. Witchcraft) rumoured to know more about the complicated affair. To be honest, the above synopsis barely even scratches the surface of the labyrinth plot, which would probably take several novels to do it justice. Packing in countless twists, betrayals and shock revelations, the film keeps the viewer engaged and guessing throughout, though it is a little hard to follow at times before the usual cackling Shaw style villains finally reveal themselves. It works well as a combination of the studio's usual horror, fantasy, wuxia and traditional martial arts motifs, tied together with a definite gothic edge, featuring vampires, witches, drawings with moving eyes and other creepy delights. Certainly, although chaotic the film is never boring in the least, and just about manages to retain a sense of coherence, not that it particularly matters. For those left scratching their heads by the narrative, the film serves up lots of exciting martial arts action, well choreographed by the veteran Hsu Hsia, with a good amount of energetic duels and sword battles, most of which are very bloody and feature a dizzying array of vicious looking weapons, mutilations and flying limbs. Although not quite as nauseating as other Grand Guignol Shaw productions of the time such as Boxer's Omen or Hex, the film still boasts a few disgusting scenes of black magic and maggots, as well as a gruesome autopsy and some nasty flesh melting. The film also recalls the studio's infamous Human Lanterns with a nice line in disturbing skin embroidery and several shots of brutal flaying. Rounding out the film as a decidedly visceral experience is a high quotient of nudity, most of it featuring actress Liang Zhen Ni who is topless for most of her scenes, including a bizarre and unsettling sequence of naked demonic possession, as well as some surprisingly kinky sex and the rather inappropriate use of a pearl. In short, Bloody Parrot pretty much has it all and is a definite must see for all fans of the Shaw Brothers' darker and sleazier fantasy films. Whilst the hideously convoluted plot may lose some viewers early on, for those who persevere it really is a wonderful and entertaining film, with enough crazed weirdness and ghastliness to mark it as one of the very best of its type. by James Mudge - BeyondHollywood.com |
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Customer Review of "Bloody Parrot (DVD) (Hong Kong Version)"
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June 5, 2008
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While "Bloody Parrot" may have been adapted loosely from a Gu Long novel, I think it is safe to say that this movie is nothing like what Gu Long had in mind. "Bloody Parrot" is a chaotic, brilliant, horrible, stomach-churning, swashbuckling masterpiece of exploitation cinema. The film starts by telling us some goofy hokum about the legend of the "bloody parrot", a magical creature that will grant three wishes to anyone who sees it. This is supplemented by an impenetrable story about stolen treasure and a brothel prostitute. It appears that, about twenty minutes into the film, director Hua Shan realized that the story was a nonsensical mess, so almost all of the rest of the movie becomes a series of adventures featuring swordsman Yeh (Pai Piao) and the brothel prostitute (Jenny Liang) with whom the swordsman has fallen in love. Where these two are going and why they are going there is beside the point. The purpose of these adventures is to present the viewer with a solid hour of fast-paced, eye-popping encounters with a witch, a vampire, a cannibal, multiple bad guys, poisons, antidotes, spells, lots of snakes, maggots, two vomit-inducing autopsies, endless dazzling bouts of swordplay, and a flimsy excuse for Jenny Liang to take off all of her clothes in a hall of mirrors. At the end of all this carnage, director Hua offers a scene that attempts to draw the hopelessly tangled strands of the story together (and to resurrect the bloody parrot, which seems to have been forgotten or misplaced for most of the film). But by the time this final scene rolls around, the grateful viewer, having witnessed one of the most insane thrill rides ever committed to celluloid, is beyond caring about a logical resolution to the story. Pai Piao makes a terrific leading man. He is honorable, handsome, seemingly indestructible, and dazzlingly quick and convincing in his swordfighting moves. Jenny Liang, as the leading lady, delivers an inconsistent performance. However, let's face it, she was chosen for this role because (a) she looks good in the buff and (b) she was willing to doff her duds for any reason or no reason at all. Kudos to Hua Shan for creating this entertaining mess. "Bloody Parrot" is recommended for fans of cheesy, gory, ultraviolent grindhouse fare. |












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