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C'mon in (Preorder Version)

Eason Chan (Singer)
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YesAsia Editorial Description

Welcome to Eason Chan's music world! Three years after Rice & Shine, the singer guides listeners to explore their true selves in the long-awaited C'mon in. Produced by musician Jerald Chan and lyricists Kevin Yi and David Ke, the self-exploring album features ten songs including the chart-topper "Soar," the playful "Relax" and the lively "Sea Urchin" about the inner worlds of men.

This edition comes with an A4 folder.

© 2017-2021 YesAsia.com Ltd. All rights reserved. This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.

Technical Information

Product Title: C'mon in (Preorder Version) C'mon in (預購版) C'mon in (预购版) C'mon in (預購版) - 陳奕迅 C'mon in (Preorder Version)
Singer Name(s): Eason Chan (Singer) 陳 奕迅 (Singer) 陈 奕迅 (Singer) 陳奕迅(イーソン・チャン) (Singer) Eason Chan (Singer)
Release Date: 2017-10-16
Language: Mandarin
Place of Origin: Taiwan
Disc Format(s): CD
Package Weight: 250 (g)
Shipment Unit: 2 What is it?
Publisher: Universal Music Taiwan
YesAsia Catalog No.: 1061663613

Product Information / Track List

預購限量贈品:C’mon in A4文件夾(隨專輯附贈,實際樣式請以收到實品為主)

C’mon in
Eason Chan
睽違三年期待 全新國語專輯
就這樣…..就醬
怎麼樣?
就這樣…..就醬
唱什麼?
就這樣…..就醬
只有他可以這樣玩弄音符!
只有音樂可以顛倒他行為!
只有他可以“唱”所欲為!
藉著音樂與文字 擺己渡人 擺人渡己
請你自己在這十首曲中 尋找到最深層的自我
你是怎樣的?
就這樣……就醬
就這樣一個人
就這樣一個經歷
就這樣一個故事
沒有藉口 沒有理由 沒有牽絆 沒有廢話
就這樣…..就醬


Eason這次主要透過兩大著名作詞家易家揚、葛大為將藉由他們的筆觸以及音樂人Jerald監製,並邀請許多音樂菁英一同參與完成…..
而這一次專輯的名稱 [C’mon in~] 開宗明義簡單明瞭,就是希望歡迎請進來我的音樂世界,隨著十首不同的旋律音符以及文字想像空間,盡情暫時拋開所有的一切,用心細細咀嚼品嚐…..
就醬…..就這樣
就聽歌吧!

【歌曲介紹】
1. 放 (Relax) 

拋開煩惱 遠離喧囂 現代都市人都想要放空自己,在這緊迫壓逼的生活當中尋找自己的一片天,放空自己就是一個最好的管道,並非是一種逃避也不是一種畏縮,每個人面對無能為力的無奈時刻,何不轉個彎轉個念讓自己輕鬆一下,也許下一秒面對問題就可以迎刃而解,但往往當下在於執著固執的情緒底下,很多事永遠會越纏越緊,所以放手鬆一鬆讓自己喘口氣,天不從人願但自己可以選擇不必如此的哀怨!
歌曲所傳遞的意義就是要人放寬心,很多事情不必在意一時的不如意,或許碰到瓶頸的當下可以試試先讓自己放空,放掉不必要的牽絆,放掉不需要的預料,放掉不再有的不安。嘗試用一種正向隨心所欲的心態面對,可以發現更多美好的安排!
2. 收心操 (Ready)
現代人在忙碌的工作壓力下唯一看以得到喘息的就是放大假,可是往往在收假的前一天真的是痛苦萬分,你是不是也有這樣的同感?就是這樣的感覺其實一直纏繞著你我。其實面對人生中所有的事情一樣,事業、感情、家庭、親情似乎當人生走到某個階段,回顧以往真的該隨著年齡經歷的增長,該有所警悟有所成長,藉著“收心操”這三個令人痛不欲生的動作,要對自己負責就像是在寒冬的被窩裡把自己徹徹底底的拉出來。那個當下其實也是需要很大的勇氣,歌曲中詮釋對愛情的一種魄力與責任,就像是當初在說下“I do”這個足以託付終生的最關鍵字眼,接受人生中最重要的挑戰之一。
3. 海膽 (Sigh)
猶如海膽的濃郁鮮甜,一入口即化的口感,回衝入腦門的那個鮮香回甘,看似軟弱的沒個性,卻在內涵中充滿無與倫比的味道變幻,不是沒個性而是不任性!不輕易顯露出自己的內心,不輕易給人看穿脆弱的鐵漢亦有柔情,雖然玩世不恭桀驁不馴屌兒啷鐺的外在偽裝下,夜深人靜也是會在暗夜啜泣。
年過三十後的熟成男子,不斷在經歷過許許多多的情感歷煉後,或許面對自己獨處的時候該有所覺醒,唱出一個漸入滄桑的男人情懷。只要是有過歲月經歷的男人,肯定感同身受共鳴迴響。
填詞人葛大為透過文字筆觸,描述食物與人性之間的微妙關係,經過大腦味覺的感官刺激來表達形容個性意境,配合上製作人Jerald的輕快旋律,帶著一種玩世不恭的趣味,呈現專屬於男人的內心世界對話。
4. 誰來剪月光 (Miss)
甚少聽到Eason會有這樣中國風的曲風,這一次突破創舉加上中西合併的兩種音樂元素,透過中國人最愛的情愛代言人~月亮,訴說著情愛表達著心意,整首歌曲有如看著中國的山水畫到進入梵谷的油畫世界中,有種說不出的衝突融合感,就如同愛情一般令人難以捉摸,一向中國人最會擅長用月亮來表達人類愛情的精神象徵,透過月亮來表達對愛的渴望對愛的嚮往對愛的又愛又怕。
歌曲的一開始就流露出傳統東方濃濃的曲式,而由填詞人易家揚將歌手的個性以一種外在傳統內在嬉痞的包裝模式,巧妙的融入這首優美的情歌之中。
5. 床上的黑洞 (Wake)
延續黑洞與平行時空的熱門話題,歌曲將浩瀚宇宙銀河中最為神秘及為人所探索的黑洞比喻成你我最熟悉那張溫存的床,因為這個地方最可以是無憂無慮及天馬行空的小天地小確幸,依偎徜徉在無憂無慮的小小虛幻中,最可以是享有個人最私密的空間,進入幻想無限大的夢想時空之中,所有意想不到或是渴望夢寐以求的幻想都可以在不費吹灰之力輕易達到,就只怕在關鍵時刻往往現實破壞了美夢,多希望可以永遠躲在這個令人羨慕的黑洞之中。
6. 右上角 (Notice)
新世代最潮的事情你跟上了嗎?有沒有臉書直播過?有沒有喜歡吃什麼去那裡最先讓你的手機知道?其實每個人根本就是跟手機在談戀愛,然後再藉由它對你的愛分享到虛無縹緲的網路世界中。對!就是存在感的作祟!安全感的罪孽!
手機網路若有生命它肯定有一天會氣憤你的自私自利藉由它讓你沖昏了頭,而所謂的右上角就是說明著每個現代人在現今的網路世界當中透過手機扮演著自以為是所謂紅人!哪裡紅?太虛了!但可能當初沒有想過發明一個讚卻是影響著現在許許多多人的生命動力,這個虛擬世界人人都是明星人人沒有秘密,討拍炫耀霸凌責罵在這裡完全由手指掌控,是不是好懷念沒有手機的那些日子?
7. 之外 (Apart)
在……之外請你自己填下你最想講的那兩個字!!
無奈很多人世間的事情並非你所能掌握跟把握的,或許就是這樣在這個遊戲人間的途中,才會有高低起伏的八點檔劇情,不就是這樣…就醬!!
有趣的事情就是當你面對愛情、感情你就是沒有辦法做到你常常對人家諄諄教誨的模範生,永遠旁觀者清當局者迷般的好笑、可笑、苦笑就是這樣的百般無奈不過人類不就是這樣喜歡輪迴的墜入在這樣的愛情漩渦裡面。紅塵裡面翻攪。
對於未來只有未知,對於感情之外你沒有辦法主宰,當下的把握珍惜最簡單的也許只有真的修成正果的才叫做愛情。
透過填詞人將人類對於情感的無奈無法自我控制的那種感嘆一一寫實出來,也許在…..之外,會有另外的驚喜跟選項在等著你我。
8. 傅科擺 (Leap)
自轉公轉一向是地球生生不息的運行軌跡,生命源源不絕依循著地球自轉,就像是傅科擺一樣永遠規律著搖來擺去,對於生命義無反顧的追求人生的意義,人生來就是不一樣的個體,但萬物生長卻是冥冥中有它的安排,每個個體都有它獨特的個性,就是因為如此生命才會更加精彩,就是凡人所常說的不向命運低頭,這一點在愛情的征戰路上每個人最容易展現出來。也許是愛神當初知道地球規律的一成不變,硬是要加諸人類有叛逆的愛情火花。所以世世代代經典傳頌千古的愛情故事,不就是因為突破這規律的痕跡,為世人留下唯美的讚嘆。
9. 零下幾分鐘 (Freeze)
思念是一種最美的折磨,以一種無味道無顏色無形體的姿態,侵蝕人的心。每每當人進入思念的狀態,通常無法解釋自己為何反常的舉動,真的不要懷疑你真的會做出連你自己都想像不到的行為,就像是看到鏡中另外一個自己或許那才是真正內心的你,最真的你最深沈的那個你,所以思念是一種痛,思念是一種無可救藥的症狀,每個經歷愛情過程的人都會有思念的過程,它何嘗不是一種對愛的心甘情願,既然你擋不住它何不盡情的享受付出的過程,品嚐被虐與被寵愛間的煎熬。
這首歌感覺似曾相識般的其實就是延續2003年在 <黑 白 灰> 專輯中那首 “Last Order” 的二部曲,當年的黃偉文與今年易家揚歌詞中互相呼應,那一年Eric Kwok的Last Order銜接到 “零下幾分鐘” 藍奕邦譜出都會人孤獨無奈的慵懶心事。
延續著台北101寒冬夜晚的街頭到地球另一端紐約冰雪紛飛的時代廣場之中,隨著歌曲流動宛如品嚐一杯濃烈的威士忌。煞是感觸良多。
10. 披風 (Soar)
每個人一定小時候都會用毯子披在肩上,幻想著就是一個拯救世人所向無敵的超人,披著毛巾很簡單但內心裡的真正那件披風,有沒有為你撐起你的一片天?
長大後常常會自己想著若是有件可以依靠的披風有個可以信賴肩膀,再實際也不過了,不需要真的會飛不需要真的力大無比,只要有暖暖的呵護著甚至小小的一句問候,人都會有脆弱的那一面,就像超人沒有了披風飛也飛不了,但別怕!一定會有人為你撐著一片天。


01. 放 (Relax) 
02. 收心操 (Ready)
03. 海膽 (Sigh)
04. 誰來剪月光 (Miss)
05. 床上的黑洞 (Wake)
06. 右上角 (Notice)
07. 之外 (Apart)
08. 傅科擺 (Leap)
09. 零下幾分鐘 (Freeze)
10. 披風 (Soar)
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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YumCha! Asian Entertainment Reviews and Features

Professional Review of "C'mon in (Preorder Version)"

February 26, 2018

This professional review refers to C'mon in (Hong Kong Version)
Eason Chan is one of the few popular Hong Kong singers who has been consistently active for nearly 20 years. While many other superstars have gone on rest mode or switched focus to acting due to the downturn in the music market, Eason still continues to develop his singing career. Though he has slowed down the album releases in comparison to his younger days, he regularly holds concerts, serves as a mentor on a Chinese singing program, and, most importantly, still produces new albums of newly written and composed songs. To promote C'mon in, he even filmed a five-episode music special series and held an album release showcase, showing his interest and passion for music from the bottom of his heart.

C'mon in comes with ten songs produced by Swing's Jerald. The album's lyrics are mainly written by Kevin Yi and Ge Da Wei. One track is jointly written by Rubberband's No. 6 and Tim Lui. Some of the album's songs, like "Sigh," "Soar" and "Miss," were already previously released on music streaming sites or digital music platforms.

When I received this album, I focused on one question: Has Eason chosen more of the same for his first album in two years? Did he just group together a bunch of already released singles and movie theme songs? Or does he have the guts to continue to make what he likes and believes in?

Looking at the whole album, I think the answer is the latter. First, we see that Eason did not forcibly stick in all his singles from the past two years, such as "Four Seasons," "So Many Tomorrows" and "Meet in This World." (Actually, in consideration of his popularity, even if that was the case, there would still be a market for the album.) Secondly, he has not become stagnant. He isn't bent on replicating the formula of past successes and creating the next "Karaoke King," "Love Transfer" or "Long Time No See." He still has the ambition and energy to wholeheartedly make an album that is not constrained by previous models, music styles or market calculations, to boldly present a work that he believes is fun and enjoyable, and to readily show his values, feelings and mentality at age forty – nonconforming but not unfettered. Because the album has a consistent and easy-to-understand theme, you have to listen to it altogether as an album to get its appeal. Those who are close in age to Eason, or grew up listening to his songs, should easily resonate with the album.

In truth, this album is outstanding. The songs are diverse and not restricted to one style. Lyrics and melodies are solid; arrangements are playful and surprising while still sounding proper. Upon close listen, the songs are lively and not typical. Rather than seeking catchiness, the songs are focused on preserving the different qualities of Eason's voice and allow him to give versatile performances. Even though this is a Mandarin album, you can hear the kind of energy and passion that was present in his past Cantonese albums. What is most memorable to me is that the album's songs – be it in arrangement, beats or Eason's lively performance – all give off the feeling that he is singing very happily this time, and this happiness has the ability to infect the listener.

Admittedly, whether one likes the album's songs or not depends on personal preference. What I care about is that he dares to be playful and sings happily: Isn't that exactly what we've loved about Eason? He still has the heart and strength to do more. Even if he doesn't repeatedly create classic love songs or catchy plugs, what's the harm in that? Eason Chan becoming old-fashioned and formulaic is not what the public wants.

The lead track "Miss" is the most easily digestible song of the album. The tune is smooth and melodious, the arrangement graceful and straightforward. The lyrics about missing the past reflect the helpless mixed feelings of city people: "Even if there is no moon, the days would still be fine / Most afraid of being busy, so busy, while missing the old days / What can't be snipped away is you crying with a smile, so frustrating." With the song being plugged during Mid-Autumn Festival period, it easily resonates with listeners.

"Sigh" is an earworm with sharp beats and enjoyable and realistic lyrics. It feels very honest, and the sea urchin comparison is also appropriate. The slogan chanting of the chorus section very much fits the mood of the song's protagonist, self-effacing yet a bit resentful. The laughing sound at the end, as if he is laughing at himself, provides a perfect finishing touch. Like an adult nursery rhyme, the final track "Soar" is an encouraging song with melody and lyrics that are increasingly appealing upon close listen. Eason's performance sounds very full-hearted and relaxed, and his falsetto comes out naturally.

The first track "Relax" has a very ear-catching opening, but at the same time, the verses and chorus give off a kind of leisurely feeling. Do the lyrics "Give up on pleasing others, move away from mainstream judgement, let go of burdens, freedom is an energy" reflect Eason's present state of mind towards making music? In addition, I think the current Eason is able to keenly grasp this song's sentiments and sing it calmly. The younger Eason may not be able to achieve such an effect.

"Wake" has an exemplary melody and arrangement. It would definitely be great to hear it live with a band. Eason sings the song freely, its lyrics reminding of his past work "2001 Space Travel." "Ready" has the air of a middle-aged man. The seemingly light and understated lyrics and arrangement reveal meaningful sentiments. The song carries a touching warmth, and Eason's singing sounds mellow and rich.

Among other songs, the Jone Chui-composed "Apart" and "Leap," co-composed by CY Kong and Jerald, are also worth listening to.

by Stephen Lee

(Translation: Sanwei)

Feature articles that mention "C'mon in (Preorder Version)"

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