Daisy (Japan Version) DVD Region 2

The plot follows Hye Young (Jeon Ji Hyun), a rather naïve Korean girl who lives in Amsterdam, spending her life working in her grandfather's antique shop and doing portraits for tourists. One day, she begins receiving flowers everyday at exactly the same time from a secret admirer, who she believes to be a mystery man from her past who once built her a nice little bridge. One day she meets Jeong Woo (Lee Seong Jae from Holiday and Public Enemy) who, unbeknownst to her, is actually an Interpol agent tracking Asian criminals in the Netherlands.

With Hye Young assuming that Jeong Woo is responsible for the flowers, the two fall very slowly into a chaste romantic relationship. However, it turns out that the man sending the flowers is actually Park Yi (Jung Woo Sung from Sad Movie and Musa), an assassin working for a Chinese crime syndicate. Inevitably, the love triangle turns tragic, and the two men end up facing off while poor Hye Young tries to work out which of the two is the love of her life.

Although Daisy is ostensibly a love story, it has the feel of a funeral, with a slow, sombre pace and a plot which piles on the misery. Half of the film's running time is taken up with scenes of the characters staring longingly out of windows into the rain, with the silence broken only by bouts of self-pitying narration. Director Lau seems to be under the impression that the film is a weighty Shakespearean tragedy, rather than yet another gloomy hitman love story. As such, the proceedings have a rather pretentious air, despite the fact that the plot is inherently predictable and based largely around glaring clichés borrowed liberally from the likes of Fulltime Killer and John Woo's classic The Killer.

Almost every aspect of the film is riddled with angst, with the three lead characters suffering as if the weight of the world was on their shoulders and steadfastly refusing to do anything to pursue their romantic inclinations. Park Yi, in particular, as the kind of overly emotional, socially retarded assassin so beloved of modern cinema, is faintly ludicrous, from his blatant incompetence on the job to his hilarious attempts to discuss impressionist painting with Hye Young or his penchant for flower growing. This languid passivity does make the film's central romance somewhat hard to swallow, and Lau's attempts to evoke the feeling that it is fate which brings the characters together comes across more as shoddy coincidence.

Fans of Jeon Ji Hyun should note that her character is far closer to her role in the glum supernatural drama The Uninvited than My Sassy Girl or Windstruck and, while she tries her best to pull a few wacky faces here and there, her performance is certainly more subdued.

The film benefits from glossy production values, and Lau makes good use of the Amsterdam scenery, playing on the contrast between the grey, almost gothic, beauty of the city and the innocent blue skies and flowery fields of the countryside. Unfortunately, he tends to overuse slow motion for some of the emotional scenes, which, when coupled with some of the picture postcard visuals, gives the film the feel at times of a perfume advert. There are a few scenes of surprisingly violent action, though these are few and far between, and, whilst well staged, seem to have been thrown in as an afterthought and do little more than briefly raising the pulse.

Despite its flaws, Daisy makes for engaging viewing, and the story grips almost in spite of itself, mainly out of a morbid fascination to see, not which of the men Hye Young will end up with, but to see who will lie dying in her arms. The self-indulgent melodrama works well enough to tick all the right boxes for the genre, and the film functions perfectly well as an enjoyably glossy, weepy romance.

It is worth noting that the DVD features the director's cut of the film, which for once indicates that it is substantially different from the theatrical version. It not only adds 25 minutes, but re-orders some of the scenes, making the narrative less linear. Although this new version is perhaps too long, it is surely superior, as, without these changes, the film would surely have been even more conventional and suffered from even murkier character development.

Movie Grade: 3/5

by James Mudge - BeyondHollywood.com