True Women For Sale (DVD) (Taiwan Version) DVD Region All
- This video product does not have English audio or subtitles.
- This product will not be shipped to Hong Kong.
YesAsia Editorial Description
The story focuses on two women. Comeback singer Prudence Liew casts aside her idol image to play a drug-addicted hooker who works hard to earn money to mend her bad teeth; the role won her much accolade and Best Actress at the Golden Horse Awards. Race Wong (of girl group 2R fame) plays a young Mainland mother who married an old man in order to gain Hong Kong citizenship. They cross paths with a bunch of other grassroots characters including Anthony Wong's insurance agent and Sammy Leung's photographer.
Technical Information
| Product Title: | True Women For Sale (DVD) (Taiwan Version) 我不賣身. 我賣子宮 (DVD) (台灣版) 我不卖身. 我卖子宫 (DVD) (台湾版) 我不賣身. 我賣子宮 (台湾版) True Women For Sale (DVD) (Taiwan Version) |
| Also known as: | 性工作者2之我不賣身. 我賣子宮 性工作者2之我不卖身. 我卖子宫 |
| Artist Name(s): | Prudence Liew (Actor) | Anthony Wong (Actor) | Race Wong (Actor) | Sammy Leung (Actor) | Siu Yam Yam (Actor) | Yumiko Cheng (Actor) | Meng Guang Mei (Actor) | Monie Tung (Actor) | Toby Leung (Actor) | Louis Cheung (Actor) | Terence Siufay (Actor) 劉美君 (Actor) | 黃秋生 (Actor) | 黃婉伶 (Actor) | 森美 (Actor) | 邵音音 (Actor) | 鄭希怡 (Yumiko) (Actor) | 孟 廣美 (Actor) | 董敏莉 (Actor) | 梁靖琪 (Actor) | 張繼聰 (Actor) | 小肥 (Actor) 刘美君 (Actor) | 黄秋生 (Actor) | 黄婉伶 (Actor) | 森美 (Actor) | 邵音音 (Actor) | 郑希怡 (Yumiko) (Actor) | Meng Guang Mei (Actor) | 董敏莉 (Actor) | 梁靖琪 (Actor) | 张继聪 (Actor) | 小肥 (Actor) 劉美君(プルーデンス・ラウ) (Actor) | 黄秋生 (アンソニー・ウォン) (Actor) | 黄婉伶 (レース・ウォン) (Actor) | 森美 (サミー) (Actor) | 邵音音(シウ・ヤムヤム) (Actor) | 鄭希怡(ユミコ・チェン) (Actor) | Meng Guang Mei (Actor) | 董敏莉(モニー・トン) (Actor) | 梁靖[王其](トビー・リョン) (Actor) | 張繼聰 (ルイス・チョン) (Actor) | 小肥 (テレンス・シウフェイ) (Actor) Prudence Liew (Actor) | Anthony Wong (Actor) | Race Wong (Actor) | Sammy Leung (Actor) | Siu Yam Yam (Actor) | Yumiko Cheng (Actor) | Meng Guang Mei (Actor) | Monie Tung (Actor) | Toby Leung (Actor) | Louis Cheung (Actor) | Terence Siufay (Actor) |
| Director: | Herman Yau 邱禮濤 邱礼涛 邱禮濤(ハーマン・ヤウ) Yau Lai To |
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| Release Date: | 2009-08-25 |
| Language: | Mandarin |
| Subtitles: | Traditional Chinese |
| Country of Origin: | Hong Kong |
| Picture Format: | NTSC What is it? |
| Sound Information: | Dolby Digital |
| Disc Format(s): | DVD |
| Region Code: | All Region What is it? |
| Rating: | IIB |
| Duration: | 90 (mins) |
| Publisher: | Mei Ah (HK) |
| Package Weight: | 120 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1021146732 |
Product Information
With a Chinese title that translates to “I don’t sell my body, I sell my uterus,” Herman Yau’s latest work courts as much attention and discussion as his acclaimed 2007 prostitute drama WHISPERS AND MOANS. A story that belongs uniquely to Hong Kong, the film frankly and sensitively portrays the lives of two women who chose to sell themselves - a drug-addicted madam who works the streets and a young pregnant woman from China who married an older man for the sake of Hong Kong residency.
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Hong Kong Version
- True Women For Sale (DVD) (Hong Kong Version) DVD Region All
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "True Women For Sale (DVD) (Taiwan Version)"
This professional review refers to True Women For Sale (DVD) (Hong Kong Version)
|
Director Herman Yau revisits Whispers and Moans territory once more with True Women For Sale, except this time he has a little more fun. Taking place in local Sham Shui Po, the film details an assortment of lower class characters muddling through situations that are unique to Hong Kong and its people. Anthony Wong is Lau Fu-Yi, an insurance salesman who caters to working class stiffs, including temporary construction workers, one of whom cashes in his chips after an accident. Lau is charged with delivering the meager insurance payment to the widow, Wong Lin-Fa (Race Wong), a Mainland immigrant with one daughter and one more child on the way. Like many girls from the Mainland, Lin-Fa desires Hong Kong residency, and against his initial judgement, Lau finds himself helping her out. Meanwhile, longtime prostitute Chung (Prudence Lau) has a special day coming up, and is looking for extra cash to fix her hideous teeth. She passes her days trying to earn extra bucks while also taking the time to worship dead chickens (which were killed due to the avian flu scare) at a makeshift local shrine. By the way, Cantonese slang for a prostitute is "chicken", so she's a chicken that worships chickens - get it? That little nugget of humor is typical of what's going on in True Women For Sale; co-writers Herman Yau and Yang Yeeshan (who also collaborated on Whispers and Moans) tackle local culture and social issues, sometimes twisting them for off-color, self-referential, but still funny laughs. It's questionable how much really translates to international audiences, but the material is worthy, if only because it shows a part of Hong Kong that few films do. The film doesn't possess a plot as much as it relates details that illuminate its characters and reference local issues. One of Chung's regulars (Fung Hak-On) has long professed some affection for her, but the focus isn't on some missed chance at love. Instead, we learn about how Hong Kong men are increasingly uninterested in local women. Chung's customer and other men look to the Mainland for young, fertile companionship. Meanwhile, Chung and her fellow prostitutes verbally bash their direct competition: Mainland prostitutes who are younger, cheaper, and obviously not as worse-for-the-wear. Just as Mainland wives steal local men, Mainland prostitutes steal local customers, leaving women like Chung at a bit of a loss. Chung's plight does not go unnoticed; local photojournalist Chi (Sammy) takes an interest in her, and begins shadowing her for a juicy human interest story. Chi also runs into Lau on more than one occasion, and Lin-Fa and Chung interact too, resulting in a criss-crossing, scattershot, but interesting and effective look at local Hong Kong lives. The film isn't really conclusive about its issues, but it feels informed, authentic and not pretentious. The subject matter of True Women For Sale is ripe for loaded drama and heavy lessons, and as Whispers and Moans showed us, Herman Yau and Yang Yeeshan aren't afraid to get preachy. However, Yau is a tremendous director with this sort of subject matter, managing to find humanity, heart and humor in his local topics, and he does it without resorting to outright manipulation. The talky set-ups and long educational sequences are surprisingly easy to take in, and the actors manage to make their didactic dialogue sound natural. There are some moments where the explication goes on a bit too long and the characters clearly become mouthpieces, but Yau seldom uses the hammer. True Women For Sale is much more genial than the heavier-handed Whispers and Moans. Both films do occasionally resort to clichés and sentimentality, but True Women For Sale is more lighthearted and knowing, and portrays its subject matter seriously but with affection. The abundance of familiar faces is another credit to the film. Many of the actors clearly took on the project due to the content and the crew, and not because of commercial prospects or the hope of a career boost. Among the actors, Prudence Lau (a longtime singer with few acting credits) is the standout due to her character's affectations, which are so eccentric that she starts to seem needlessly wacky. Lau's performance is a bit showy, but she's able to carry the film through its more maudlin moments, and is bravely undeterred by the unglamorous role. Race Wong doesn't fare as well in the other leading female role, in some part due to inexperience, but also because her character is far more of a mouthpiece than Lau's is. The film's status as a low-budget social drama means that it's a bit rough; the narrative alternates between earnest drama and self-reflexive gags, and the production is rather cheap. Still, Herman Yau is at his strongest when he has a smaller budget and a personal voice. Yau's more commercial films have been effective but unremarkable, and lack the personality, honesty and unpolished spirit that ultimately makes True Women For Sale notable and also endearing. by Kozo - LoveHKFilm.com |
Customer Review of "True Women For Sale (DVD) (Taiwan Version)"
See all my reviews
June 24, 2009
This customer review refers to True Women For Sale (DVD) (Hong Kong Version)
|
"True Women for Sale" is a tale of two women each of whom can be said to have "sold" their bodies in search of a better life. Prudence Lau plays Chung, a quirky, drug-addicted street walker who seems to have a few screws loose. She is determined to raise enough money to get her rotten teeth fixed. Race Wong plays Wong Lin-Fa, a young woman from the mainland who is pressured by her family into marrying a much older menial construction worker in order to obtain a Hong Kong residency permit. The glue that holds the movie together is provided by the two leading male characters, Lau Fu-Yi (Anthony Wong) a hustling insurance salesman whose good nature gets him entangled in the lives of his customers and Chi (Sammy Leung), a photojournalist who sees in the hooker Chung an interesting news story. Unlike in his previous film "Whispers and Moans", director Herman Yau steers clear of over-earnestness and leavens what might otherwise have been a tawdry tale with generous dollops of humor and, particularly in the characters of Chung and Lau Fu-Yi, real human interest. Prudence Lau manages to create a deeply affecting character out of the broken, wounded, slow-witted Chung; Lau truly gives a brave performance. I also found Race Wong's performance to be brave. Some have criticized her for failing to create a sympathetic character. However, I believe that she gave director Yau exactly what he wanted; her character was never intended to be warm and fuzzy. The film's warm and fuzzies are provided primarily by Anthony Wong, who is brilliantly comic as the calculating insurance agent who can't help caring about his clients. I found "True Women for Sale" to be a big-hearted, almost sentimental, and very entertaining film. I recommend it highly for a mature audience. |











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