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The Kirishima Thing (2012) (DVD) (Taiwan Version) DVD Region 3

Kamiki Ryunosuke (Actor) | Hashimoto Ai (Actor) | Ohgo Suzuka (Actor) | Tomoya Maeno (Actor)
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YesAsia Editorial Description

Kirishima is the name on the tip of everyone's tongues in The Kirishima Thing, the latest film by director Yoshida Daihachi (Funuke Show Some Love You Losers). Based on the award-winning debut novel by Asai Ryo, the schoolyard drama uses the sudden disappearance of a popular student named Kirishima to explore the social hierarchy that naturally exists in every school, from the popular athletes to the bullied geek, played by Kamiki Ryunosuke (The Borrower Arrietty). Daihachi and co-scriptwriter Kiyasu Kohei eschews a traditional linear narrative, structuring the story based on the different groups of students affected by Kirishima's disappearance. The result is a critically acclaimed film that has been lauded at home and abroad, earning four prizes at the Japan Academy Prize and three nominations at the Asian Film Awards.

One day, popular volleyball player Kirishima decides to quit the team and goes missing. The news spreads around the school like a wave, from Kirishima's upset best friend Hiroki (Higashide Masahiro) to Kirishima's girlfriend, until it reaches the lower end of the social hierarchy with film club geek Maeda (Kamiki Ryunosuke) and volleyball player Kasumi (Hashimoto Ai). Over the course of one day, Kirishima's disappearance will change relationships and the social dynamics of the school. Soon, where Kirishima has gone is no longer the important issue; it's what happens when (or if) he returns.

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Technical Information

Product Title: The Kirishima Thing (2012) (DVD) (Taiwan Version) 聽說桐島退社了(2012) (DVD) (台灣版) 听说桐岛退社了(2012) (DVD) (台湾版) 桐島、部活やめるってよ The Kirishima Thing (2012) (DVD) (Taiwan Version)
Artist Name(s): Kamiki Ryunosuke (Actor) | Hashimoto Ai (Actor) | Ohgo Suzuka (Actor) | Tomoya Maeno (Actor) | Nakano Taiga (Actor) | Shimizu Kurumi (Actor) | Ochiai Motoki (Actor) | Suzuki Nobuyuki (Actor) | Matsuoka Mayu (Actor) | Yamamoto Mizuki (Actor) | Higashide Masahiro (Actor) 神木隆之介 (Actor) | 橋本愛 (Actor) | 大後壽壽花 (Actor) | 前野朋哉 (Actor) | 仲野太賀 (Actor) | 清水久留巳 (Actor) | 落合扶樹 (Actor) | 鈴木伸之 (Actor) | 松岡茉優 (Actor) | 山本美月 (Actor) | 東出昌大 (Actor) 神木隆之介 (Actor) | 桥本爱 (Actor) | 大後寿寿花 (Actor) | 前野朋哉 (Actor) | 仲野太贺 (Actor) | 清水久留巳 (Actor) | 落合扶树 (Actor) | 铃木伸之 (Actor) | 松冈茉优 (Actor) | 山本美月 (Actor) | 东出昌大 (Actor) 神木隆之介 (Actor) | 橋本愛 (Actor) | 大後寿々花 (Actor) | 前野朋哉 (Actor) | 仲野太賀 (Actor) | 清水くるみ (Actor) | 落合モトキ (Actor) | 鈴木伸之 (Actor) | 松岡茉優 (Actor) | 山本美月 (Actor) | 東出昌大 (Actor) Kamiki Ryunosuke (Actor) | Hashimoto Ai (Actor) | Ohgo Suzuka (Actor) | Tomoya Maeno (Actor) | Nakano Taiga (Actor) | Shimizu Kurumi (Actor) | Ochiai Motoki (Actor) | Suzuki Nobuyuki (Actor) | Matsuoka Mayu (Actor) | Yamamoto Mizuki (Actor) | Higashide Masahiro (Actor)
Director: Yoshida Daihachi 吉田 大八 吉田 大八 吉田 大八 Yoshida Daihachi
Release Date: 2013-09-16
Language: Japanese
Subtitles: Traditional Chinese
Place of Origin: Japan
Picture Format: NTSC What is it?
Aspect Ratio: 1.78 : 1
Sound Information: Dolby Digital 2.0, Dolby Digital 5.1
Disc Format(s): DVD
Region Code: 3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it?
Duration: 104 (mins)
Publisher: Jia Shiun
Package Weight: 135 (g)
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1034079338

Product Information

導演︰吉田 大八

  翻滾你的年少記憶 喚醒你的歲月輕狂
  ★2012 電影旬報年度十大影片、新人
  ★2012 報知映畫賞、每日映畫賞最佳導演

  「戰鬥吧!這才是我們的世界 因為我們不得不在這個世界活下去!」

  某個風和日麗的週五,一所高中的社團活動如常進行中,不論你喜歡的是羽球或者是交響樂團,這一天的社團活動仿佛每週一次的重要慶典,但此時一則流言正在?釀?,原來是被視為風雲人物的桐島突然退出排球社,並且音訊全無。而和桐島完全不熟的電影社社長前田(神木隆之介飾演),居然意外成為這樁失蹤案件的最大受害者!前田和桐島完全不熟,他沈浸在自己熱愛的電影世界中,但先是電影作品參賽失利而遭到同學恥笑,拍片時又總是困難重重。看似幼稚或微不足道的小事,卻因為桐島失蹤了,彷彿投入平靜湖面的石頭,無論戀人、好友,甚至毫無關係的同學們,都無法避免地被捲入陣陣漣漪,究竟桐島去哪了 …..


*導演&攝影 訪談
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YumCha! Asian Entertainment Reviews and Features

Professional Review of "The Kirishima Thing (2012) (DVD) (Taiwan Version)"

February 28, 2014

This professional review refers to The Kirishima Thing (2012) (DVD) (English Subtitled) (Hong Kong Version)
Though another Japanese drama about high school kids and their lives might not sound like anything to get too excited about, The Kirishima Thing arrives riding a wave of impressive critical acclaim, having won top honours at the Awards of the Japanese Academy, as well as other prizes at home and abroad. Adapted from Asai Ryo's popular and much-praised debut novel, the film should also be of considerable interest for the fact that it was directed by Yoshida Daihachi, who was responsible for the amazing Funuke, Show Some Love You Losers! which still ranks as one of the best Japanese comedies of recent years. Co-written by Daihachi and Kiyasu Kohei, the film explores the social hierarchy of the schoolyard through the effects of the abrupt disappearance of the titular student, with a fine ensemble cast of young talent.

Following a fractured, non-linear narrative, the film starts off with the news spreading around school that the popular volleyball player and all round big man on campus Kirishima has quit the team and hasn't been seen since. This has an immediate effect on most of his fellow students, in particular his best friend Hiroki (Higashide Masahiro, Crows Explode) and girlfriend Risa (actress model Yamamoto Mizuki), who try to figure where he is and what's happened. Meanwhile, badminton player Kasumi (Hashimoto Ai, Sadako) starts feeling a tension in her group of friends, while the nerdy Maeda (Kamiki Ryunosuke, The Borrower Arrietty) tries to make a zombie opus around the school with his film club group. With Kirishima's disappearance leaving a gaping void, relationships within the various factions shift, and rivalries grow as the social order struggles to reassert itself.

There's thankfully a great deal more to The Kirishima Thing than the teen angst suggested by its plot - this shouldn't be much of a surprise, given that Yoshida Daihachi is easily one of Japan's most interesting directors, and a master of offbeat, dry humour. Without having read Asai Ryo's novel, it's hard to say how faithfully it sticks to the text, though with it being an omnibus tale with a large set of characters, Daihachi made the decision to focus on a handful of the key and most interesting players, chiefly would-be director Maeda. This works very well, and the film still boasts a considerable cast of characters who pop in and out of the story and its many subplots and threads, enough so to give a real feeling of the vast complexities and many levels of social interaction that make up school life. Impressively, the film still has a very strong sense of character, amongst the supporting cast as well as its leads, with some great attention to personal details across the board, and this really helps to keep the viewer involved. The young stars are all excellent, especially Kamiki Ryunosuke and Hashimoto Ai, and the film rings true throughout, with some surprisingly effective emotional beats and some very rewarding payoffs.

Daihachi also scores highly for the film's ambitiously structured and non-linear narrative, which jumps around in time, repeating scenes from differing perspectives in a delightfully creative manner. It's an excellent example of intelligent storytelling, and serves well to further underline the many facets of the social hierarchy and the groups within the school, and the ways in which Kirishima's vanishing slowly but surely comes to affect them all. As with the director's earlier outings, the film also has a subtle, ironic sense of humour, and this makes for some very funny scenes, the tone being at once playful, grounded and occasionally dark, dealing with bullying, loneliness, social awkwardness and unrequited love. Thankfully, Daihachi never takes the easy route with the comedy or the film's drama, and unlike many other high school films, there's no meanness or laughing at his characters or cheap exploitation of the usual stereotypes, the script having a genuine, even affectionate feel, that really pulls the viewer in.

The film also benefits from some very strong direction, with some creative camera work making sure that the repeated scenes really do feel as if they're coming from differing perspectives and are offering something new. The school itself is shot in a fascinating manner, and rather than resembling a prison as is often the case in the genre, it takes on a character of its own, shifting colours, angles and other visual techniques being skilfully used to represent the emotions and experiences of the kids. Daihachi keeps things moving at a fast pace, and though for the first half hour or so the parade of new faces can be a bit bewildering, it's a fitting reflection of the way anyone might feel during their first day at school, and the film doesn't take long at all to truly grip.

The Kirishima Thing really is captivating from start to finish, and is definitely one of the best films of the year so far, not only from Japan, but anywhere in the world. Well-deserving of its award winning streak and hype, it's another masterful turn from Yoshida Daihachi - certainly, it'll be interesting to see where his career goes from here.

by James Mudge -

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