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Terrorizers (Blu-ray) (Full Slip Numbering Limited Edition) (Korea Version) Blu-ray Region A

Edward Yang (Director) | Cora Miao (Actor) | Lee Li Chun (Actor) | King Shih Chieh (Actor)
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All Editions Rating: Customer Review Rated Bad 10 - 10 out of 10 (1)

YesAsia Editorial Description

A shooting in the heart of Taipei sends several characters on a collision course in Edward Yang's ensemble drama The Terrorizers, which is influenced by the works of Michelangelo Antonioni. A researcher sells out a co-worker for a promotion, but it comes at the price of neglecting the troubles of his novelist wife. The girlfriend of the shooter manages to escape police custody, but her mother keeps her imprisoned at home, where she finds other ways to cause trouble. Meanwhile, a wandering photographer who captures the shooting moves into the apartment and becomes infatuated with the escaped girl.

This edition comes with four character cards and five postcards.

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Technical Information

Product Title: Terrorizers (Blu-ray) (Full Slip Numbering Limited Edition) (Korea Version) 恐怖分子 (Blu-ray) (Full Slip 限量編號版) (韓國版) 恐怖分子 (Blu-ray) (Full Slip 限量编号版) (韩国版) Terrorizers (Blu-ray) (Full Slip Numbering Limited Edition) (Korea Version) 공포분자 (블루레이) (2K 리마스터링 풀슬립 1,000장 넘버링 한정판) (한국판)
Artist Name(s): Edward Yang | Cora Miao (Actor) | Lee Li Chun (Actor) | King Shih Chieh (Actor) 楊德昌 | 繆騫人 (Actor) | 李 立群 (Actor) | 金 士傑 (Actor) 杨德昌 | 缪骞人 (Actor) | 李 立群 (Actor) | 金 士杰 (Actor) 楊徳昌(エドワード・ヤン) | 繆騫人(コラ・ミャオ) (Actor) | 李立群 (リー・リーチュン) (Actor) | 金仕傑(カム・シーキット) (Actor) Edward Yang | Cora Miao (Actor) | Lee Li Chun (Actor) | King Shih Chieh (Actor)
Director: Edward Yang 楊德昌 杨德昌 楊徳昌(エドワード・ヤン) Edward Yang
Blu-ray Region Code: A - Americas (North, Central and South except French Guiana), Korea, Japan, South East Asia (including Hong Kong, Macau and Taiwan) What is it?
Release Date: 2021-02-12
Language: Mandarin
Subtitles: English, Traditional Chinese, Japanese, Korean, Simplified Chinese
Place of Origin: Taiwan
Picture Format: [HD] High Definition, NTSC What is it?
Sound Information: DTS-HD Master Audio
Disc Format(s): Blu-ray
Screen Resolution: 1080p (1920 x 1080 progressive scan)
Publisher: Nova Media
Package Weight: 240 (g)
Shipment Unit: 2 What is it?
YesAsia Catalog No.: 1098974470

Product Information

공포분자 (블루레이) (2K 리마스터링 풀슬립 1,000장 넘버링 한정판) (한국판)

*Screen format:1.78:1 / 1080P FullHD
*Sound mix:Chinese DTS-HD Master Audio 2.0
In Loving Memory of Edward Yang (0:44)
Music (1:59)
Teaser (0:55)
Trailer (1:14)

텅 빈 새벽을 울리는 총성. 경찰 수사를 피해 도망가다 다리를 다친 혼혈소녀를 우연히 카메라에 담게 된 소년은 사진 속 소녀에게 점점 이끌린다. 그 무렵 갑작스레 출세의 기회를 잡게 된 의사 ‘이립중’과 슬럼프에 빠진 소설가 아내 ‘주울분’은 권태로운 부부생활에 지쳐있었고, 이때, 소녀가 무심코 걸어온 장난전화를 아내가 받게 되면서 조용했던 네 일상은 이윽고 기묘한 비극으로 번지기 시작하는데…
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

Other Versions of "Terrorizers (Blu-ray) (Full Slip Numbering Limited Edition) (Korea Version)"

Customer Review of "Terrorizers (Blu-ray) (Full Slip Numbering Limited Edition) (Korea Version)"

Average Customer Rating for All Editions of this Product: Customer Review Rated Bad 10 - 10 out of 10 (1)

See all my reviews

December 16, 2005

This customer review refers to Goldenward Series Of Chinese Movies - Terrorizers
2 people found this review helpful

Great Edward Yang film Customer Review Rated Bad 10 - 10 out of 10
In the following I hope to write a review of Edward Yang’s ‘Terrorizer’ that does justice to its presentation of the twin themes of interconnectedness and disconnectedness, which move through the work like the forces of Yin and Yang.

Superficially, the movie deals with three couples in states of loose adherence. The characters, and the unstable relationships between them, are altered through tangential, almost incidental interactions among themselves.

Firstly, there is a photographer, evidently the son of a wealthy family, and his girlfriend, who he deserts for most of the film to follow his fascination with a rather unlikable Eurasian woman (White Chick) who he initially photographs fleeing from the police with a male accomplice. This fascination is the reason for the photographer’s break with his girlfriend. He goes on to rent the apartment she was escaping from, for use as a dark room. White Chick will later link up with a boyfriend to perpetrate a series of sex-scams, forming the second rather unstable ‘couple’ of the film, joined by the common pursuit of easy money rather than romantic attachment. The third ill-starred pair is a married couple, a doctor (Li-li Chong) and an authoress (Chou Yufen). The doctor has been waiting for a promotion and appears frustrated in its delay. His wife, a novelist, feels that her world as a housewife is growing smaller and smaller. How can she possibly write under such circumstances, she asks. A budding affair with her ex-colleague is further undermining the marriage.

This complicated tangle of trajectories is portrayed in the typically cool, disconnected, Taiwanese style, with naturalistic sound only, and no music except that which is played on radios etc. The manner in which the stories are presented and connected parallels their content, for there is no consistent point-of-view presented that could link us to any one character, and the editing tosses us from one situation to another, leaving it to the viewer to make the connections between the scenes, and in turn, the characters themselves. I suspect that this manner of presentation was itself designed to convey certain realities of life in Taipei, a rough mixture of fortuitous coincidence and disconnectedness, a situation which the technology such as phones and cameras, designed to make life better, only serve to compound further.

This is a film that I found enjoyable to ‘assemble’, and which rewarded concentrated viewing, even while avoiding answering many of the questions it raised. I suspect that further viewings may only raise other questions rather than bring me closer to answers. ‘Terrorizers’ is very much an art film, and very much a Taiwanese film. I would recommended it most to those who already profess an interest in this combination, such as lovers of Taiwanese New Wave films generally. Those who like Antonioni’s ‘Blow Up’ may also find some points of interest, as well as several interesting parallels. In sum: a mature work from an original and talented ‘auteur’.
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