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A Mob Story (DVD) (Hong Kong Version) DVD Region All

Julian Cheung (Actor) | Cheung Tat Ming (Actor) | Andrew Lau | Herman Yau (Director)
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A Mob Story (DVD) (Hong Kong Version)
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YesAsia Editorial Description

Herman Yau, a veteran director famous for cult films such as The Untold Story, adds one more title to the lengthy list of crime films in Hong Kong cinema. A Mob Story details an assassin's story with Julian Cheung playing a lonely killer who flees to Taiwan after failing his task. Produced by Infernal Affairs director Andrew Lau, the film also stars comedian Cheung Tat Ming, singer Mandy Chiang, and hot Taiwanese actress Ivy Yi. The film premiered at the Hong Kong International Film Festival in early 2007, and is now out on DVD even before its commercial theatrical release. A Mob Story revives the typical gangster film style of the 1990s, straightforward but forceful, offering a deeper dimension than just hard-boiled action.

From singer to TV actor and then film actor (Heavenly Mission, Wo Hu) Julian Cheung Chi Lam now stars as a merciless assassin nicknamed Seven. Commissioned to end the life of someone who killed his father twenty years ago, he does not even have the word "revenge" in his mind, for he knows too well that the distinction between right and wrong simply does not exist in the underworld. Failing his mission, he flees to Taiwan to meet a childhood friend, and there he encounters a betelnut girl. But he knows that he cannot escape from his unfinished task forever...

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Technical Information

Product Title: A Mob Story (DVD) (Hong Kong Version) 人在江湖 (DVD) (香港版) 人在江湖 (DVD) (香港版) 人在江湖 (DVD) (香港版) A Mob Story (DVD) (Hong Kong Version)
Artist Name(s): Julian Cheung (Actor) | Cheung Tat Ming (Actor) | Andrew Lau 張智霖 (Actor) | 張達明 (Actor) | 劉偉強 张智霖 (Actor) | 张达明 (Actor) | 刘伟强 張智霖(チョン・チーラム) (Actor) | 張達明(チョン・ダッミン) (Actor) | 劉偉強(アンドリュー・ラウ) Julian Cheung (Actor) | Cheung Tat Ming (Actor) | Andrew Lau
Director: Herman Yau 邱禮濤 邱礼涛 邱禮濤(ハーマン・ヤウ) Yau Lai To
Release Date: 2007-06-15
Language: Cantonese, Mandarin
Subtitles: English, Traditional Chinese, Simplified Chinese
Place of Origin: Hong Kong
Picture Format: NTSC What is it?
Aspect Ratio: 1.78 : 1
Widescreen Anamorphic: Yes
Sound Information: DTS Digital Surround, Dolby Digital 5.1
Disc Format(s): DVD, DVD-9
Region Code: All Region What is it?
Duration: 89 (mins)
Publisher: Joy Sales (HK)
Package Weight: 120 (g)
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1004884776

Product Information

* Screen Format: 16:9 Anamorphic Widescreen
* Sound Mix: DTS, Dolby Digital 5.1
* DVD Type: DVD-9

導演:邱禮濤
Director: Yau Lai To

殺手阿七回來了。之前,阿七殺過六個人。今次回來,他要殺一個人,而這個人,碰巧是他的殺父仇人。阿七卻沒想過報仇,因為七歲的時候,他已經見盡了江湖上最血腥、最無情的殺戮。他知道也接受,江湖沒有道義,只有背叛和出賣。殺人不過是他賴以為生的職業。差事出了問題,他跑到臺灣,投靠一個自身難保的朋友,還搭上了個檳榔妹。然後,未解決的差事摸上門來了。邱禮濤這部黑幫殺手新作,單刀直入,大刀闊斧,題材手法也許俱不合時宜,卻能處處道出殺手阿七的孤獨與哀愁。

Why the triad needs to hire the assassin? Just because, all they need to kill are their own alliances. Assassin Ah Chat is back! He had hired to kill six gangsters already, His next target had killed his father. While Ah Chat executes his mission, the target is killed by other gun shot. Ah Chat is recongnized as sniper that he has to runaway to Taiwan to stat with his good old buddies "devil". The truth and fact of destiny that all the blood and kill are mainly relate to two main factors: money and woman....
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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YumCha! Asian Entertainment Reviews and Features

Professional Review of "A Mob Story (DVD) (Hong Kong Version)"

August 23, 2007

Herman Yau helms another foray into the triad genre with A Mob Story. Produced by Andrew Lau of Infernal Affairs fame, the film received its premiere at the 2007 Hong Kong International Film Festival before going straight to video. The Cantonese title of the film literally means, "Person in Jiang Hu", highlighting the philosophical gist of the film. This is a movie about man's existence in the underworld, but unlike the popular image of brotherhood and honor among gangsters, we get this solemn lesson: being in the underworld is crap. This is a film that basically tells us that if you're in the underworld, you'll be stabbed in the back, your friends will turn on you for the smallest of reasons, and brotherhood means jack. Women are also bad news, and revenge isn't just empty, it's stupid. The best thing about the underworld? Usually everyone else is so busy fighting amongst themselves that you can go unnoticed. That is, until someone remembers that they hate you, after which they come gunning for you with a pronounced selfish glee. Strangely, the above description also sounds like real life.

Julian Cheung stars as Seven, a legendary assassin who returns to the game by offing a series of triad bosses. His latest job involves taking down a beer girl (Mandy Chiang) who's supposed to be a massive jinx on her boyfriends. However, her current squeeze Fatt (Hugo Ng) is a sleazy crime boss who just so happens to be the same guy who killed Seven's father back when Seven's father was a crime boss. You see, in the world of A Mob Story, the method of career advancement seems to be that you conspire to kill your own boss, whereupon you usurp their position and everyone gets in line to follow you - that is, until it's your turn to get stabbed in the back. Rinse, repeat, etc. The majority of the mob bosses in A Mob Story encounter violence and/or death thanks to the work of their supposed loyal underlings. You'd think that if the betrayal rate were this high, people would simply wise up and not become bosses. Oddly, nobody seems to note this occupational hazard and lines up to be a backstabbing victim anyway.

Seven ends up botching the hit and befriending the beer girl, after which the film gets a massive location shift. Thanks to pissing off Fatt's men, Seven hightails it to Taiwan to go into hiding. Once there, he enlists the services of a betelnut girl named Chi-Ling (Yin Shin) for a minor striptease in the back of the betelnut shop. The break is good for some onscreen female flesh, but Seven's real reason for showing up at the betelnut shop isn't for the lapdance, it's to find old pal Goblin (Cheung Tat-Ming), who once upon a time was Seven's buddy back in Hong Kong. The two quickly rekindle their friendship, but Goblin has issues, namely a raging attraction to Chi-Ling plus a massive debt to a wacky Taiwanese gang boss. To pay back his debt, Goblin is assigned to kill a rival mob boss, but Goblin also wants Chi-Ling's freedom in the bargain. He gets his request, and with that extra carrot dangled in front of him, Goblin no longer adheres to any idea of honor or brotherhood. Cue brother vs. brother squabbles and the laughable idea that Cheung Tat-Ming may actually be able to take out Julian Cheung in a fair fight.

But this is the world of A Mob Story, meaning nobody gives a crap if a fight is fair or not. And even if Goblin gets Chi-Ling's freedom, so what? Just because she's freed doesn't mean she'll go running into Goblin's arms. She seems to be much more enamored of Seven anyway, dissing Goblin verbally, and acting like a Grade-A tease in front of Seven's vaguely disinterested mug. Despite being the most sensible person in the film, Seven joins the list of people who act stupidly by not telling Goblin about Chi-Ling's obvious duplicity. Goblin's possessiveness of Chi-Ling's nubile form continues to grow in leaps and bounds, while Seven weakly protests about his buddy's choice of girls. For a tough hitman, Seven is remarkably passive, and only seems to spring into action when somebody is looking to put a knife in his back. Julian Cheung glowers effectively as Seven, but he doesn't give the character enough energy or charisma to make him that engaging. Cheung Tat-Ming is more effective as the pathetic Goblin, and gives the character an appropriate rodent-like quality. Newcomer Yin Shin has a refreshingly sexy presence as Chi-Ling, though her character isn't fleshed out that much.

The lack of explication seems to be a problem with the whole film, as the themes are kind of thrown out there into one big mob film melee, where a million clichés are acknowledged or debunked, but nothing really sticks. The film effectively drives home its most prevalent theme, that the mob life is virtually guaranteed to disappoint anyone with a shred of righteousness. People generally lie, cheat, steal, and barter with objects that don't belong to them. A bad life means a bad fate, and even the characters that triumph will likely one day get theirs. However, other themes and story ideas are more muddled; large weight is given to the Mandy Chiang subplot, but it's not clear where the filmmakers are headed with it. One problem is the film seems to sell her as a major character, only to completely drop her when the film shifts to Taiwan. She eventually reenters the picture, but her connection to Seven just seems serendipitous, and not a reflection of any greater intent from the filmmakers. Considering the killings and character connections, there sometimes seems to be a larger overarching theme or story at work. However, the connections don't really lead anywhere, except to have characters show up later to kill or be killed. It's all rather intriguing, but sometimes seems aimless.

Still, A Mob Story's offbeat details, dark tone, and casual nihilism are effective. Some of the film's jiang hu discussion is muddled and inconclusive, but at other times, the film displays a satisfying dark wit. One mob boss casually tortures people while a little girl plays hopscotch nearby, and people are violently attacked and killed with almost banal regularity. The attacks hurt too; A Mob Story has violence to spare, resulting in severed heads, chopped off fingers, slashed throats, a knife to the groin, and a few dozen whacks to the head with a brick. Yau serves up the violence in appreciably brutal style, and does his best to work with his HD-video image. Unlike Billy Chung, director of the similarly produced Undercover (both films were produced by Andrew Lau as a part of his Fortune Star HD-video project), Yau uses various techniques to make sure the video image doesn't distract. The effort helps; casual viewers may not notice or care that this is a shot-on-video feature.

However, casual viewers may not care, period. A Mob Story isn't the most crowd-pleasing motion picture, as it seldom does anything seductive with its dark material. Despite Yau's efforts at making this a non-video experience, A Mob Story doesn't possess much cinematic verve, and is weighed down by its unfocused screenplay and sometimes shoddy acting. However, more discerning viewers may enjoy the dark wit and the odd details. Yau packs the film with random ideas and characters, like a mahjong player lacking a limb, or an encounter with an is-he-dead-or-not crime boss. The oddities give the film a color and dimension not seen in more straightforward films, and help make it more than just another Hong Kong gangster film. On the whole, A Mob Story is a nice little surprise, and manages to be much more effective than similar films of its low-budget ilk. The film may not add up to all that much, but given Hong Kong Cinema's recent lack of quality output, A Mob Story is easily better than what we usually get.

by Kozo - LoveHKFilm.com

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