Don't Laugh At My Romance (DVD) (Korea Version) DVD Region 3
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YesAsia Editorial Description
Low-key 19-year-old art school student Mirume (Matsuyama Kenichi) gives a lift to a woman (Nagasaku Hiromi) walking barefoot on a country road one day. What seems like a random encounter turns fateful when Mirume runs across the woman again on campus. It turns out she's the new lithography professor, Yuri. Mirume is immediately drawn to her bubbly personality, and Yuri, 20 years his senior, returns the attention by inviting him to her studio and seducing him with laughing candor. In over his head from day one, Mirume falls happily into giggling romance and bedroom escapades, blissfully unaware that he's broken the heart of longtime friend and admirer En-chan (Aoi Yu). Everything seems to be going fine until Mirume decides to pay Yuri a surprise home visit and he meets her husband.
Technical Information
| Product Title: | Don't Laugh At My Romance (DVD) (Korea Version) 不要嘲笑我們的性 (DVD) (韓國版) 不要嘲笑我们的性 (DVD) (韩国版) 人のセックスを笑うな 남의 섹스를 비웃지 마 (DVD) (한국판) |
| Also known as: | Hito no Sex wo Warauna / Sex is No Laughing Matter Hito no Sex wo Warauna / Sex is No Laughing Matter Hito no Sex wo Warauna / Sex is No Laughing Matter Hito no Sex wo Warauna / Sex is No Laughing Matter Hito no Sex wo Warauna / Sex is No Laughing Matter |
| Artist Name(s): | Matsuyama Kenichi (Actor) | Aoi Yu (Actor) | Oshinari Shugo (Actor) | Nagasaku Hiromi (Actor) 松山研一 (Actor) | 蒼井優 (Actor) | 忍成修吾 (Actor) | 永作博美 (Actor) 松山研一 (Actor) | 苍井优 (Actor) | 忍成修吾 (Actor) | Nagasaku Hiromi (Actor) 松山ケンイチ (Actor) | 蒼井優 (Actor) | 忍成修吾 (Actor) | 永作博美 (Actor) Matsuyama Kenichi (Actor) | Aoi Yu (Actor) | Oshinari Shugo (Actor) | Nagasaku Hiromi (Actor) |
| Release Date: | 2010-11-25 |
| Language: | Japanese |
| Subtitles: | Korean |
| Country of Origin: | Japan |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Rating: | III |
| Publisher: | PRE.GM |
| Other Information: | 1-Disc |
| Package Weight: | 110 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1023683161 |
Product Information
*Screen Format: 16:9 Anamorphic Widescreen
*Sound Mix: 일본어 2.0 Dolby Digital
*Director: 이구치 나미
▪ 일본의 권위 있는 문학 상 중 하나인 아쿠타가와 류노스케상 후보였던 야마자키 나오코라의 동명 소설을 영화화 한 작품.
▪ <개와 고양이>로 2004년 부산국제영화제 출품되어 많은 지지를 받았던 이구치 나미 감독 작품.
▪ 여성 감독 특유의 감성으로 그려낸 4 남녀의 달콤하고도 미묘한 감정의 사랑 이야기.
▪ 대담한 육체적 표현과 섬세한 감정 표현. 문학 작품을 영상으로 탁월하게 표현해 내었다는 평가.
▪ <하나와 앨리스> <훌라 걸스> <도쿄!> <릴리 슈슈의 모든 것> 등의 일본 청춘 스타 아오이 유우 출연.
▪ <데스노트>의 L군으로 활약했던 마츠야마 켄이치 출연.
▪ 일본 영화 특유의 아름다운 영상과 독특한 색감.
▪ 실제 사랑하는 커플을 보는 것 같은 뛰어난 연기를 보여준 4명의 연기자.
SYNOPSIS
동트는 새벽, 소형 트럭으로 드라이브를 하던 세 친구, 미루메, 엔짱, 도모토는 길가에 머리를 풀고 절뚝거리며 자신의 하이힐을 들고 히치하이킹을 하던 유리를 트럭 짐칸에 태워준다. 다음 날 미루메와 엔짱이 다니는 대학교에 나타난 유리, 그녀가 반가운 미루메는 자신을 기억하는지 담배를 물고 있는 유리에게 말을 건네고 그녀가 자신이 다니는 미술대학의 임시 부임한 석판화 강사임을 알게 된다. 19살의 자신보다 다소 제멋대로이고 자유분방한 39살 유리의 태도에 매력을 느끼는 미루메는 그녀가 일하는 석판화 작업실을 기웃거리던 중 판화의 롤러를 밀어줄 조수가 필요하다는 유리의 부탁에 응하게 된다.
이를 계기로 유리와의 만남이 빈번해 지는 미루메, 그러던 중 수업이 없는 날에 유리와 함께 그녀의 아뜰리에를 방문한 미루메는 누드 모델이 되어 달라는 유리의 제안을 받게 되고, 난데없는 그녀의 행동에 당황하지만 순순히 누드모델이 되어주고, 이어서 그림 작업이 끝난 후 유리에게 자신의 동정까지 바친다.
계속해서 유리와 은밀한 만남을 즐기며 천국과 같은 나날을 만끽하는 미루메, 그런 모습을 수상히 여긴 친구인 도모토의 추궁에 기뻐하며 유리와의 관계를 고백하는데 또 한 명의 단짝이자 미루메를 짝사랑하던 엔짱이 이 사실을 알게 되자 무척 언짢아하며 유리를 못마땅하게 여긴다.
그러던 중 유리와의 연락이 닿지 않아 그녀의 집을 방문한 미루메, 그 곳에서 유리의 아버지 같은 할아버지의 남자가 그녀의 남편이란 사실을 알게 되고, 예상치 못한 현실에 부딪혀 경악한 미루메는 유부녀인 그녀와의 관계를 끊기로 결심한다. 그리고 집에서 은둔한 채 자신만의 동굴 속으로 들어가버리자, 그런 미루메가 걱정된 엔짱은 유리를 찾아가 지금까지 미루메를 가지고 논 것이냐 따지고, 이에 유리는 한 번 만져보고 싶었을 뿐이라고 오히려 당당하게 대답한다. 폐인이 된 미루메와는 정반대인 유리의 기세에 눌린 엔짱, 미루메를 일상으로 돌리겠다는 맘으로 그녀는 단짝 친구가 아닌 짝사랑의 대상으로 미루메를 찾아가지만 유리만 생각하는 미루메를 위해서 유리가 유부녀이던 사랑하고 싶으면 사랑하면 되지 않냐면서 엔짱 자신의 진심과는 반대로 그의 마음을 달래준다.
단짝 친구인 엔짱의 격려에 힘 입은 미루메는 마음을 다 잡고 유부녀인 유리에게 사랑을 표현하기 위해 찾아가지만 그녀는 그의 절실한 맘과는 전혀 상관없는데..
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Professional Review of "Don't Laugh At My Romance (DVD) (Korea Version)"
This professional review refers to Sex Is No Laughing Matter (DVD) (English Subtitled) (Hong Kong Version)
|
Thanks to the success of the Death Note movies, Kenichi Matsuyama had one of his biggest years in 2007, when he had the chance to headline his first television drama. However, like other breakout young Japanese actors before him, Matsuyama manages to balance a successful career between commercial blockbusters and small independent projects. Nami Iguchi's Don't Laugh at My Romance is a successful example of one of the latter. A light yet non-comedic look at an affair between an older woman and a younger man, Don't Laugh at My Romance is a film too subtle and too anti-climatic for most Death Note fans. It will, however, likely find a following amongst mature urbanites looking for a quieter coming-of-age film. While Matsuyama, as the lovelorn college student Mirume, is the central character of the story, the spotlight clearly goes to Hiromi Nagasaku as the older free spirit Yuri. The idea of seducing an older housewife is a typical pornographic fantasy in Japan, but writer/director Iguchi and Nagasaku has no interest in making Yuri a simple object of Mirume's sexual obsession. Yuri does exude a playful presence that is apparent from the first scene, in which she wanders the streets of suburban Saitama early one morning after missing the last train. That morning also marks her first meeting with Mirume, when his he and his friends end up giving her a ride. When Mirume sees Yuri again at the university, surprise turns into curiosity as he discovers that she's the new substitute lithography teacher. Things begin innocently, with Yuri giving Mirume private lithography lessons. However, when she invites him to her countryside cottage for a sketching session, it seems like Mirume is the only person who doesn't know what will happen, and the only surprising part of the resulting seduction is how effortlessly Yuri pulls it off. The problem with such May-December romances is that the younger one ends up getting too involved. In this case, it happens when Mirume discovers that Yuri is a married woman – by meeting her husband at her home. Despite the promise of risqué content (L in a sex scene?!), Don't Laugh at My Romance is only mature in its subject matter and not in its actual content. While all the titles for the film (The Japanese title - Hito no Sex wo Warauna - literally translates to "Don't Laugh at People's Sex") suggest the presence of sex, we only see the before and after of the actual act, and only in longish medium shots. The film's lack of close-ups and use of extended quiet long takes may be frustrating to some, but the tame nature of the film represents Yuri's generally indifferent attitude towards sex and love. What Don't Laugh at My Romance lacks in visual style is made up in spades by the performances. Matsuyama gives an appropriately low-key performance here as the dopey Mirume. He carries the desperately lovelorn character well, even though his character spends a third of the film acting down and withdrawn. With a female director at the helm, it's no surprise that the women register as the stronger characters. In addition to the scene-stealing Nagasaku, young actress Yu Aoi also stands out as Mirume's long-suffering crush En-Chan. With a spunky cuteness that complements Nagasaku's mature flirt, Aoi livens up the film whenever she's on screen and is the source for many of the film's comic moments. Iguchi never makes her a tragic character, despite her unrequited love for Mirume. With her endless optimism and youthful charm, Aoi's performance is guaranteed to make a few fans out of the audience. While Don't Laugh at My Romance doesn't really feature any objectionable content, it's still strictly a movie for adults because of its mature attitude. The film may be misconstrued as a film that undermines the effects of sex because of its lack of serious drama. However, as Mirume's outcome and the title suggests, Iguchi is expressing that sex does come with effects. The effects may not always result in emotional outbursts, but it comes with a quiet devastation in real life that the young ones may not be able to comprehend. As a result, Don't Laugh at My Romance is a perfect antithesis to mainstream idol-led "pure love" romances, with its lack of contrived illnesses and dark backstories. It's not a particularly entertaining film, but it's certainly more sincere than what's floating around out there today. by Kevin Ma - LoveHKFilm.com |
Customer Review of "Don't Laugh At My Romance (DVD) (Korea Version)"
See all my reviews
August 28, 2009
This customer review refers to Sex Is No Laughing Matter (DVD) (English Subtitled) (Hong Kong Version)
|
"Sex is No Laughing Matter" opens with a woman wearing one shoe (and kicking the other) walking down a lonely road and attempting to hitchhike. She sprints through a tunnel. A small pickup truck emerges from the tunnel, with three young people sitting in its front street wondering whether the running figure they'd just encountered was a ghost. They stop to talk to the woman; she tells them that she had missed the last train. They decide to give her a ride. She leaps into the back of the truck. One of the three joins her in the back and off they go. The entire sequence is filmed in long shots, with viewers barely able to make out the faces of the people, and it effectively sets the stage for the peculiar events to follow. The hitchhiking woman turns out to be 39 year old Yuri (Nagasaku Hiromi), who has just become a substitute lithography professor at the local art college. The three young people who picked her up all are students at the school. Mirume (Matsuyama Kenichi), the 19 year old student who had joined Yuri in the back of the truck, becomes charmed by her impish behavior. Yuri seduces Mirume and soon Mirume is hopelessly smitten by his much older professor. Hopelessly pining for Mirume's affections is En-chan (Aoi Yuri) and pining for En-chan is Domoto (Shugo Oshinari), both of whom were the other occupants in that pickup truck. Mirume is shocked to learn that the willful and impulsive Yuri actually is married. Yuri soon quits her job in the middle of the semester and she and her husband disappear. Mirume, hopes crushed, yearns for Yuri's return, as En-chan tries to pick up the pieces. This glacially paced, low budget arthouse film sprawls over two hours and seventeen minutes of mostly static viewing. Director Iguchi Nami shuns close-up shots, so what we learn about these characters is revealed mostly through their actions rather than their expressions. The exceptionally slow pace of the film is relieved by occasional humorous scenes. But what truly breathes life into this endeavor is the delightful performance of Aoi Yu -- she is irresistibly endearing. Recommended for fans of off-kilter arthouse films. |











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