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Himizu (DVD) (Collector's Edition) (English Subtitled) (Japan Version) DVD Region 2

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Himizu (DVD) (Collector's Edition) (English Subtitled) (Japan Version)
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YesAsia Editorial Description

Sono Sion (Love Exposure, Cold Fish) had long planned on adapting Minoru Furuya's Himizu and even completed a script that was ready to shoot. However, after the March 11 disasters, Sono quickly changed his script, adding an extra jolt of dark realism by setting the film in the disaster-afflicted area and integrating images of the tsunami aftermath into its rainy, bizarre world of jarring brutality and malaise. In addition to being a wildly bleak coming-of-age tale that is as viscerally compelling as Sono's previous works, Himizu is also one of the first films to show the world the scale of destruction in Japan as a Competition film at Venice Film Festival just six months after the disasters. As pessimistic as its premise sounds, Himizu is also as much about the despair and hardship of neglected teens as it is about the importance of holding on to hope.

Running a family boat rental business in the disaster area, kind teenager Sumida (Shota Sometani) just wants a normal life. However, that seems too much to ask from his violent, debt-ridden father and negligent mother, who torment Sumida every chance they get. Meanwhile, classmate Chazawa (Nikaido Fumi), who has a crush on Sumida, is suffering from a similar fate in that her mother wants her dead and has even prepared a contraption to pull off the act. Despite Chazawa's enthusiastic willingness to help Sumida with the boathouse, Sumida remains resistant to her affections. One day, Sumida finally becomes sick of the abuse, fighting back with a self-destructive fury that could lead to his own downfall.

This edition comes with making of, interviews, stage events, cast profile, and trailers.

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Technical Information

Product Title: Himizu (DVD) (Collector's Edition) (English Subtitled) (Japan Version) Himizu (DVD) (Collector's Edition) (英文字幕) (日本版) Himizu (DVD) (Collector's Edition) (英文字幕) (日本版) ヒミズ コレクターズ・エディション Himizu (DVD) (Collector's Edition) (English Subtitled) (Japan Version)
Artist Name(s): Suzuki Anne | Fukikoshi Mitsuru | Kubozuka Yosuke | Watanabe Tetsu | Murakami Jun | Mitsuishi Ken | Watanabe Makiko | Kurosawa Asuka | Kagurazaka Megumi | Den Den | Yoshitaka Yuriko | Nishijima Takahiro | Sometani Shota | Nikaido Fumi 鈴木杏 | 吹越滿 | 窪塚洋介 | 渡邊哲 | 村上淳 | 光石研 | 渡邊真起子 | Kurosawa Asuka | 神樂坂惠 | 緒方義博 Den Den | 吉高由里子 | 西島隆弘 | 染谷將太 | 二階堂富美 铃木杏 | 吹越满 | 洼冢洋介 | 渡边哲 | 村上淳 | 光石研 | 渡边真起子 | Kurosawa Asuka | 神乐坂惠 | 绪方义博 Den Den | Yoshitaka Yuriko | 西岛隆弘 | 染谷将太 | 二阶堂富美 鈴木杏 | 吹越満 | 窪塚洋介 | 渡辺哲 | 村上淳 | 光石研 | 渡辺真起子 | 黒沢あすか | 神楽坂恵 | 緒方義博 でんでん | 吉高由里子 | 西島隆弘 | 染谷将太 | 二階堂ふみ Suzuki Anne | Fukikoshi Mitsuru | Kubozuka Yosuke | Watanabe Tetsu | Murakami Jun | Mitsuishi Ken | Watanabe Makiko | Kurosawa Asuka | Kagurazaka Megumi | Den Den | Yoshitaka Yuriko | Nishijima Takahiro | Sometani Shota | Nikaido Fumi
Director: Sono Sion 園子溫 园子温 園子温 Sono Sion
Release Date: 2012-07-03
Publisher Product Code: PCBE-54073
Language: Japanese
Subtitles: English, Japanese
Place of Origin: Japan
Picture Format: NTSC What is it?
Disc Format(s): DVD
Region Code: 2 - Japan, Europe, South Africa, Greenland and the Middle East (including Egypt) What is it?
Publisher: GAGA
Other Information: 2DVDs
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1030474863

Product Information

タイトル:ヒミズ コレクターズ・エディション

「行け! 稲中卓球部」のカリスマ漫画家・古谷実の超問題コミックがまさかの実写映画化!
この実写化を実現させたのは刺激的かつ野心的な作風で今、最も目が離せない映画監督・園子温。日本の漫画界、映画界を代表する2人が奇跡のタッグを組む! 主演の染谷将太と二階堂ふみを世界が絶賛。第68回ヴェネチア国際映画祭にて、日本人初の快挙となる最優秀新人俳優賞 (マルチェロ・マストロヤンニ賞)をW受賞! 主演2人の周りを固めるのは、渡辺哲、吹越満、神楽坂恵、光石研、渡辺真起子、黒沢あすか、でんでん、村上淳など個性派俳優たち。さらに窪塚洋介、鈴木杏が初めて園作品に参加した他、過去の作品で高評価を得た吉高由里子、西島隆弘(AAA)が再び参加。豪華キャストがここに集結!
住田祐一、茶沢景子、「ふつうの未来」を夢見る15歳。だが、そんな2人の日常は、ある"事件"をきっかけに一変。衝動的に父親を殺してしまった住田は、そこからの人生を「オマケ人生」と名付け、世間の害悪となる"悪党"を殺していこうと決めた。自ら未来を捨てることを選んだ住田に、茶沢は再び光を見せられるのか ──。




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YumCha! Asian Entertainment Reviews and Features

Professional Review of "Himizu (DVD) (Collector's Edition) (English Subtitled) (Japan Version)"

July 20, 2012

Japanese auteur, poet and cult favourite director Sono Sion (Love Exposure) returns with Himizu (which translates as "mole"), another tale of disaffected youth and brutal murder. Originally based on the manga of the same name by Minoru Furuya, the script was updated by Sono to reflect the disaster which struck the country on 11th March 2011, giving the film a post-apocalyptic look and feel. As with most of the director's outings, the film is a darkly lyrical affair, and one which stands out all the more for the fact that it manages to find humanity and even an odd kind of hope amongst the rubble and violence. The film enjoyed a successful run at international festivals, screening in competition at Venice just 6 months after the tragedy, where its lead stars Shota Sometani (Life Back Then) and Fumi Nikaido received the Marcello Mastroianni Award for Best New Young Actor and Actress.

Set against a background of a ruined country wrecked by an unnamed disaster, the film focuses on a 15 year old youth called Sumida (Shota Sometani), who lives in a shack, dropping out of school to run his family's boat rental business. Beaten, hated and ignored in equal measures by his mother and father (Watanabe Makiko and Mitsuishi Ken), Sumida does his best to live a quiet, normal life while fighting off debt collectors and gangsters. Aside from a ragtag group of squatters made homeless by the catastrophe, the only person who cares about Sumida is his classmate Chazawa (Nikaido Fumi), an odd girl and self-confessed stalker who dedicates herself to helping him however she can, whether he likes it or not. It all gradually becomes too much for the tortured boy and he starts to tip over into homicidal madness, while Chazawa tries to pull him back from the brink.

Almost every frame and scene of Himizu is packed with bleak locations and tsunami imagery suggesting a country stunned by disaster and in a state of physical, moral and economic disarray. This gives the film a powerful sense of currency, as well as underlining its themes, depicting a younger generation utterly abandoned by their elders, who themselves have lost hope and have nothing to offer other than hostility and torments. Brutality is inherent in every child-parent bond, with Sumida on the receiving end of countless beatings from his father, and Chazawa's mother constantly planning her death. As a result of growing up in such a hateful void, with school failing to provide anything other than useless platitudes, Sumida's descent into violent rage is from early on clearly inevitable, a tragic, though unavoidable fate. His quest for meaning and identity makes for gripping and extremely affecting viewing, playing out in frequently surprising fashion, and the film is fiercely dramatic in near-Shakespearian fashion, backed by a sombre classical score.

Himizu at the same time sees Sono moving away somewhat from the surreal nihilism of his "Hate Trilogy" (Love Exposure, Cold Fish and the recent Guilty of Romance) to something a little more optimistic, the absence of hope somehow not being seen as the be all and end all. Indeed, the film is weirdly upbeat, partly through the relationship between Sumida and Chazawa, which though itself marred by abuse is highly touching, her (admittedly weird) selflessness suggesting a kind of undefined better future. Similarly, the collection of eccentric individuals living around the lake, (including comedian and Sono regular Den Den) make for some funny and warm scenes, portrayed as adults cut adrift from society who have reverted to a playful, childlike state. The various characters all act as different influences on Sumida, and to a large extent to film feels like a humanistic struggle for his soul, an unconventional tug of war between good and evil. This is bolstered by the fantastic performances by Shota Sometani and Fumi Nikaido, both of whom are stunning and wholly convincing in their difficult roles, and well-deserving of their awards.

The film also differs from other Sono efforts through its absence of over the top surrealism and violence. Although there are several vicious and bloody scenes scattered throughout, these don't stand out as much as they have in his earlier films, and are far more woven into its fabric and themes. Clocking in at over two hours, the film is undeniably a touch on the long side, and is subject to a few long and meandering passages in the middle act, though this actually fits its ambitions well and helps to further its depiction of a country in chaos and decline.

Himizu is another bold, striking masterwork by Sono Sion, and one that sees him successfully managing to combine and expand his usual approach with something a little more grounded and less perverse. Although not explicitly about the 11th March, it's as powerful and memorable a film is ever likely to be made on the subject, and sees the director on thoughtful, mature form as he considers the moral and existential crisis being faced by the younger generation, a message not only applicable to Japan, but anywhere in the world.

by James Mudge -

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