A Century Of Japanese Cinema - Final Take (Hong Kong Version) DVD Region 3
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| Product Title: | A Century Of Japanese Cinema - Final Take (Hong Kong Version) 日本映畫百年史: 電影天地 (香港版) 日本映画百年史: 电影天地 (香港版) A Century Of Japanese Cinema - Final Take (Overseas Version) A Century Of Japanese Cinema - Final Take (Hong Kong Version) |
| Artist Name(s): | Nakai Kiichi | Atsumi Kiyoshi | Baisho Chieko | Arimori Narumi | Matsuzaka Keiko | Yamada Yoji 中井貴一 | 渥美清 | 倍賞千惠子 | 有森也實 | 松[土反]慶子 | 山田洋次 中井贵一 | 渥美清 | 倍赏千惠子 | 有森也实 | 松[土反]庆子 | 山田洋次 中井貴一 | 渥美清 | 倍賞千恵子 | Arimori Narumi | Matsuzaka Keiko | 山田洋次 Nakai Kiichi | Atsumi Kiyoshi | Baisho Chieko | Arimori Narumi | Matsuzaka Keiko | Yamada Yoji |
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| Release Date: | 2004-07-24 |
| Language: | Japanese |
| Subtitles: | English, Traditional Chinese |
| Country of Origin: | Japan |
| Picture Format: | NTSC What is it? |
| Disc Format(s): | DVD |
| Region Code: | 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it? |
| Publisher: | Panorama (HK) |
| Package Weight: | 110 (g) |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1003739730 |
Product Information
* Screen Format : Letter Box
* Sound Mix : Dolby Digital Stereo
* DVD Type : N/A
* Special Features:
- 原裝闊銀幕公映版本 Widescreen Version: Presented in a widescreen format preserving the aspect ration of its original theatrical exhibition
- 分段搜畫 Chapter Search
- 字幕選擇：中文、英文 Subtitles: Chinese, English
- 導演生平及作品年表 Director's Biography and Filmography
- 互相功能設定 Interactive Menus
《電影天地》貴為第43屆威尼斯影展參展作品，是山田洋次對電影黃金歲月最深情的致敬，輕鬆幽默，展現人間有情。
1933年日本，有聲電影開始大行其道，導演小倉以拍攝喜劇及大眾化的電影聞名。他的助手健則夢想著拍攝藝術電影，更對小倉的商業電影嗤之以鼻。在電影院小食部工作的少女小春被小倉發掘，當上新片中的臨時演員，但她的演出卻非常差勁，令她心友意冷，並決意從此不再當演員。
一次誤會，健被警察鎖進了監倉。在監倉內，他才發現商業電影很能打動普羅觀眾的心，從此他改變主意，決定以拍攝受大眾歡迎的主流電影為主。放監後，他回到蒲田製片廠，準備拍攝大眾化電影《浮草》，並找來了大明星當女主角。可是，當女主角臨時退出之後，健就決定起用小春當女主角。拍攝的過程非常順利，直至影片的最後一個鏡頭…
In the early 1930s, when silent movies were being relpaced by talkies, Ogura has become famous for making popular flickers and comedies. His young assistant, Kenjiro, despises his practice and wishes to make art films. Ogura finds a pretty candy seller, Koharu, and casts her as a bit player. But as she ruins take after take, she goes home and determines never to become an actress. Kenjiro is later falsely charge of being a communist. He learns in prison that flickers have a genuine appeal to the masses. After release, he returns to the studio and Floating Weeds. At the same time, famous arthouse director Ogata has succeeded in making an actress out of Koharu. So Kenjiro chooses Koharu as the lead actress when the original female lead elopes with her lover. Production goes smoothly until the final take…
* Sound Mix : Dolby Digital Stereo
* DVD Type : N/A
* Special Features:
- 原裝闊銀幕公映版本 Widescreen Version: Presented in a widescreen format preserving the aspect ration of its original theatrical exhibition
- 分段搜畫 Chapter Search
- 字幕選擇：中文、英文 Subtitles: Chinese, English
- 導演生平及作品年表 Director's Biography and Filmography
- 互相功能設定 Interactive Menus
《電影天地》貴為第43屆威尼斯影展參展作品，是山田洋次對電影黃金歲月最深情的致敬，輕鬆幽默，展現人間有情。
1933年日本，有聲電影開始大行其道，導演小倉以拍攝喜劇及大眾化的電影聞名。他的助手健則夢想著拍攝藝術電影，更對小倉的商業電影嗤之以鼻。在電影院小食部工作的少女小春被小倉發掘，當上新片中的臨時演員，但她的演出卻非常差勁，令她心友意冷，並決意從此不再當演員。
一次誤會，健被警察鎖進了監倉。在監倉內，他才發現商業電影很能打動普羅觀眾的心，從此他改變主意，決定以拍攝受大眾歡迎的主流電影為主。放監後，他回到蒲田製片廠，準備拍攝大眾化電影《浮草》，並找來了大明星當女主角。可是，當女主角臨時退出之後，健就決定起用小春當女主角。拍攝的過程非常順利，直至影片的最後一個鏡頭…
In the early 1930s, when silent movies were being relpaced by talkies, Ogura has become famous for making popular flickers and comedies. His young assistant, Kenjiro, despises his practice and wishes to make art films. Ogura finds a pretty candy seller, Koharu, and casts her as a bit player. But as she ruins take after take, she goes home and determines never to become an actress. Kenjiro is later falsely charge of being a communist. He learns in prison that flickers have a genuine appeal to the masses. After release, he returns to the studio and Floating Weeds. At the same time, famous arthouse director Ogata has succeeded in making an actress out of Koharu. So Kenjiro chooses Koharu as the lead actress when the original female lead elopes with her lover. Production goes smoothly until the final take…
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