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Vegetarian (DVD) (Hong Kong Version) DVD Region All

Chae Min Seo (Actor) | Kim Hyun Sung (Actor) | Kim Yeo Jin (Actor) | Lim Woo Seong (Director)
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All Editions Rating: Customer Review Rated Bad 8 - 8 out of 10 (2)
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YesAsia Editorial Description

Screened at the 2009 Pusan Film Festival and the 2010 Sundance Film Festival, Lim Woo Seong's acclaimed feature debut Vegetarian is a dark and evocative exploration of one woman's depression and derailing. Based on a short story by Han Gang, the psychological drama revolves around troubled housewife Yeong Hye (Chae Min Seo, The Loner), who suddenly becomes a vegetarian. Haunted by nightmares, she becomes increasingly fixated with purging meat from the household, alienating herself from her husband and her family. The one person who can reach Yeong Hye is her brother-in-law Min Ho (Kim Hyun Sung, Puzzle), a body painting artist suffering from a creative slump of his own. In Yeong Hye's pain, he finds passion, inspiration, and transformation. Leading lady Chae Min Seo, who drew media attention for appearing nude in the picture, had to go on a strict diet in real life to lose eight kilograms to correspond with her character's physical deterioration.
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Technical Information

Product Title: Vegetarian (DVD) (Hong Kong Version) 花慾 (DVD) (香港版) 花欲 (DVD) (香港版) Vegetarian (DVD) (Hong Kong Version) 채식주의자
Artist Name(s): Chae Min Seo (Actor) | Kim Hyun Sung (Actor) | Kim Yeo Jin (Actor) 蔡民曙 (Actor) | Kim Hyun Sung (Actor) | 金麗珍 (Actor) 蔡民曙 (Actor) | Kim Hyun Sung (Actor) | 金丽珍 (Actor) チェ・ミンソ (Actor) | キム・ヒョンソン (Actor) | キム・ヨジン (Actor) 채민서 (Actor) | 김현성 (Actor) | 김 여진 (Actor)
Director: Lim Woo Seong 林雨成 林雨成 イム・ウソン 임우성
Release Date: 2012-03-02
Language: Korean
Subtitles: English, Traditional Chinese
Place of Origin: South Korea
Picture Format: NTSC What is it?
Aspect Ratio: 1.78 : 1
Widescreen Anamorphic: Yes
Sound Information: Dolby Digital 5.1
Disc Format(s): DVD
Region Code: All Region What is it?
Duration: 113 (mins)
Publisher: Panorama (HK)
Package Weight: 120 (g)
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1030441898

Product Information

Director: Lim Woo Seong

A young hunsewife who decides to become a vegetarian. Her new lifestyle ignites the fury of her father. She finds herself having strange dreams that make her disgust meat, leading to trouble with her meat-loving husband and attention from her artist brother in law. And she thinks herself as a "tree"....
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YumCha! Asian Entertainment Reviews and Features

Professional Review of "Vegetarian (DVD) (Hong Kong Version)"

July 4, 2012

This professional review refers to Vegetarian (DVD) (Korea Version)
Vegetarian, originally released in 2009, marked the debut of Korean art house director Lim Woo Seong, and like his recent Scars was adapted from a short story by writer Han Gang. The film is a dark psycho drama following a young woman, played by actress Chae Min Seo (The Loner), whose sudden decision not to eat meat signals the start of a descent into mental and physical decline. An at times surreal and disturbing affair, the film screened to acclaim at a variety of international festivals, including Pusan in 2009 and Sundance in 2010, winning Lim praise as a fascinating new talent in Korean cinema.

Chae Min Seo plays Yeong Hye, an unbalanced housewife whose husband and family are surprised and dismayed when she one day announces that she is becoming a vegetarian. Her behaviour quickly becomes erratic, ridding the house entirely of meat and gradually isolating herself, her unsettled nightly dreams invading her days. Things change when Yeong Hye starts spending time her brother-in-law Min Ho (Kim Hyun Sung, Puzzle), a tortured artist type who has hit a creative dry patch and is questioning his life. With her posing for him as a model, the two embark together on a bizarre journey of discovery and transformation.

To make things clear from the start: Vegetarian is a resolutely art house film, an odd, ambiguous affair which is quite likely to bemuse or frustrate anyone looking for an average, easy answers film. Director Lim Woo Seong certainly takes what could have been a fairly straightforward psychological character study to some very strange places, mixing themes of identity and spiritualism with gender struggles and even some Cronenberg-style body horror. As with Scars, Lim keeps things enigmatic, explaining very little and leaving it up to the viewer to discern reasons behind Yeong He's metamorphosis, possibly suggesting that it might have been childhood trauma, but shying away from any explicit elaborations. Thankfully, despite its wilful obtuseness, the film is poetic and engaging, with some gorgeous visuals, and open minded viewers used to adventurous cinema should find its lyricism pleasing and stimulating.

The film is unsurprisingly quite dark and disturbing, with some of Yeong He's dreams and visions being weird and startling, though is never shocking in a gratuitous manner, Lim eschewing anything too exploitative. This having been said, it does feature a fair amount of surprisingly explicit sex, with actress Chae Min Seo appearing fully nude on many occasions and engaging in some graphic couplings. Lim manages to walk a strange line between the erotic and the grotesque, linking the naked human body with flowers, presumably as a means of symbolically underlining Yeong He's blossoming away from the oppression of her husband and family life. At the same time though the film does not treat this as being necessarily a good thing, with her increasingly unhinged actions making it clear that the film is unlikely to end well (or even end in a coherent, understandable manner).

Chae Min Seo is superb in the lead role, and the film ultimately belongs to her. Having undergone a tough dietary regime in order to reflect her character's weight loss and growing fragility, she turns in a convincing and powerful performance, giving the film enough of an emotional anchor to prevent it from becoming too abstract. Her ability to generate sympathy for a potentially unfathomable woman is impressive indeed, and though it is might be difficult to relate with what she is going through, it hard not to care about her fate. Kim Hyun Sung is similarly on strong form, and the relationship between their characters in the later stages of the film makes for a compelling dynamic, a shifting, charged bond in which is never clear who is really helping or controlling who.

Though Vegetarian is not a film for everyone, and to an extent is guilty of arty pretentiousness, it's a bold, beautifully crafted and highly original effort. Lim Woo Seong is as much a poet as a director, and the challenging film should be enjoyed by brave viewers with a taste for the artistic and outlandish.

by James Mudge - BeyondHollywood.com

This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.

Customer Review of "Vegetarian (DVD) (Hong Kong Version)"

Average Customer Rating for All Editions of this Product: Customer Review Rated Bad 8 - 8 out of 10 (2)

numinair
See all my reviews


December 20, 2010

This customer review refers to Vegetarian (DVD) (Korea Version)
1 people found this review helpful

Vegan, Sex and Videotape (part A) Customer Review Rated Bad 8 - 8 out of 10
Concerning a woman’s depression expressed as anorexia and insomnia, this ‘dreamlike’ portrait poses questions about attitudes to basic human rituals and taboos. Yeong-hyo (Min-seo Chea) won’t eat meat or drink milk (but munches leafy veggies) and suffers bad dreams of ‘faces’ and delusions of nature (she feels more at ‘one’ being a tree than an office girl). Due to Yeong-hyo’s self-decisive afflictions becomes alienated to her husband Gil-soo (cause she can’t stand his meaty smell), her father and poor worried sister Ji-hye (Yeo-jin Kim). As Yeong-hyo lies weak in an hospital institution bed, the past unfolds (flashbacks) with Yeong-hyo off-loading her fridge full of meat foods and milk in the waste disposal, attempting suicide after her father angrily forces her to eat meat at a family gathering and being divorced from Gil-soo, whose unable to cope by his wife’s ‘disorder’ of chucking his food out.

Yeong-hyo then lives alone, but her worried sister Ji-hye asks her husband Min-ho (Hyun-sung Kim) to look after her. Min-ho, an artist, is melancholically fascinated about his sister-in-law’s condition. He draws erotic pictures of Yeong-hyo in a sketchbook and sits hours contemplating her, smoking his cigarette (artists, eh?). Min-ho eventually asks Yeong-hyo to pose naked so to paint her body with flowers for an art exhibit. Although depressed and weak, Yeong-hyo, having a penchant for believing she’s an upside down tree and close to her inner pagan, agrees to be flower painted (as you do). Using a large studio Min-ho paints, photographs and videos Yeong-hyo’s naked body where afterwards Yeong-hyo discovers her new pretty body flower art, halts all her bad face dreams. On a second session Min-ho introduces a male model (who gets a bit miffed with Min-ho asking him to do some ‘porn’ type shots) and also painted with flowers which trigger intense erotic feelings within Yeong-hyo, causing an eventual sexual encounter between Min-ho and Yeong-hyo. But Ji-hye discovers this secret liaison, disappointed at her husband’s manipulative betrayal of Yeong-hyo’s fragile emotions. (continued in part B)
Did you find this review helpful? Yes (Report This)
numinair
See all my reviews


December 20, 2010

This customer review refers to Vegetarian (DVD) (Korea Version)
1 people found this review helpful

Vegan, Sex and Videotape (part B) Customer Review Rated Bad 8 - 8 out of 10
Now, its obvious that Min-ho's true intension (naked body painting, camera equipment, strong voyeuristic tendency) was to get all sweaty with Yeong-hyo on the art studio floor and his wish to match the flower patterns on two naked bodies as ‘art’ expression was a load of bottom (maybe he should have attached miniature bells on the flowers, too!). Min-ho even quickly agrees to Yeong-hyo’s request to have his own body painted with flowers to further create the sexual ‘flower’ stimulus in Yeong-hyo’s arousal (hope he didn’t eat any meat though) and sex is the real bloomer here. Yeong-hyo’s symbolic body flower paintings become a sort of tension therapy (certainly helping her sexual frustration…and Min-ho’s, too, probably) and her own perception of being a food eating ‘animal’. Although the sensual part of the film lifts away from the main theme of depression, annorexia and family trauma, the latter part returns to Yeong-hyo’s hospital bed and Ji-hye beside her, where they are together throughout the entire movie, as Ji-hye reflects on all these past happenings. What sort of human tragedy was it that caused her sister's mental illness and her own husband similarly frustrated with life and pain?

A transcendental end that all are dreamers in a large dream called ‘life’ is poised, but Yeong-hyo and Ji-hye’s childhood flashback of their violent father beating their mother and killing their dog may have something to do with Yeong-hyo’s ‘faces’, hate of meat and suppressed sexuality. A tragic sufferance of an end. Acting is excellent and I read that Min-seo Chea fasted a lot to look really skeletal here (thank God she wasn’t asked to do 2,000 Pound Beauty – The Return afterwards). Think of this movie as two extremly wide contrasts - or even two stories.
Did you find this review helpful? Yes (Report This)

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