Oriza Hirata no Genba Vol. 20: Tokyo Notes (6 Languages Subtitled) (Japan Version) DVD Region 2
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YesAsia Editorial Description
The play is set in 2004 in an art museum which is currently exhibiting a European painting that was sent to Japan for safekeeping because of war in Europe. The painting provides a humble backdrop to various concurrent conversations, as people discuss minor topics and worries in their daily lives, oblivious to greater problems in the world. One particular conversation follows a group of siblings debating who should take care of their parents. Subtle and arresting, the play pays homage to Ozu Yasujiro's Tokyo Story in its depiction of the dissolving Japanese family.
Technical Information
| Product Title: | Oriza Hirata no Genba Vol. 20: Tokyo Notes (6 Languages Subtitled) (Japan Version) 平田 Hirata 的現場 20 東京 Note (6 語言字幕) (日本版) 平田 Hirata 的现场 20 东京 Note (6 语言字幕) (日本版) 平田オリザの現場 20 東京ノート 6ヶ国語版 (20)東京ノート Oriza Hirata no Genba Vol. 20: Tokyo Notes (6 Languages Subtitled) (Japan Version) |
| Artist Name(s): | Shiga Kotaro | Yamauchi Kenji 志賀廣太郎 | Yamauchi Kenji 志贺广太郎 | Yamauchi Kenji 志賀廣太郎 | 山内健司 | 小林智 | 松井周 | 辻美奈子 | 木崎友紀子 | 足立誠 | 永井秀樹 | 松田弘子 | 山村崇子 | 平田陽子 | 坂本和彦 | 安部聡子 | 秋山健一 | 月村丹生 | 天明留理子 | 山田秀香 | 和田江理子 | 小河原康二 Shiga Kotaro | Yamauchi Kenji |
| Director: | 平田オリザ |
| Release Date: | 2007-04-28 |
| Publisher Product Code: | KKCS-82 |
| Language: | Japanese |
| Subtitles: | English, Traditional Chinese, Japanese, Korean, French, German |
| Country of Origin: | Japan |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 2 - Japan, Europe, South Africa, Greenland and the Middle East (including Egypt) What is it? |
| Publisher: | Kinokuniya Book Store |
| Other Information: | DVD |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1004667396 |
Product Information
1994年に初演された『東京ノート』は、日常生活に潜む静かな深淵を描き出し、第39回岸田國士戯曲賞を受賞した。平田オリザ・青年団の代表作となったこの作品は、その後も色褪せることが無いばかりか、ますます、現代日本を見つめる視点が高く評価され、国内での再演を重ねるとともに、9ヶ国語に翻訳され、世界の15カ国で上演されている。また、現在、『東京ノート』は欧米のいくつかの大学で日本語の上級教材として取り上げられいるが、それは、平田オリザの現代日本を捉える視線が、非常に深い人間観察に支えられていることを現している。
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