The Resurrection of the Golden Wolf (Blu-ray) (Japan Version) Blu-ray Region A
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YesAsia Editorial Description
Accountant Asakura (Matsuda Yusaku) seems like just an ordinary salaryman - until he robs his company of millions, killing the courier in the process. Unfortunately, it turns out all the bills are marked, so he has to figure out a way to pass off the money to someone else. Meanwhile, pimp Sakurai (Sonny Chiba) is trying to blackmail the top honchos of the same company with compromising pictures and embezzlement evidence. When the two anti-heroes both realize they're not the only sharks in the ocean, they decide to team up to take over the whole company, but their conniving plan encounters some dangerous roadblocks.
Technical Information
| Product Title: | The Resurrection of the Golden Wolf (Blu-ray) (Japan Version) 蘇醒的金狼 (Blu-ray) (日本版) 苏醒的金狼 (Blu-ray) (日本版) 蘇える金狼 Blu-ray【Blu-ray Disc】 The Resurrection of the Golden Wolf (Blu-ray) (Japan Version) |
| Also known as: | Yomigaeru Kinro Yomigaeru Kinro Yomigaeru Kinro Yomigaeru Kinro Yomigaeru Kinro |
| Artist Name(s): | Chiba Shinichi | Matsuda Yusaku | Sato Kei | Narita Mikio | Fubuki Jun 千葉真一 | 松田優作 | 佐藤慶 | 成田三樹夫 | 風吹純 千叶真一 | Matsuda Yusaku | 佐藤庆 | 成田三树夫 | 风吹纯 千葉真一 | 松田優作 | 佐藤慶 | 成田三樹夫 | 風吹ジュン Chiba Shinichi | Matsuda Yusaku | Sato Kei | Narita Mikio | Fubuki Jun |
| Director: | Murakawa Toru Murakawa Toru Murakawa Toru 村川透 Murakawa Toru |
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| Blu-ray Region Code: | A - Americas (North, Central and South except French Guiana), Korea, Japan, South East Asia (including Hong Kong, Macau and Taiwan) What is it? |
| Release Date: | 2009-10-23 |
| Publisher Product Code: | DAXA-1126 |
| Language: | Japanese |
| Country of Origin: | Japan |
| Disc Format(s): | Blu-ray |
| Publisher: | Kadokawa Pictures |
| Other Information: | Blu-ray Disc |
| Shipment Unit: | 1 What is it? |
| YesAsia Catalog No.: | 1021077513 |
Product Information
【この商品はBlu-ray Discソフトです。対応プレイヤー以外では再生できませんのでご注意ください。】 ■映像特典:予告編/TVスポット
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Other Versions of "The Resurrection of the Golden Wolf (Blu-ray) (Japan Version)"
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Hong Kong Version
- The Resurrection of the Golden Wolf (Hong Kong Version) DVD Region 3
- US$12.49
- Usually ships within 7 days
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Japan Version
- The Resurrection of the Golden Wolf (DVD) (Digitally Remastered Edition) (Japan Version) DVD Region 2
- US$33.99
- Usually ships within 7 - 14 days
- Yomigaeru Kinro (Limited Edition) (Japan Version) DVD Region 2
- US$39.49
- Usually ships within 7 - 14 days
- Yomigaeru kinro (Japan Version) DVD Region 2
- US$54.99
- Usually ships within 7 - 14 days
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "The Resurrection of the Golden Wolf (Blu-ray) (Japan Version)"
This professional review refers to The Resurrection of the Golden Wolf (Hong Kong Version)
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Japanese Cinema has seen its share of anti-hero protagonists, particularly in the Yakuza genre. Now get ready for one in the Japanese corporate world in Resurrection of the Golden Wolf, an unrelentingly mean crime noir from Kadokawa Films featuring a hell of an anti-hero as the protagonist. Yusaku Matsuda is Asakura, your typical Japanese salaryman who eats his cup o' noodles at his desk and complains about his bosses along with everyone else. But outside of work, Asakura is a weaponry expert and a skilled boxer who has just stolen 100 million yen from a courier, who he killed in a daring daylight robbery. However, he discovers that the bills are marked, making the money virtually impossible to spend. No worries, he can just shake down a couple of gangsters to find out where he can score some heroin to sell back for profit. But first, he'll seduce his boss' mistress by hooking her on drugs, threaten a politician, kill all of said politician's cronies, fight off a blackmailer from another company (Sonny Chiba is an extended cameo), then trick his employers into paying him for the job he's supposed to have been doing all along. Clark Kent this guy is not. And so goes the "hero's journey," as Asakura fights off numerous potential enemies using his wits and superior fighting skills, blackmails them, and climbs up the social ladder until there's nowhere to go but down. Based on a novel by Haruhiko Oyabu, one of the first authors of "hard-boiled" novels in Japan, Resurrection of the Golden Wolf forces you to identify with Asakura just because he happens to be the "best" bad guy in the whole film by virtue of being the smartest and the strongest. The rest of the characters are sleazy killers, shady blackmailers, despicable executives, and women who are love interests disguised as sex objects. This is a primal hard-boiled action noir not for the politically correct, as it proudly presents a protagonist whose actions are glorified, even though he steps on everyone else without batting an eyelash. Films like this are hard to pull off, because the filmmakers can risk alienating the audience if the protagonist appears too harsh. Thankfully, director Toru Murakawa has Yusaku Matsuda's award-nominated performance on his side. Sporting an afro that could only exist in the 70s, Matsuda oozes charisma as Asakura, as he alternates between sociopathic psycho, brilliant criminal, nerdy salaryman, and ladies man over the course of the film (in one scene, he literally holds a mask over his face to represent his multiple personalities). But the film's roots as a novel show from the very first scene as we are thrown right into the robbery without any type of context. Besides the basic human need for lots of cash, sex, drugs, and violence, why does Asakura choose to do what he does in the film? And how does he pick up all that knowledge about weaponry? Certainly not from boxing training. The result is almost like a video game, where audiences are forced to follow Asakura along on this journey simply because it's what they're watching onscreen. Then again, some audiences are tired of psychological insights and just want to see a good old-fashioned anti-hero do what he does best. In this fashion, Resurrection of the Golden Wolf certainly fits the bill. Murakawa employs a dynamic style, pulling off several impressive long takes, including two action sequences where Asakura finds many ways to plow through evil henchmen, sometimes using just a slingshot! Like most exploitation action films, Murakawa does go a little too far, adding gratuitous nudity (a scene at a dance club comes to mind) plus a very strangely edited montage of an all-night tryst. Furthermore, the film packs in so many characters that seemingly important plot points involving minor characters are often skirted around and explained in verbal exposition, making the journey from point A to point B sometimes confusing. The film also drags slightly at parts, exposing screenwriter Shuichi Nagahara's need to follow the literary structure by cramming too much plot into the adaptation. In the end, enjoyment from Resurrection of the Golden Wolf really depends on personal taste. Not everyone will be able to find a character to identify with, since everyone is pretty unlikable. If you can handle a bit of misogyny and general brutality in your action films, then this film is probably going to a blast right up to its anti-climatic ending. At least Murakawa does it with no apologies. By Kevin Ma |
Customer Review of "The Resurrection of the Golden Wolf (Blu-ray) (Japan Version)"
See all my reviews
February 15, 2008
This customer review refers to The Resurrection of the Golden Wolf (Hong Kong Version)
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"Resurrection of the Golden Wolf" is a very skillfully made action film. It features solid performances, a reasonably good script, and some creative and effective lensing techniques. So why haven't I given it a better rating? First and most importantly, the film provides no one about whom the viewer can care; every one of the film's significant characters is cold-blooded and vile, willing to crush anyone who gets in their way. Second, the skills of the film's central character simply are unbelievable; there is no one he can't beat up and he never, ever misses when he shoots. Third, the story itself simply becomes implausible as it uncovers nefarious plot after nefarious plot; in this film, the only innocent people you see on screen are likely just about to get offed. There must be an audience for films like this out there, but it doesn't include me. Watching it made me feel like I'd been slimed. |











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