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Come, Closer (DVD) (First Press Edition) (Korea Version) DVD Region 3

Yoon Kye Sang (Actor) | Jung Yoo Mi (Actor) | Yozoh (Actor) | Yoon Hee Suk
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Come, Closer (DVD) (First Press Edition) (Korea Version)

YesAsia Editorial Description

Su Jin (Kim Hyo Seo) listens to a stranger talk about his ex-girlfriend over the phone. Hye Young (Yozoh) is often mistaken for a couple with her hopeless bandmate Ju Young (Yoon Hee Suk). Se Yeon (Yeom Bo Ra) is in love with Young Soo (Oh Chang Suk) who might be gay. Hyun Oh (Yoon Kye Sang) and his ex-girlfriend (Jung Yoo Mi) meet again on a rainy night. Woon Chul's (Jang Seo Won) boyfriend tells him one night that he's leaving him for a girl.

The first full-length feature from indie director Kim Jong Kwan, Come, Closer ponders the little thing called love through the romance and breakup of five couples. Screened at the 2010 Pusan Film Festival, the film brings together a diverse cast that includes singer-turned actor Yoon Kye Sang (Lovers of Six Years), popular actress Jung Yoo Mi (Oki's Movie), and indie singer Yozoh.

This edition comes with commentary, music video, trailer, and a short film directed by Kim Jong Hwan.

© 2011-2012 YesAsia.com Ltd. All rights reserved. This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.

Technical Information

Product Title: Come, Closer (DVD) (First Press Edition) (Korea Version) Come, Closer (DVD) (初回版) (韓國版) Come, Closer (DVD) (初回版) (韩国版) もう少しだけ近くに (DVD)(初回版)(韓国版) 조금만 더 가까이 (DVD) (초회판) (한국판)
Also known as: もう少し近くに
Artist Name(s): Yoon Kye Sang (Actor) | Jung Yoo Mi (Actor) | Yozoh (Actor) | Yoon Hee Suk 尹繼尚 (GOD) (Actor) | 鄭柔美 (Actor) | Yozoh (Actor) | Yoon Hee Suk 尹继尚 (GOD) (Actor) | 郑柔美 (Actor) | Yozoh (Actor) | Yoon Hee Suk ユン・ゲサン (GOD) (Actor) | チョン・ユミ (Actor) | ヨジョ (Actor) | ユン・ヒソク 윤계상 (Actor) | 정유미 (Actor) | 요조 (Actor) | 윤희석
Director: Kim Jong Kwan 金宗寬 金宗宽 キム・ジョングァン 김종관
Release Date: 2011-04-08
Language: Korean
Subtitles: English, Korean
Country of Origin: South Korea
Picture Format: NTSC What is it?
Disc Format(s): DVD
Region Code: 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it?
Rating: III
Publisher: Art Service
Other Information: 1-Disc
Package Weight: 100 (g)
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1024230620

Product Information

조금만 더 가까이 (DVD) (초회판) (한국판)

*Screen Format: 1.85:1 Anamorphic Widescreen
*Sound Mix: Dolby Digital 5.1
*Extras:
-Commentary by 김종관 감독, 변영주 감독, 김태용 감독, 이해영 감독, 이경미 감독
-비디오 Commentary by ‘너의 미소 속에는’ by 요조, 김태성(음악감독)
-뮤직비디오
요조: 우리는 선처럼 가만히 누워(feat. 이상순)
-김종환 감독 단편영화
1. 폴라로이드 작동법
2. 모놀로그 #1
-스팟
-예고편

*Director: 김종관


-윤계상, 정유미 주연의 “조금만 더 가까이” DVD 출시!
-다섯 커플의 고장난 사랑 옴니버스 장편 영화 “조금만 더 가까이”
-한국의 이와이 슌지.김종관 감독의 첫 장편영화
-허밍어반 스테레오의 객원보컬 홍대 여신“요조”의 출연 작품


Synopsis

고장난 사랑에 관한 다섯가지 증상 | 너 때문에 나... 연애불구야...
가을, 가로수길. 어느 한적한 까페에 '안나'라는 여자를 찾는 낯선 남자의 전화가 걸려왔다. 로테르담의 폴란드인 그루지엑, 왜 그녀가 말없이 떠났는지… 아픔이 묻어나는 그의 목소리가 묻고 있었다. 세연의 새로운 사랑은 게이다. 둘만의 첫 섹스. 낯설고 불편하지만 상관없다. 그녀의 마음이 설레고 있으니까… 비 내리는 저녁, 스토커처럼 집착하며 고래고래 소리지르는 은희(정유미) 앞에 현오(윤계상)는 끝내 울고 만다. 자신 때문에 연애불구가 됐다는 그녀. 헤어졌지만 그들의 인연은 아직 끝나지 않은 걸까? 다른 사랑이 있다는 영수의 고백을 듣는 운철. 주영(윤희석)의 한심한 남자이야기에 너덜너덜해진 사랑을 느끼는 혜영(요조)…. 사랑은 어렵다.

2010년 가을, 음악과 어우러져 단풍처럼 다른 색의 감성을 자극하는 고장난 사랑에 관한 비밀스런 이야기들이 시작됐다.
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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YumCha! Asian Entertainment Reviews and Features

Professional Review of "Come, Closer (DVD) (First Press Edition) (Korea Version)"

May 23, 2011

Korean indie Come, Closer marks the debut feature from director Kim Jong Kwan, a winding exploration of love and modern relationships, focusing specifically on the pain of breaking up. Drifting through a series of scenes of couples experiencing various difficulties and realisations, the film is an ensemble piece with a cast headed by popular actress Jung Yoo Mi (recently in master indie director Hong Sang Soo's Oki's Movie, and various musical types including singer-turned actor Yoon Kye Sang (Lovers of Six Years) and indie singer Yozoh. Like most Korean indie productions, the film took the festival circuit release route, having played at Pusan in 2010.

The film kicks off with coffee shop worker Su Jin (Kim Hyo Seo) taking a random call from a Polish man in Rotterdam, who tells her the story of his missing fiance before moving into a series of vaguely interlinked segments revolving around a group of young urbanites. There's a girl called Se Yeon (Yeom Bo Ra) attempting to seduce the possibly gay Young Soo (Oh Chang Suk), band mates Hye Young (Yozoh) and Ju Young (Yoon Hee Suk) taking a walk through the park while discussing love, Hyun Oh (Yoon Kye Sang) being stalked by his ex-girlfriend (Jung Yoo Mi) in the rain, and the confused Woon Chul (Jang Seo Won) having to deal with an awkward confession from his boyfriend.

Although this synopsis may suggest the kind of contrived overlapping multi-narrative type plot so common in indie cinema, Come, Closer is actually a pleasingly naturalistic affair, with Kim Jong Kwan taking a gently intimate approach to the material. The film is observational rather than intrusive, and though it does feature a handful of revelations along the way, it's never manipulative or artificial. Whilst this may mean for some viewers that it is lacking in drama or high octane emotions, it's very much a character based and humanistic effort, and one which clearly cares more about its journey than its destination. Basically consisting of a series of vignettes, the film is essentially just a series of conversations between couples, though thanks to a fine script, it rings true throughout, facing up to the harsh realities of the heart without pulling too many punches. Though it does get a touch ponderous in places (in particular during the not exactly promising opening scene) and occasionally oversteps the mark in its search for meaningfulness, at the same time it benefits from a light touch and a genuine desire to offer a realistic and balanced depiction of the many trials and troubles between men and women (and indeed between men and men).

The film is a fittingly mature and adult affair, and in dealing with a number of weighty issues it does get graphically sexual in places, more so than most other similarly themed efforts. However, although it frequently features both male and female nudity, as well as some pretty intense couplings, it's never gratuitous or played for cheap titillation. To a large extent this is due to Kim's efforts to flesh out his characters, all of whom are convincingly written and acted by the impressive cast. For the most part the players are complex figures, and the film has a non-judgemental manner which never condemns their sometimes less than moral behaviour or offers any kind of conclusions, narrative or thematic. This is offset with some well judged instances of humour, and though the film doesn't feature any jokes or comedy as such, it is all the more engaging for never wallowing in angst, despite covering some potentially depressing ground.

As a result, although likely to be mainly of interest to devotees of independent cinema, Come, Closer is arguably one of the few truly honest films about modern relationships to have emerged from Korea of late. Touching and insightful, it manages to avoid most of the philosophical excesses that genre outings tend to be prone to, and suggests that Kim Jong Kwan may well be a talent to watch.

by James Mudge - BeyondHollywood.com

Editor's Pick of "Come, Closer (DVD) (First Press Edition) (Korea Version)"

Picked By Sanwei
See all this editor's picks


June 30, 2011

Love and Loss in Five Acts
Just by nature of its structure and themes, Come, Closer is a film that will mainly interest art and indie cinema followers, but director Kim Jong Kwan's debut feature has an emotive, down-to-earth appeal that speaks to anyone who has loved and lost. Pulling audiences closer with identifiable characters and unadorned emotions, the film essentially consists of five conversations and encounters surrounding the lingering pain of love and separation.

With omnibuses, there's almost always an obvious weakest link, and it shows itself early in Come, Closer with the opening story about a long-distance phone conversation between strangers. Set at a quiet cafe, the first segment is largely dispensable but harmless enough as a mood-setting piece. The second segment segues from a conversation among friends to a gay youth's first sexual encounter with a girl. The camera hovers uncomfortably close to the couple during this believably awkward and surprisingly explicit scene, but it never feels sensational or gratuitous. The great significance of this intimate moment becomes clear in the fourth segment when the youth breaks up with his longtime boyfriend in their shared apartment. While the setup of a gay man going straight might seem cringe-inducing, their breakup is actually the most powerful scene of the film. The raw emotions and frank admissions that come out during the argument express the shock, anguish, and numbness of both men when they realize that love isn't enough.

The third segment commands the most attention as it features two name actors in Jung Yoo Mi and Yoon Kye Sang, a star pairing that makes Come, Closer further stand out among Korean indie omnibuses. Jung Yoo Mi employs her familiar eccentric charm to play the relentless ex-girlfriend who uses her heartbreak to terrorize the man who hurt her. She has shown up once again on a rainy night, unwilling to free her ex until she is able to free herself, and he is once again helpless to do anything but listen to her lashings and plead for closure. The scene is well written, well acted, and almost funny for being so realistically ridiculous, capturing how childish and unreasonable adults can become after relationships run their course.

The final segment is the simplest yet most ambiguous, following two close friends strolling through a park beautifully awash in autumn colors. As they walk, they talk between the lines about men, women, relationships that have ended, and perhaps relationships that never began. Their conversation, much like the film as a whole, is at times pensive but by no means pretentious, plain yet emotionally resonant.
This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.
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