Negotiator Mashita Masayoshi Premium Edition (Limited Edition)(Japan Version - English Subtitles) DVD Region 2
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This deluxe four-disc set contains two bonus discs and a fourth special disc. This release is limited to only 50,000 copies worldwide and comes in special, collectible packaging.
Technical Information
| Product Title: | Negotiator Mashita Masayoshi Premium Edition (Limited Edition)(Japan Version - English Subtitles) 交涉人 真下正義 Premium Edition (限定版)(日本版 - 英文字幕) 交涉人 真下正义 Premium Edition (限定版)(日本版 - 英文字幕) 交渉人 真下正義 プレミアム・エディション (初回限定生産・50000セット)(日本版) Negotiator Mashita Masayoshi Premium Edition (Limited Edition)(Japan Version - English Subtitles) |
| Artist Name(s): | Yusuke Santamaria | Terajima Susumu | Koizumi Kotaro | Mizuno Miki | Matsushige Yutaka | Takasugi Wataru | Yanagiba Toshiro | Komoto Masahiro | Ishii Masanori | Kunimura Jun | Yachigusa Kaoru | Nishimura Masahiko 中山裕介 | 寺島進 | 小泉孝太郎 | 水野美紀 | 松重豐 | 高杉亘 | 柳葉敏郎 | 甲本雅裕 | 石井正則 | 國村準 | 八千草薰 | 西村雅彥 中山裕介 | 寺岛进 | 小泉孝太郎 | 水野美纪 | 松重庆 | 高杉亘 | 柳叶敏郎 | 甲本雅裕 | 石井正则 | 国村准 | 八千草薰 | 西村雅彦 ユースケ・サンタマリア | 寺島進 | 小泉孝太郎 | 水野美紀 | 松重豊 | 高杉亘 | 柳葉敏郎 | 甲本雅裕 | 石井正則 | 國村隼 | 八千草薫 | 西村雅彦 Yusuke Santamaria | Terajima Susumu | Koizumi Kotaro | Mizuno Miki | Matsushige Yutaka | Takasugi Wataru | Yanagiba Toshiro | Komoto Masahiro | Ishii Masanori | Kunimura Jun | Yachigusa Kaoru | Nishimura Masahiko |
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| Release Date: | 2005-12-17 |
| Publisher Product Code: | PCBC-50876 |
| Language: | Japanese |
| Subtitles: | English |
| Country of Origin: | Japan |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 2 - Japan, Europe, South Africa, Greenland and the Middle East (including Egypt) What is it? |
| Publisher: | Pony Canyon |
| Other Information: | 4DVD |
| Shipment Unit: | 2 What is it? |
| YesAsia Catalog No.: | 1004055834 |
Product Information
ユースケ・サンタマリア主演!大ヒットを記録した「踊る大捜査線」のスピンオフ・ムービー第1弾が、待望のDVD化!
ストーリー:
事件は、「台場連続殺人事件」の1時間後から始まった!?
2003年11月24日、レインボーブリッジを封鎖して解決した「台場連続殺人事件」。 その事件直後、真下正義(ましたまさよし)警視は、警視庁初の交渉人(ネゴシエイター)として、事件解決の経過を説明していた・・・。
あれから1年・・・。
2004年12月24日、雪乃とクリスマス・イブのデートの約束をしていた警視庁交渉課準備室課長の真下は、その日の午後、突然、室井管理官から呼び出しを受ける。東京の地下鉄の最新鋭実験車両(通称:クモ)1両が何者かに乗っ取られたのだ。乗降客200万人の命が、爆走するたった1両の車両によって危険にさらされる。
犯人の狙いは、身代金?それとも・・・?
そして、1年前の真下の報道陣へのインタビューを見ていた犯人が、交渉の窓口として、真下を指名してきたのだった・・・。
迷走する地下鉄全車両にも、時間的限界が迫りくる。そして、大切な雪乃との約束の時間も刻一刻と迫っていた・・・。
真下は、事件を解決して、雪乃のもとへ会いにゆくことができるのか!?
そして、真下と雪乃の2人の恋の行方は!?乗降客200万人の命が真下の肩に託された。かくして映画史上初となる首都・東京の地下鉄網を舞台にした息を呑む、交渉人・真下と姿なき犯人の知能戦の火蓋がきって落とされる!
※初回限定生産商品<50,000枚限定>
DISC-1 <本編DISC>
HDマスターからのダイレクトエンコーディング
DISC-2 <特典DISC-1:コードネーム:CIC・ディスク>
・収録時間合計:約120分(約2時間)
●メイキング映像 [収録時間:約90分(予定)]
【重要人物、キーワ?ド別】
・選択可能コンテンツ
「真下正義」「室井慎次」「柏木雪乃」「木島丈一郎」「片岡文彦」「矢野君一」
「草壁中隊長」「熊沢鉄次」「前主十路」「CIC」「クモE4」
●前日も交渉人 真下正義[収録時間:約25分]
・スカパー!で放送されていた人気コンテンツを収録!
●予告編集[収録時間:約5分]
・合計15バージョンの<特報><予告><TVスポット>を収録!
●キャスト・スタッフ紹介
・静止画で紹介(キャスト14名 スタッフ9名)
DISC-3 <特典DISC-2:コードネーム:KUMO・ディスク>
収録時間合計:約246分(約4時間)
●ライブ版コメンタリー付きマルチ画面再生[収録時間:約126分]
・コメンタリーは、2005年8月24日、お台場冒険王「映画王スペシャル:お台場映画塾」での本広克行監督×フジテレビアナウンサー笠井信輔によるライブ解説を収録!!
●メイキング映像[収録時間:約63分]
・本編再生中:画面右下のMAKINGボタンが赤く点灯している時のみ、ボタンを押すとメイキング映像を個別再生。
●メインメニューから:メインメニューにある「MAKING MOVIE」を押すとメイキング映像を一気見することが可能。
●「広報人 矢野君一」[収録時間:約57分]
DSIC-4 <特典DISC-3>スペシャルDISCを収録!
●<未公開>内容
■映像特典:特典DISC付(特典DISC2枚+スペシャルDISC)
■音声特典:オーディオ・コメンタリー
■仕様:
・4枚組:本編DISC+特典DISC1+特典DISC2+スペシャルDISC(後日発表)
・超豪華アウターケース(外箱)+デジパック仕様
・16:9LB(シネスコ)
・カラー
・サイズ:16:9/4:3(LB)
・音声:
-日本語:DD(5.1chサラウンド)
-日本語:dts-ES
-解説:DD(ステレオ)
・字幕:英語
【スタッフ】
・ユースケ・サンタマリア
・寺島進
・小泉孝太郎
・高杉亘
・松重豊
・甲本雅裕
・遠山俊也
・柳葉敏郎
・水野美紀
・八千草薫
・西村雅彦
・石井正則
・金田龍之介
・國村隼
日本標準価格:12075(税込)
(日本版 / Japan Version)
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Awards
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Japan Academy Prize 2006
- Outstanding Performance by an Actor in a Leading Role Nomination, Yusuke Santamaria
- Outstanding Performance by an Actor in a Supporting Role Nomination, Terajima Susumu
YumCha! Asian Entertainment Reviews and Features
Professional Review of "Negotiator Mashita Masayoshi Premium Edition (Limited Edition)(Japan Version - English Subtitles)"
This professional review refers to Negotiator Mashita Masayoshi Standard Edition (Japan Version - English Subtitles)
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By any right way of thinking Negotiator Mashita Masayoshi should be a very bad film. Horrible, even. Films based on television shows are seldom very good. Take that basic rule and combine it with the law of diminishing returns on sequels and you have a recipe for something truly odious. Negotiator Mashita Masayoshi is, after all, the fourth film to be spun out of the popular Bayside Shakedown television series but rather than showing signs of imminent collapse the film franchise continues to be a box office juggernaut in its native Japan. However while the first two films in the series - direct translations of the television show to the big screen, which I have unfortunately not yet seen - both exported well and the first of the spin off films apparently stands quite well on its own, my hunch is that Negotiator Mashita Masayoshi may prove a touch culturally specific to really resonate outside of Japan. Mashita Masayoshi is the first police negotiator in Tokyo, a position that has drawn him much media attention and much scorn from his fellow police officers who don't consider his expertise manly enough to be real police work. He is treated with scorn by his fellow officers and even his subordinates are convinced that their unit will not last long before being disbanded. Mashita is packing up to meet his girlfriend for a date on Christmas Eve when disaster strikes on three fronts. A prototype subway train is stolen from the work yard and runs rampant on the Tokyo subway lines. As the authorities are realizing that something is wrong the police discover that a hacker has worked his way deep into their computer system, planting challenges for Mashita to stop his train heist while also making not so veiled bomb threats. Moments later a small bomb detonates in a public park to prove that the mysterious train hijacker means business and Mashita is rushed to the subway control center where the transit staff treat him with every bit as much scorn as his fellow policemen. He must now earn the respect of his peers while stopping a wheeled metal apocalypse from striking the city. And here's where the cultural differences strike. A terrorist attack on the Tokyo subway sells itself in Japan. We're talking instant tension, on a grand scale. In the post Aum world, the post sarin gas attack world, building a film around a Tokyo subway terrorist attack is the rough Japanese equivalent of setting an American film in a plane about to be flown into a very tall, heavily populated building. That particular scenario has a deep, natural resonance for the Japanese that doesn't need to be sold to its native audience and so the filmmakers generally don't. They simply tell you what's happening and then settle into the characters, which will work fine with a Japanese audience while leaving others grasping to find the tension that the characters feel. In Japan the audience will supply the energy that drives the film themselves while viewers elsewhere may be left wondering why everybody's so bothered about a few late trains. So the film may not entirely work as a cop thriller outside Japan but that doesn't mean it doesn't work on other levels. Read up on the world of Bayside Shakedown it quickly becomes clear that while fans love the police procedural part of the show what really sets it apart are the character quirks, and while I definitely felt that knowing the world and the characters better would have made the film more enjoyable, there is no denying that the film is stocked with memorable characters played compellingly close to the edge of camp. Mashita himself is neurotically insecure, meekly accepting abuse as though he deserves it, a most peculiar trait in a man paid to take control of situations. He is met by the dour transit master control officer, the ridiculously perky transit PR man, and - best of all - veteran character actor Susumu Terajima in a scene chewing performance as a blustering detective. Characters are played for goofy energy rather than serious drama and while they sometimes teeter close to the edge of cliché they never quite tip over. The film betrays its television origins in the shooting style and emphasis on talk over action - despite a premise that reads very much like a Die Hard movie this is worlds away from an American action film - but it has a unique charm that carries it a long way. It is not without its flaws and will likely be appreciated far more by those already familiar with the Bayside Shakedown universe than those fresh to it but it is certainly strong enough to spur this viewer towards the first films. By Todd Brown - Twitchfilm.net |
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The popular Bayside Shakedown franchise undergoes yet another permutation in 2005's Negotiator: Mashita Masayoshi, a thrilling, highly amusing action film that proves to be a worthy successor to the beloved series that spawned it. While the Bayside Shakedown phenomenon began as an 11-episode television series (plus three TV specials), morphed into two hit films, and produced such cinematic spin-offs as this film and The Suspect: Shinji Muroi, the franchise shows no signs of slowing down. On paper at least, the plot for Negotiator: Mashita Masayoshi seems like yet another by-the-numbers action film. Director Katsuyuki Motohiro, who also helmed the other Bayside Shakedown films, puts heavy emphasis on the characters and their interactions with one another, a touch that helps enhance the proceedings considerably. As played by comedian Yusuke Santa Maria, the film's title character is anything but a typical action hero. As Tokyo's best and apparently only police negotiator, Mashita Masayoshi has garnered a considerable amount of press. The film kicks off with Mashita addressing the media in the aftermath of the events of Bayside Shakedown 2, an appearance that ends up drawing the attention of the film's enigmatic villain. More than a year later, a crisis strikes Japan when a state-of-the-art prototype super train called the Spider E4-600 is hijacked and electronically sabotaged, causing it to wreak havoc in the labyrinthine underground railways just beneath the city of Tokyo. Police Superintendent Shinji Muroi (Toshiro Yanagiba) calls upon Mashita to handle the case, since the mystery terrorist known only as "Bullet Express" has requested Mashita's participation in his little game of cat and mouse. However, it's no ordinary game - three bombs are set to go off, but when and where? As respected as one might think Mashita would be among his comrades, the exact opposite proves true. His peers sneer at his so-called celebrity status, his Negotiation Task Force is undermanned and on the verge of being phased out, and Muroi himself has had to put his job on the line for Mashita in the hope he'll pull through. And to make matters worse, he's supposed to meet his girlfriend, fellow detective Yukino Kashiwagi (Miki Mizuno), at the opera for an important, possibly life-changing date. Of course, there's no time for love when the terrorist on the loose! Along with his team of experts, Mashita sets up shop in the control room of the Tokyo Transportation Railway. Despite the dire crisis at hand, Mashita and his team aren't exactly welcomed with open arms, as the TTR boss Kataoka (Jun Kunimura) doesn't trust Mashita's expertise and believes he can handle the problem himself. While Mashita tries to figure out how to smooth things over with Kataoka, fate intervenes when a cheery PR guy named Yano (Masanori Ishii) feeds Mashita classified TTR information to help him unravel the mystery. Meanwhile, the clock is ticking not only on the potential bomb threat, but on Mashita's big date, both of which turn out to be on a collision course with one another. What really sets this movie apart from others of its kind is its protagonist, Mashita Masayoshi. Rather than give audiences yet another action movie hero in the vein of Bruce Willis or Arnold Schwarzenegger, Mashita isn't quite as macho. In fact, he's a bit of a dork. But what the movie makes clear is that Mashita isn't some lucky bumbler. No, while he may be somewhat meek and deferent to his colleagues, he's actually quite proficient at what he does. As the movie progresses, Mashita's status as Tokyo's top negotiator turns out to be truer than anyone expects. Although the film is full of great supporting performances, one supporting player who stands out the most is Susume Terajima as Takeichi Kijima, a hilarious, hardboiled cop who takes charge of the manhunt for the villain above ground while Mashita carries out his negotiations from subway command. His take-no-prisoners attitude and cocky swagger make for a hilarious counterpoint to Mashita's polite, "can't we all just get along?" demeanor. In fact, humor is one of the driving forces of this film, a welcome change of pace from the more serious tone these movies tend to take. Those looking for a pulse-pounding conclusion in which Mashita goes one-on-one with the terrorist will be sorely disappointed. Despite its action flick roots, Negotiator: Mashita Masayoshi is as much about cutting through bureaucratic red tape and winning the respect of your colleagues as it is putting the villain behind bars. If anything, the film seems to promote the idea that if you put your mind to it and work hard enough, you can accomplish just about anything. The same could go for the filmmakers involved here. They made a sequel with a B-movie plot that amounts to something more absorbing, entertaining, and downright funny than it had any right to be. Considering the surprising quality of this film, here's hoping there will be a few more Bayside Shakedowns in the future, and definitely more adventures featuring Mashita Masayoshi and his quirky Negotiator Task Force! By Calvin McMillin |











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