Disciples Of Shaolin (DVD) (Hong Kong Version) DVD Region 3
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Technical Information
| Product Title: | Disciples Of Shaolin (DVD) (Hong Kong Version) 洪拳小子 (香港版) 洪拳小子 (香港版) Disciples Of Shaolin (DVD) (Hong Kong Version) Disciples Of Shaolin (DVD) (Hong Kong Version) |
| Artist Name(s): | Chi Kuan Chun (Actor) | Alexander Fu (Actor) | Jiang Dao (Actor) 吳棟材 戚冠軍 (Actor) | 傅聲 (Actor) | 江島 (Actor) 吴栋材 戚冠军 (Actor) | 傅声 (Actor) | Jiang Dao (Actor) 戚冠軍(チク・グングヮン) (Actor) | 傅聲 (アレクサンダー・フーシェン) (Actor) | Jiang Dao (Actor) Chi Kuan Chun (Actor) | Alexander Fu (Actor) | Jiang Dao (Actor) |
| Director: | Chang Cheh 張徹 张彻 張徹(チャン・ツェー) Chang Cheh |
| Release Date: | 2007-02-13 |
| Language: | Cantonese, Mandarin |
| Subtitles: | English, Traditional Chinese |
| Country of Origin: | Hong Kong |
| Picture Format: | NTSC What is it? |
| Aspect Ratio: | 2.35 : 1 |
| Widescreen Anamorphic: | Yes |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Duration: | 102 (mins) |
| Publisher: | Intercontinental Video (HK) |
| Package Weight: | 120 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1004643697 |
Product Information
* Sound Mix: Mono
* Extras:
- 幕後花絮 Behind-The-Scenes
- 本片預告 Trailer
- 精選猛片預告 Other Releases
- 劇照 Color Stills
- 原裝海報 Original Poster
- 電影簡介 Production Notes
- 演員∕導演簡介 Biography & Selected Filmography
導演:張徹
Director: Chang Cheh
本片為已故功夫巨星傅聲的代表作之一,合演的包括戚冠軍、江島及盧迪。劇情講述關風義(傅聲 飾)洪拳造詣極高,經師兄黃漢(戚冠軍 飾)介紹,在興發隆布廠當雜工。黃漢時常諄諄告誡關風義,千萬別顯露自己會武功,以免招惹麻煩。關風義並沒有將黃漢的話記在心裡,反而因多次暴露身手,成為兩家敵對布廠鬥爭中的犧牲品……
The legendary Chang Cheh made more than 70 films between 1960 and 1975, but this is considered one of the most notable. A nominal sequel to the equally acclaimed Shaolin Martial Arts, this powerful production cemented Alexander Fu Sheng’s superstardom. It is also one of the last Chang films choreographed by the mighty Liu Chia-liang. Together, they make this tale of the Shaolin vs. Manchu conflict one of the highlights in kung-fu film history.
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "Disciples Of Shaolin (DVD) (Hong Kong Version)"
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Disciples of Shaolin is a bit of a misnomer as a title and owes much to this film being a follow-up to Shaolin Martial Arts. This is a Chang Cheh film and he has certainly ploughed the Shaolin furrow more than most, but the film has little to do with temples while the Manchu-Han conflict is merely an insignificant fact of the setting. It does star a couple of Cheh regulars in Fu Sheng and Chi Kuan-Chun, but the film is really a tale of brothers and their different paths in life. Fu Sheng is cast according to type as the impish slightly over eager brother who comes to the city to seek his fortune and catch up with his older brother, Chi Kuan-Chun. Chi Kuan-Chun works at a cotton mill and has forsaken his kung-fu skills through the bitter experience of disloyal masters and amoral bloodshed, and he advises his show-off brother to do the same. His advice falls on deaf ears and soon his brother is alternatively facing the sack for his cheek and becoming the protector of the unfaithful mill boss, Ha. Fu Sheng's innocent starts to crave the trappings of success such as a gold watch or new shoes and uses his newfound success to even scores and enjoy his new status. Into this story comes the well-connected opposition mill boss, He, who is bent on taking out his competition through bribery and violence. He finds his efforts to bribe the mill workers unsuccessful and sets out on a plan of intimidation to achieve his ends. As the new foreman and the handiest with his fists, Fu Sheng fights back and He hatches another plan to end resistance for good. If anything, Chang Cheh's film is a tale of the virtues of loyalty in an invidious, pseudo-feudal world. Fu Sheng is the naive brother who eventually finds that his master treats him as a possession rather than a man, the innocent who gets seduced by easy fame and becomes in the words of his brother "no better than a dog". Chi Kuan-Chun is the older brother who has become cynical and withdrawn from the greed of men and the machinations of masters. Both brothers represent a response to poverty - one wide-eyed and material, the other noble and Buddha-like. Chang Cheh's film enjoys both these characters and admires the younger's spirit as well as the older's wisdom, but clearly a martial arts film enjoys the younger's willingness to fight rather than the older's peaceful objection. Additionally, Fu Sheng's fights are probably more fun because they are faster and more exciting than Chi Kuan-Chun's few grapples which end the film. Fu Sheng is good value as the naive country bumpkin lost in promotion and his charisma means that his fights are not only more technically proficient but possess greater style and warmth. Chi Kuan-Chun is less thrilling and less of a personality, and for all his character's virtues he does seem rather judgmental and austere. Ni Kuang's screenplay is one of his better ones for Chang Cheh, giving enough opportunity for choppy socky action whilst exploring themes of feudalism, exploitation and moral choices. There are some details which seem like afterthoughts but are delightful: the tired prostitute who falls for Fu Sheng despite her profession, and the use of signifiers of social treachery such as the new shoes and the gold watch. On these last two points, Chang Cheh uses these devices well as symbols of, first, the growing embourgeoisement of Fu Sheng and, finally, his eventual rejection of status for honour. Chang Cheh also throws in some trademark touches such as the white suit that Fu Sheng dons in his final battle, like David Chiang in Vengeance, and the image of the single honourable man dealing out justice to the hordes of the corrupt. This recording of the film also carries a soundtrack which owes, at different times, much to other genres of pictures from Fred Neil's work on Midnight Cowboy to Morricone's spaghetti westerns and gialli. What really raises the film is that it is one of the last times Chang Cheh worked with Liu Chia-Liang and Liu's work with Fu Sheng here is every bit of the standard that he came to achieve with Gordon Liu. The fights roll from punch to kick and use the surroundings brilliantly; there is a continuity and exuberance that only Sammo Hung equals at his best. Fu Sheng's final bout is a typical Chang Cheh fight against impossible odds and Chang Cheh switches to monochrome to capture pathos in the midst of the carnage, a trick that Tarantino repeated in Kill Bill. This style, the emotional depth, the choreography, and an on-song Fu Sheng are the chief reasons that the film succeeds as a well above average entry in the great Chang Cheh's filmography. DVD The extras include two trailers for the film, a new one and the original theatrical (both subbed in English), and four other trailers from the IVL Shaw catalogue. The disc also comes with the original poster and photo gallery, short production notes in English and Chinese, and 2 page long biographies for the leading actors and Chang Cheh. Overall by John White - DVD Times |
Customer Review of "Disciples Of Shaolin (DVD) (Hong Kong Version)"
See all my reviews
April 29, 2007
One of Fu Sheng best
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Very good movie for the year it was made. Kung fu flix in the early 70's had good choregraphies but sometimes slowpaced! It's only with the late 70's that we saw faster choregraphies. But this one is exellent ( authentic and fast ) and is one of Fu Sheng best action. |
See all my reviews
April 26, 2007
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As always Chang Cheh had his stable of actors who were good martial artists as well as expressive characters. Chi kuan Chun and Fu Sheng were a great team throughout their pictures together. This movie is no different. Martial Arts movies always had not only fighting but a morality lesson. This movie proves that this equation works well!!! |










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