Leaving in Sorrow (Hong Kong Version) VCD
Tony Ho (Actor)
| Moses Chan
| Shawn Yue (Actor)
| Vincent Chui
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Technical Information
| Product Title: | Leaving in Sorrow (Hong Kong Version) 憂憂愁愁的走了 (香港版) 忧忧愁愁的走了 (香港版) Leaving in Sorrow Leaving in Sorrow (Hong Kong Version) |
| Artist Name(s): | Tony Ho (Actor) | Moses Chan | Shawn Yue (Actor) | Vincent Chui 何華超 (Actor) | 陳豪 | 余文樂 (Actor) | 崔 允信 何华超 (Actor) | 陈豪 | 余文乐 (Actor) | Vincent Chui 何華超（トニー・ホー） (Actor) | Moses Chan | 余文樂（ショーン・ユー） (Actor) | Vincent Chui Tony Ho (Actor) | Moses Chan | Shawn Yue (Actor) | Vincent Chui |
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| Release Date: | 2002-07-15 |
| Language: | Cantonese |
| Subtitles: | English, Traditional Chinese |
| Country of Origin: | Hong Kong |
| Disc Format(s): | VCD |
| Rating: | IIB |
| Duration: | 90 (mins) |
| Publisher: | Ying E Chi |
| Other Information: | 2VCDs |
| Package Weight: | 110 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1001838372 |
Product Information
主演：余文樂╱何華超
Cast: Shawn Yu/ Tony Ho
導演：崔允信
Director: Vincent Chui
不能愛你，只為當年傷痛！
不可放棄，全因堅持理想！
為何最終你也要……
人氣偶像余文樂初登大銀幕之作！！
《憂憂愁愁的走了》是香港首齣以Dogme風格拍成的獨立長片，鏡頭靈活有勁，角色生動具真實感。三段故事六個人物：包括一個信仰迷失的牧師、一個空虛的多情男人，和一個隱藏著無限傷痛的雜誌編輯，紀錄了這幾年香港人在政治和感情上的曲折經歷。外景遍及三藩市、北京及深圳各地，多線人物及事件穿插的敘事結構極具趣味性，其制作規模之大更是香港電影所罕見，曾憑《長途電話》及《背叛》聲名大噪的獨立電影人崔允信最新力作。
Leaving in Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the Dogme 95 style using handheld cameras, natural lighting and real locations. The film follows a disparate group of characters including a pastor, a magazine editor and a slacker from San Francisco who find their lives suddenly turned upside down by events beyond their control.
Cast: Shawn Yu/ Tony Ho
導演：崔允信
Director: Vincent Chui
不能愛你，只為當年傷痛！
不可放棄，全因堅持理想！
為何最終你也要……
人氣偶像余文樂初登大銀幕之作！！
《憂憂愁愁的走了》是香港首齣以Dogme風格拍成的獨立長片，鏡頭靈活有勁，角色生動具真實感。三段故事六個人物：包括一個信仰迷失的牧師、一個空虛的多情男人，和一個隱藏著無限傷痛的雜誌編輯，紀錄了這幾年香港人在政治和感情上的曲折經歷。外景遍及三藩市、北京及深圳各地，多線人物及事件穿插的敘事結構極具趣味性，其制作規模之大更是香港電影所罕見，曾憑《長途電話》及《背叛》聲名大噪的獨立電影人崔允信最新力作。
Leaving in Sorrow is a gritty, realistic portrayal of Hong Kong in the aftermath of the Asian Financial Crisis. It is the first Hong Kong production filmed in the Dogme 95 style using handheld cameras, natural lighting and real locations. The film follows a disparate group of characters including a pastor, a magazine editor and a slacker from San Francisco who find their lives suddenly turned upside down by events beyond their control.
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