Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version) Blu-ray Region A
- This product cannot be cancelled or returned after the order has been placed. For more details, please refer to our return policy.
- Blu-ray Discs are exclusively compatible with Blu-ray Disc players, and cannot be played on conventional DVD players or HD DVD players.
- This product will not be shipped to Hong Kong.
YesAsia Editorial Description
Will the characters rediscover their place in this world, make peace with the memory of their failed relationships, and learn to move on and live life to the fullest? Hope, it seems, still springs eternal - even in the dark! Daiteiden no yoru ni features a talented ensemble cast, including Toyokawa Etsushi (from Miike Takashi's The Great Yokai War and Kurosawa Kiyoshi 's Loft), Taguchi Tomorowo (It's Only Talk, School Daze), Harada Tomoyo (Ubume no natsu), Terajima Shinobu (Yamato), Kashii Yu (Hold Up Down), Kikkawa Koji (The City of Lost Souls), Abe Tsuyoshi (Public Toilet), Awashima Chikage (Chushingura), Hongo Kanata (Hinokio, Igawa Haruka (Mizuchi), Tabata Tomoko (The Hidden Blade), and Utsui Ken (TV's Gokusen)!
|Product Title:||Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version) 大停電之夜 (Blu-ray) (特別版) (英文字幕) (日本版) 大停电之夜 (Blu-ray) (特别版) (英文字幕) (日本版) 大停電の夜に スペシャル・エディション 【Blu-rayDisc】 Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version)|
|Also known as:||Daiteiden no Yoru ni Daiteiden no Yoru ni Daiteiden no Yoru ni Daiteiden no Yoru ni Daiteiden no Yoru ni|
|Artist Name(s):||Harada Tomoyo | Toyokawa Etsushi | Kikkawa Koji | Igawa Haruka | Utsui Ken | Taguchi Tomorowo | Awashima Chikage | Tabata Tomoko | Terajima Shinobu | Kashii Yu | Hongo Kanata | Abe Tsuyoshi 原田知世 | 豐川悅司 | 吉川晃司 | 井川遙 | 宇津井健 | 田口智朗 | 淡島千景 | 田畑智子 | 寺島忍 | 香椎由宇 | 本鄉奏多 | 阿部力 原田知世 | 丰川悦司 | 吉川晃司 | 井川遥 | 宇津井健 | 田口智朗 | Awashima Chikage | 田畑智子 | 寺岛忍 | 香椎由宇 | 本乡奏多 | 阿部力 原田知世 | 豊川悦司 | 吉川晃司 | 井川遥 | 宇津井健 | 田口トモロヲ | 淡島千景 | 田畑智子 | 寺島しのぶ | 香椎由宇 | 本郷奏多 | アベ，ツヨシ Harada Tomoyo | Toyokawa Etsushi | Kikkawa Koji | Igawa Haruka | Utsui Ken | Taguchi Tomorowo | Awashima Chikage | Tabata Tomoko | Terajima Shinobu | Kashii Yu | Hongo Kanata | Abe Tsuyoshi|
|Director:||Minamoto Takashi Minamoto Takashi Minamoto Takashi 源孝志 Minamoto Takashi|
|Blu-ray Region Code:||A - Americas (North, Central and South except French Guiana), Korea, Japan, South East Asia (including Hong Kong, Macau and Taiwan) What is it?|
|Publisher Product Code:||TCBD-109|
|Place of Origin:||Japan|
|Other Information:||Blu-ray Disc|
|Shipment Unit:||1 What is it?|
|YesAsia Catalog No.:||1030977849|
Other Versions of "Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version)"
- Product Title
- Our Price
- Until The Lights Come Back (DVD) (Special Priced Edition) (English Subtitled) (Japan Version) DVD Region 2
- Usually ships within 7 to 14 days
- Until The Lights Come Back (DVD) (English Subtitled) (Korea Version) DVD Region 3
- Temporarily Out of Stock
Customers who bought "Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version)" also bought
- Air Doll (Blu-ray) (English Subtitled) (Japan Version) US$40.49
- Maborosi (Blu-ray) (English Subtitled) (Japan Version) US$40.49
- Made In Hong Kong (1997) (Blu-ray) (4K Restored Version) (Hong Kong Version) US$22.4910% off
- Mad World (2017) (4K Ultra HD + Blu-ray) (Hong Kong Version) US$29.999% off
- After the Storm (2016) (DVD) (English Subtitled) (Hong Kong Version) US$10.99
YumCha! Asian Entertainment Reviews and Features
Professional Review of "Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version)"
This professional review refers to Until the Lights Come Back (DVD) (Special Edition) (First Press Limited Edition) (English Subtitled) (Japan Version)
Sometimes the bright lights of the city blind us to what really matters. In Daiteiden no Yoru ni (Until the Lights Come Back), director Minamoto Takashi reveals six stories about what might happen should those lights fail, when, without the soundtrack of urban life nor the streetlights that shut out the sky, twelve people look into the darkness and into the truth about themselves.
Set in the few hours before Christmas, NORAD announce their annual tracking of Santa Claus as Rudolph leads the reindeer through the snowy skies, his nose giving their satellites a strong, clear signal. But something else is picked up, a rogue satellite falling out of orbit towards Tokyo. There, watching it through his telescope is a 14-year-old boy, Shota (Hongo Kanata), whose attention is stolen by the sight of a beautiful woman clambering over the roof of a nearby hospital and gazing over the edge of the building down to the busy streets below. Seeing that she's distraught, Shota jumps across the rooftops to introduce himself to the girl, Maiko (Kashii Yu), who, with the lights out around Tokyo, he asks to go see something that she'll never see again.
Getting on his bike, they have an unforgettable night that, as Maiko tells Shota the reason for her stay in hospital, is tinged with sadness. But this Christmas Eve is a night that others will not forget either and that, before Christmas morning, will see heartbreak beneath the starlight that Shota is seeing anew...
Some years ago, the BBC ran two seasons of a television show called Bedtime, each of which ran for four episodes, the first on a Monday night and the last on a Thursday. As per the title, the show was set at bedtime and as three couples or families in the same street settled into their beds, they would talk about the day's events, which, as the week passed, they would pass in and out of, all the while leading to a coming together of the stories. The day's events would pass off-screen but the conversations that occurred as the cast undressed, brushed their teeth or read a book slowly revealed a story that showed how their lives crisscrossed those of their neighbors. Just as impressive, though, was the silence of Bedtime, marking those moments when, in the darkness, sleep begins to catch up with us and we become quieter and more introspective. As the moments our eyes close become one, we can think back on the day and remember its better moments.
Daiteiden no Yoru ni is not about those hours near bedtime as much as, by a different means, the stripping away of the things we hide behind. As a falling satellite hits a power station in Tokyo, the surge of electricity knocks out power throughout the city and street by street, the lights go out. Cars are, of course, still on the road but subway trains roll to a stop, lifts brake abruptly and shops, clubs and bars, if they remain open at all, do so by candlelight. It is in the small space between two such buildings that candle-shop owner Nozomi (Tabata Tomoko) gazes across the alley and into the bar owned by Shinichi (Toyogawa Etsushi), who, this Christmas Eve, posts a note on his door saying that he is closing down. Disappointed in love, Shinichi has decided to move to New York but the adoring Nozomi will, in her own quiet way, see about making him stay if that's for the best. Elsewhere, Saeki (Taguchi Tomorowo) is visiting his dying father in hospital when he is told that not only was he born out of wedlock, but that the mother he always assumed dead is alive and living in Tokyo. All that his father asks of Saeki is for him to contact his mother so that he can see her one last time before he passes away, something that he is sure will happen in the coming days.
As Saeki leaves the hospital, he leaves behind him, as well as walks into an emotional storm as unpredictable as the clouds that are gathering over Tokyo. Back at home, his wife (Harada Tomoyo) waits in their flat for him to return so that she can serve him with divorce papers, while in a downtown hotel, he tells his mistress, Misuzu (Igawa Haruka), that their affair must end. But she refuses, unable to believe that Saeki is choosing to remain with his wife over leaving with her. Even when Saeki contacts his mother and asks her to visit his father, he leaves a woman distraught at the past coming back to haunt her, as well as a husband unprepared for the news. As one leaves their home in search of a fast car to steal, the other sits in the near-darkness asking herself what it is that she wants - to remain true to her husband or to a dear old love who's now in need of her?
The very best story of the night - that of Ginji (Kikkawa Koji) and Reiko (Terajima Shinobu) - is not even one that I'll say much about, as any description of it would spoil its delicate surprises and its heartbreakingly sad story of love and redemption. You will, as it concludes, be shedding tears as Daiteiden no Yoru ni ends and Ginji brings Christmas to Tokyo, his steps lost in the first snowfall of Christmas. In any other film, the manner in which these stories overlap would be celebrated but in Daiteiden no Yoru ni they are slightly underplayed. Rather than making these coincidences the focus of the film, they are played out as entirely accidental, making them all the more welcome when they occur. What Daiteiden no Yoru ni does make much more of are the very small moments in a night when the lights go out. Nozomi calls on Shinichi, taking with her a box of candles that she cannot sell but which, together, they use to light his bar. How Daiteiden no Yoru ni captures the joy on Nozomi's face as she lights the last candle is one remarkable moment in a film that has so very many of them.
In an equal number of ways, this is the film that I've been waiting years for - a beautiful seasonal treat that realizes the joys of Christmas are in love, friendship and a snowfall in the darkness, lit only by candlelight. Heartfelt, subtle and played so very quietly, Daiteiden no Yoru ni is a quite remarkable film and the two hours that one spends in its night before Christmas is one that will linger in the mind long after the credits roll. It's a film that appeals to the very best in us and flatters its audience that, on a night such as the one portrayed, we would go out into the city and experience life as the twelve characters do here, not as one to hide from but to live as though each moment matters.
The Dolby Digital 5.1 audio track is the equal of the picture with the score, a crossing of jazz and seasonal instrumentals, sounding terrific - clear, warm and with an obvious grasp of the delicacy of the playing. The scene late in the film when Shinichi plays his acoustic bass is marvelous, with the disc not only handling the low frequencies of the instrument but being detailed enough to pick out the movement of his fingers on the strings.
Unfortunately, all of these bonus features are in Japanese without English subtitles but there are still moments that work even if one doesn't understand what is being said. Press conferences in Japan are clearly different from those in the UK as that footage ends with two actors singing on stage while the Monologues, though containing nothing in English, are actually somewhat interesting to listen to.
And so it will prove this Christmas when Daiteiden no Yoru ni will be watched once again. Slightly out of place in June, this will be a most welcome film come Christmas Eve, when its clear sense of the season's first snow will feel as right as the sound of sleigh bells and the crackle of a fire. Unfortunately, there isn't a great deal to get out of the bonus features for anyone without a grasp of Japanese, but when the film is of such a quality as this one, that's not something that really matters. Come December, it will be something of a treat to watch this. All the better if, like Daiteiden no Yoru ni, the snow is falling outside.
By Eamonn McCusker - DVD Times
Customer Review of "Until the Lights Come Back (Blu-ray) (Special Edition) (English Subtitled) (Japan Version)"
See all my reviews
May 22, 2006
This customer review refers to Until the Lights Come Back (DVD) (Special Edition) (First Press Limited Edition) (English Subtitled) (Japan Version)
good ensemble in the darkness
I liked this movie. When lights went out, human
stories continued and perhaps, truer feelings
and emotions surfaced with more urgency.
Different stories weaved and told with such
consideration and understanding that is so typical
of the many wonderful Japanese movies that I find this
movie can be watched again on a dark and raining
Of course, I always love watching
toyokawa Etshshi walking with a wine glass in his