Christmas On July 24th Avenue (DVD) (Taiwan Version) DVD Region 3
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YesAsia Editorial Description
Hopeless romantic Sayuri (Nakatani Miki) likes to imagines herself as a shojo heroine about to meet her Prince Charming. He'll sweep her off her feet and bring her to the most perfect place - July 24th Avenue in Lisbon, Portuqal. In reality, the clumsy, homely Sayuri is a typical office worker residing in seaside Nagasaki, far from Lisbon and even farther from romance. As Christmas nears, she can't help feeling a bit lonely as everyone else pairs up. When she runs into her high school crush Satoshi (Osawa Takao), who has just returned from Tokyo, Sayuri decides that this time, she can't let love pass her by. Can she create her own miracle on 24th Avenue?
|Product Title:||Christmas On July 24th Avenue (DVD) (Taiwan Version) 盛夏的聖誕節 (DVD) (台灣版) 盛夏的圣诞节 (DVD) (台湾版) ７月２４日通りのクリスマス Christmas On July 24th Avenue (DVD) (Taiwan Version)|
|Also known as:||愛上July 24大道 爱上July 24大道|
|Artist Name(s):||Nakatani Miki (Actor) | Osawa Takao (Actor) 中谷美紀 (Actor) | 大澤隆夫 (Actor) 中谷美纪 (Actor) | 大泽隆夫 (Actor) 中谷美紀 (Actor) | 大沢たかお (Actor) Nakatani Miki (Actor) | Osawa Takao (Actor)|
|Director:||Murakami Shosuke 村上正典 村上正典 村上正典 Murakami Shosuke|
|Country of Origin:||Japan|
|Picture Format:||NTSC What is it?|
|Aspect Ratio:||1.78 : 1|
|Sound Information:||Dolby Digital 5.1|
|Region Code:||3 - South East Asia (including Hong Kong, S. Korea and Taiwan) What is it?|
|Publisher:||Sheng Chi Media (TW)|
|Package Weight:||120 (g)|
|Shipment Unit:||1 What is it?|
|YesAsia Catalog No.:||1024323620|
平凡的上班族本田小百合（中谷美紀 飾）居住在日本長崎，總是愛幻想自己是漫畫女主角，白馬王子有天會出現，帶她到葡萄牙里斯本的7月24日大道，然後兩人從此過著幸福快樂的生活。但在現實生活中，小百合相貌普通又不懂打扮，因此從未交過男朋友，不過她一直暗戀著大學時在話劇社認識學燈光的奧田聰史（大澤隆夫 飾），即使畢業多年，她還是深深喜歡著聰史。今年的聖誕節前夕，恢復單身的聰史從東京返鄉，小百合得到家人的鼓勵，決定在愛情路上踏出第一步。悉心打扮的小百合來個大變身，小百合是否真能醜小鴨變天鵝，鼓起勇氣去創造戀愛奇蹟呢？
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "Christmas On July 24th Avenue (DVD) (Taiwan Version)"
This professional review refers to Christmas On July 24th Avenue (DVD) (Hong Kong Version)
Rules for a Japanese television drama (romance): 1) Protagonist should introduce self and all the relevant characters in opening 10 minutes through pleasant voiceover. 2) Must have silly sidekick who is a bit of a self-deprecating, lovable loser, and may or may not have a crush on the protagonist. 3) Must show the romantic couple going about their own daily lives with melancholic frowns after some conflict drives them apart. 4) Must express all epiphanies in monologue form; length can vary between 2 to 4 minutes.
All of the above rules show up in Christmas on July 24th Avenue, the second film from TV director Shosuke Murakami and screenwriter Arisa Kaneko, who made their debut with the hit cultural phenomenon Train Man. That film was successful not only because it came out at the peak of the character's popularity, but also because it was a coherent adaptation of a book consisting of only internet postings from one singular character's point of view. The good news is that their second film together, which takes a similar formula of a lovable loser falling in love with an unattainable target, is still pretty coherent. The bad news is that incoherency might have actually made the film more interesting than it currently is.
Christmas on July 24th Avenue starts off promisingly enough. Sayuri (Miki Nakatani) is your average lonely office girl in the coastal town of Nagasaki. Enamored with shojo comics (comics targeted for young girls) which take place in Europe, Sayuri dreams of living in Lisbon, Portugal and walking down July 24th Avenue (Note: the street really exists - I found it on Google Maps). When Satoshi (Takao Osawa), her crush from eight years ago when she was still a stagehand in school, returns after a successful career as a lighting designer, Sayuri's fantasies begin to flare up again. However, Sayuri tends to go out in public looking like she's in need of a strong hairbrush and a bar of soap, which won't attract hunks like Satoshi. Nevertheless, Sayuri is determined to make herself look presentable for Satoshi in time for Christmas, a holiday for romantics in Japan. Cue the makeover montage. Really, it was that easy.
Up to this point, Christmas on July 24th Avenue is so far so good. Murakami and Kaneko display a good deal of charm both visually (Hey, Lisbon and Nagasaki do seem alike!) and thematically. There's nothing particularly original in the film, but the effort to build charming characters (Juri Ueno, as the girlfriend of Sayuri's brother who can pass for Sayuri's twin, is a nice touch) makes it a film that's hard to dislike. However, the main characters Sayuri and Satoshi aren't particularly convincing in their own way. While Miki Nakatani is a capable actress, her Sayuri relies too much on broad physical comedy to move beyond the stereotypical lovable loser role, and Takao Osawa's Satoshi lacks any clear personality beyond good looks to establish a believable leading man or romantic target. It's not a unique flaw for a commercial romantic comedy, but one hopes that someone would have learned by now.
The lack of a believable romantic couple means that when the time comes for the obligatory conflict, the film grinds to a halt in its seriousness. Granted, the conflict is somewhat less defined and pettier than in the usual romance, and it even falls appropriately in line with the film's theme of falling in love with image over reality. However, the couple lacks the chemistry to give us any reason to root for them other than the fact that it would end the film. Furthermore, the conflict simply creates a clear imbalance between the opening's amusing fantasy tone and the supposedly enlightening seriousness of the second half, making the film feel longer than it really is.
With TV Asahi as one of the investors, there was probably a demand to meet a standard formula that makes the film a condensed television drama. Murakami and Kaneko, who still work actively in television, pack in enough subplots and characters for a usual drawn-out television drama, but fail to sufficiently develop any of them in 105 minutes. However, the usual television drama moments are sprinkled throughout - the forced physical comedy, the possible frustration-inducing romantic opponent - and there's even a character who turns towards the camera to say the ever-timely "Merry Christmas" to the enlightened heroine.
Ultimately, Christmas on July 24th Avenue suffers from what can be called the "Train Man Syndrome": it has a likable but socially inept main character who goes through a satisfying character arc with significant changes, but it also has the fairy tale romantic target that somehow sees something in the protagonist that the audience doesn't see. We could swallow the one-sided pursuit in Train Man because the shedding of the protagonist's helplessness is the point of the film. That sort of balance is not adequately achieved in Christmas on July 24th Avenue. Satoshi is consistently portrayed as too good to be true, and the cause of his personal issues seem to be constantly put aside, despite their importance as a driving force in the third act.
The biggest sign of trouble in the film is the fact that the most engaging character is Juri Ueno's Megumi. Serving as a reflection for Sayuri, the most imagination seems to be put into Megumi's initial scenes (the fir tree image probably gets the most surprising laugh in the film), although it's also the storyline that only serves as a setup for those final epiphanies. That's unfortunate, because Ueno's character deserves a little better than that. Considering Christmas on July 24th Avenue was made by a television station, would it be a little too far-fetched to ask for a spin-off?
By Kevin Ma
Customer Review of "Christmas On July 24th Avenue (DVD) (Taiwan Version)"
See all my reviews
August 4, 2007
This customer review refers to Christmas On July 24th Avenue (DVD) (Hong Kong Version)
Entertaining holiday film
|"Christmas on July 24th Avenue" is diverting, lightweight romantic fluff, featuring a nicely-modulated performance by the thoroughly charming Nakatani Miki. Apart from some beautiful cinematography of Nagasaki and Lisbon, this is fairly typical of made-for-TV holiday fare. Buy it to see Miss Nakatani!|