A Midsummer's Fantasia (DVD) (Korea Version) DVD Region 3
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YesAsia Editorial Description
This edition includes commentary, making of, trailer and music video.
|Product Title:||A Midsummer's Fantasia (DVD) (Korea Version) A Midsummer's Fantasia (DVD) (韓國版) A Midsummer's Fantasia (DVD) (韩国版) ひと夏のファンタジア (DVD) (韓国版) 한여름의 판타지아 (DVD) (한국판)|
|Artist Name(s):||Kim Sae Byuk | Lim Hyung Kook | Iwase Ryo 金詩曦 | Lim Hyung Kook | Iwase Ryo 金诗曦 | Lim Hyung Kook | Iwase Ryo キム・セビョク | イム・ヒョングク | 岩瀬亮 김새벽 | 임형국 | Iwase Ryo|
|Director:||Jang Kun Jae 張建宰 张建宰 チャン・ゴンジェ 장건재|
|Producer:||Kawase Naomi 河瀨直美 河濑直美 河瀬直美 Kawase Naomi|
|Subtitles:||English, Japanese, Korean|
|Place of Origin:||South Korea|
|Picture Format:||NTSC What is it?|
|Region Code:||3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it?|
|Shipment Unit:||1 What is it?|
|YesAsia Catalog No.:||1046914201|
*Screen Format: Anamorphic Widescreen 1.85:1
*Sound Mix: Dolby digital 5.1
해외용 예고편 2종
뮤직비디오, 뮤직비디오 풀버전
“이 마을의 옛날 이야기, 아무거나 좋아요”
영화감독 ‘태훈’은 새 영화를 찍기 위해 일본의 지방 소도시인 나라현 고조시를 방문한다.
조감독 ‘미정’과 함께 쇠락해가는 마을 곳곳을 누비며 그 곳에 사는 사람들을 인터뷰하고, 마을 사람들은 자신의 기억을 답한다. 떠나기 전날 밤, 이상한 꿈에서 깨어난 ‘태훈’은 이제 막 불꽃놀이가 시작된 밤하늘을 조용히 올려다보는데… “오늘 밤, 불꽃놀이 축제에 같이 갈래요?”
한국에서 혼자 여행 온 ‘혜정’은 역전 안내소에서 아버지의 고향, 고조시에 정착해 감을 재배하며 사는 청년 ‘유스케’를 우연히 만난다. 가이드를 자처한 그와 함께 걸으며 길 위에서 많은 대화를 나누는 두 사람. 어느새 해가 지고 별이 뜨는 밤, ‘유스케’는 자신의 마음을 조심스럽게 고백하는데…
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "A Midsummer's Fantasia (DVD) (Korea Version)"
Korean writer director Jang Kun-jae follows up his much-praised 2013 Sleepless Night with A Midsummer's Fantasia, a film split into parts following the experiences of a film director and his assistant in rural Japan. Reuniting Kim Sae-byuk and Lim Hyung-kook, who worked together on Kim Kyung-mook's 2012 Stateless Things, the film also stars Iwase Ryo (Yellow Kid), and was produced by acclaimed director Naomi Kawase (Still the Water), whose Nara International Film Festival provided support. Having played to positive reviews at festivals around the world, the film emerged as one of the year's biggest indie hits back in Korea, confirming Jang as one of the country’s most interesting rising talents.
The film consists of two chapters, opening with First Love, Yoshiko, in which a Korean director (Lim Hyung-kook) travels to Gojo in rural Japan as part of a location-scouting trip for his next production. Joined by his assistant director and translator Mi Jung (Kim Sae-byuk), the two travel around the area and interview several of the locals, becoming very interested in particular by the stories of an elderly woman and a civil servant who has returned from the city to live there (Iwase Ryo). The second part, Well of Sakura, depicts a romance inspired by a tale told during the previous chapter, with Mi Jung this time being a Korean actress visiting Gojo and falling in with a local persimmon farmer (Iwase again). Gradually warming to each other's company, the pair wander the town, growing closer as they share experiences and memories.
There's undeniably an air of familiarity to A Midsummer's Fantasia, with its two part structure, overlapping stories, shifting characters and often rambling scenes of dialogue recalling the works of Hong Sang-soo and Richard Linklater's Sunrise trilogy. The influence of producer Kawase can also be seen during the opening segment, shot in black and white documentary style, and with the film as a whole showing the same kind of tranquil eye for detail when it comes to capturing nature and rural scenery. The plot itself, both in terms of its understated romance and its Korean-Japanese cultural communication is similarly nothing new, with the presence of a film director, assistant director and an actress as protagonists being common in indie cinema.
Thankfully, A Midsummer's Fantasia is a very strong indie in all other respects, Jang Kun-jae showing himself to have matured and progressed with his third offering. The film industry connection and his own experiences in Japan aside, the plot moves away from the autobiographical angle seen in Eighteen and Sleepless Night, though it's no less intimate for it, and has a winningly naturalistic and laid-back feel throughout. While some viewers might find its meandering narrative and avoidance of artificial drama hard to get a hold on, it's a deeply humanistic film with very likeable characters, the hour and a half spent in their company being engaging and pleasant indeed. Jang gets great performances from Kim Sae-byuk, Iwase Ryo and Lim Hyung-kook, and there’s a relaxed feeling to their interactions that is convincing and subtly moving, the film's second half benefitting from a quiet romance that slowly pulls in the viewer along with the leads.
The film is also beautifully shot, Jang making great use of the gorgeous scenery without making things feel too picture postcard or touristic. Though the switch from black and white to colour is a bit jarring and pronounced, the film is atmospheric and easy on the eyes, its languid pace sitting comfortably with its hints and suggestions of profoundness, and its patient approach will certainly speak to viewers in tune with its charms.
For all its familiarity A Midsummer's Fantasia is definitely one of the stronger Korean independent films of the last year, confirming Jang Kun-jae as a director to keep an eye on. Immensely likeable, well-made and accomplished, it's easy to see why it's proved so popular with domestic audiences, and the film should continue to win Jang more admirers on the international circuit as well.
by James Mudge - EasternKicks.com