East Meets West (2011) (Blu-ray) (Hong Kong Version) Blu-ray Region A
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YesAsia Editorial Description
Tens of millennia ago, eight gods who ceaselessly fought each other were exiled to earth. For generations, they have been reincarnated as mere mortals, and they won't be allowed back to heaven until they've learned to coexist in harmony. Then in today's Hong Kong, a mortuary beautician (Karen Mok) and her has-been singer dad (Kenny Bee) are chased for a huge sum of money they don't owe. Turns out her materialistic stepmom (Crystal Huang) has taken a tycoon's (Eason Chan) advance payment on the false promise of organizing a concert that she can't deliver. The family is therefore forced to go on the run, and along the way they meet an assortment of quirky people, including a mute baker (Ekin Cheng), a kung fu cab driver (William So), an aspiring musician (Tan Weiwei) and her crafty sidekick (Jaycee Chan). Through a series of comic misadventures, the seven of them come to realize that they used to be gods and have a mission in this life, but...who is the eighth god that has yet to rejoin them?
The Hong Kong Version Blu-ray comes with making-of and trailers.
|Product Title:||East Meets West (2011) (Blu-ray) (Hong Kong Version) 東成西就 2011 (Blu-ray) (香港版) 东成西就 2011 (Blu-ray) (香港版) 東成西就 2011 (Blu-ray) (香港版) East Meets West (2011) (Blu-ray) (Hong Kong Version)|
|Artist Name(s):||Ekin Cheng (Actor) | Eason Chan (Actor) | Mini Yang (Actor) | William So (Actor) | Alex Fong Lik Sun (Actor) | Stephy Tang (Actor) | Jonathan Lee (Actor) | Kenny Bee (Actor) | Karen Mok (Actor) | Chet Lam (Actor) | Crystal Huang (Actor) | Kimi Qiao (Actor) | Tiffany Tang (Actor) | An Hu (Actor) | Jaycee Chan (Actor) | Hu Ge (Actor) | Sitar Tan (Actor) | Ma Tian Yu (Actor) | Liu Yu Qi (Actor) | Calvin Sun (Actor) | Xiao Yang (Actor) | Wang Tai Li (Actor) 鄭伊健 (Actor) | 陳 奕迅 (Actor) | 楊 冪 (Actor) | 蘇永康 (Actor) | 方 力申 (Actor) | 鄧麗欣 (Actor) | 李宗盛 (Actor) | 鍾鎮濤 (Actor) | 莫文蔚 (Actor) | 林一峰 (Actor) | 黃奕 (Actor) | 喬任梁 (Actor) | 唐嫣 (Actor) | 安琥 (Actor) | 房祖名 (Actor) | 胡歌 (Actor) | 譚維維 (Actor) | 馬天宇 (Actor) | 劉羽琦 (Actor) | 孫 祖楊 (Actor) | 肖央 (筷子兄弟) (Actor) | 王太利 (筷子兄弟) (Actor) 郑伊健 (Actor) | 陈 奕迅 (Actor) | 杨 幂 (Actor) | 苏永康 (Actor) | 方力申 (Actor) | 邓丽欣 (Actor) | 李宗盛 (Actor) | 锺镇涛 (Actor) | 莫文蔚 (Actor) | 林一峰 (Actor) | 黄奕 (Actor) | 乔任梁 (Actor) | 唐嫣 (Actor) | 安琥 (Actor) | 房祖名 (Actor) | 胡歌 (Actor) | 谭维维 (Actor) | 马天宇 (Actor) | 刘羽琦 (Actor) | 孙 祖杨 (Actor) | 肖央 (筷子兄弟) (Actor) | 王太利 (筷子兄弟) (Actor) 鄭伊健（イーキン・チェン） (Actor) | 陳奕迅（イーソン・チャン） (Actor) | 楊冪（ヤン・ミー） (Actor) | 蘇永康（ウィリアム・ソー） (Actor) | 方力申 （アレックス・フォン） (Actor) | 鄧麗欣 （ステフィ・タン） (Actor) | 李宗盛（ジョナサン・リー） (Actor) | 鍾鎮濤（ケニー・ビー） (Actor) | 莫文蔚（カレン・モク） (Actor) | 林一峰（チェット・ラム） (Actor) | 黄奕（ホァン・イー） (Actor) | 喬任梁 （チャオ・レンリァン） (Actor) | 唐嫣（タン・ヤン／ティファニー・タン） (Actor) | An Hu (Actor) | 房祖名 （ジェイシー・チェン） (Actor) | 胡歌（フー・ゴー） (Actor) | 譚維維（タン・ウェイウェイ） (Actor) | 馬天宇 （マー・ティアンユー） (Actor) | Liu Yu Qi (Actor) | Calvin Sun (Actor) | Xiao Yang (Actor) | Wang Tai Li (Actor) Ekin Cheng (Actor) | Eason Chan (Actor) | Mini Yang (Actor) | William So (Actor) | Alex Fong Lik Sun (Actor) | Stephy Tang (Actor) | Jonathan Lee (Actor) | Kenny Bee (Actor) | Karen Mok (Actor) | Chet Lam (Actor) | Crystal Huang (Actor) | Kimi Qiao (Actor) | Tiffany Tang (Actor) | An Hu (Actor) | Jaycee Chan (Actor) | Hu Ge (Actor) | Sitar Tan (Actor) | Ma Tian Yu (Actor) | Liu Yu Qi (Actor) | Calvin Sun (Actor) | Xiao Yang (Actor) | Wang Tai Li (Actor)|
|Director:||Jeff Lau 劉鎮偉 刘镇伟 劉鎮偉（ジェフ・ラウ） Jeff Lau|
|Blu-ray Region Code:||A - Americas (North, Central and South except French Guiana), Korea, Japan, South East Asia (including Hong Kong, Macau and Taiwan) What is it?|
|Subtitles:||English, Traditional Chinese, Simplified Chinese|
|Country of Origin:||Hong Kong|
|Picture Format:||[HD] High Definition What is it?|
|Aspect Ratio:||2.35 : 1|
|Sound Information:||Dolby Digital 5.1, DTS-HD Master Audio|
|Disc Format(s):||Blu-ray, 25 GB - Single Layer|
|Screen Resolution:||1080p (1920 x 1080 progressive scan)|
|Video Codecs:||AVC (MPEG-4 Part 10)|
|Publisher:||Kam & Ronson Enterprises Co Ltd|
|Package Weight:||120 (g)|
|Shipment Unit:||1 What is it?|
|YesAsia Catalog No.:||1030246744|
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "East Meets West (2011) (Blu-ray) (Hong Kong Version)"
This professional review refers to East Meets West (2011) (DVD) (Hong Kong Version)
Jeff Lau is one amazing filmmaker - not because his films are always great, but because he attempts ambitious and emotional movies using random gags, screechy overacting, rampant slapstick and more navel-gazing romantic metaphor than should be allowed in any film. Lau's films feature little consistency and less sense, plus they've become increasingly intertextual, requiring that you see his other films and their inspirations to fully grasp what he's doing. That's a tall order for any moviegoer, especially in service of a director who superficially resembles Wong Jing. However, Lau's lofty themes, unabashed romanticism and strong character arcs make his films beguiling and even touching, ultimately setting him apart from Hong Kong comedy directors who populate the shallow end of the pool. Simply put: there's more to a Jeff Lau film than meets the eye. For better or worse.
So here we are at East Meets West, Lau's latest crazy opus. Originally billed as Eagle Shooting Heroes 2011, and indeed featuring a punned Chinese language title referencing the classic Louis Cha text, East Meets West is a bizarre postmodernist tale of fate, karma and love, sweet love. Seven reincarnated immortals are about to experience their once-a-generation evolution from average folks to super-powered gods, just in time to meet fellow immortal and former comrade-in-arms Yaksha. Once upon a time, the eight were members of the Eight Heavenly Dragons, immortals tasked with inspiring humankind, but Yaksha went bad and slaughtered his buddies. This cycle has been going on for millennia, and now that the seven good immortals are meeting up again, Yaksha can't be far behind. Can the seven immortals beat Yaksha this time? Can goddess Ashura (Karen Mok) balance her divine responsibility with an attraction to the mortal Mr. Charles (Eason Chan)? And can Jeff Lau mount this elaborate fantasy convincingly?
To answer that last question: no, Jeff Lau can't, but it's arguable if he even tries. East Meets West has two major plotlines: the struggle between the seven immortals and Yaksha, and also the burgeoning romance between Ashura and Charles. Of the two plots, only the second is handled coherently. Ashura is first seen in her human form, Sammi, and she's an over-pierced goth chick who doesn't believe in love or marriage. Sammi's father is Kenny Bee, former Wynners band member, and he's played by, um, Kenny Bee. Charles wants to mount a Wynners reunion concert, and when harassing Bee he meets Sammi, who's immediately smitten by the coldly debonair Charles. He doesn't return the feeling until she saves him as Ashura, leading to the convoluted dynamic of a girl loving a guy who loves someone else that's actually her but he doesn't know that while she does. Really, that makes sense. Despite the craziness of it all, their relationship is surprisingly affecting.
When it comes to immortals vs. Yaksha story, things are murkier. Lau sets up his characters before explaining their heavenly backstory, and by then the assault of random jokes, screwy characters, generous montage and pretentious pauses could alienate. The immortals are all exceptionally wacky, with few straight men to provide balance for audiences. Their heavenly origin is explained via voiceover, animated montage, exposition and even more jokes, all set to a pace that's generously pushed to eleven. Then, after becoming gods, the group becomes a media sensation, leading to minor satire and even more jokes per second. All of this can be tiring. Lau's narrative is riddled with non-sequitur gags, plus there's no rising action or narrative flow, so getting involved can be a difficult. This dense, manic storytelling is pretty much business as usual for Jeff Lau, so if his films have turned you off before, this one won't change things. East Meets West is tough to take on a one-off viewing as there's so much going on - and it's all shoved out there so quickly - that it's easy to get lost.
However, patience and understanding (and maybe a second viewing) do yield rewards. The screwy characters provide plenty for the actors to work with. Besides Sammi and Bee, the immortals consist of mute chef Da Xiong (the likable Ekin Cheng), who has the power to trap bad guys in large xiao long bao; heiress Jade (singer Tan Weiwei), who wants to rock instead of going to college; Jade's assistant Bing (a very funny Jaycee Chan), who's actually a toady for her stern father (singer-producer Jonathan Lee); bizarre cab driver Wen (a surprising William So), who hails from Foshan (Like Ip Man!) and practices method acting while driving; and Bee's wife Scarlet (the sexy, vampish Huang Yi), who likes to wear nosebleed-inducing cosplay. Stephy Tang is delightfully devilish as a green-haired bad girl, and Eason Chan and Karen Mok sell the film's romance with gravity and grace. More than anything, the entire cast is self-effacing, never acting as if they're above Lau's crazy comedy or pretentious romance. Who knows how, but Jeff Lau does knows how to get actors to cut loose.
The willingness of Lau's actors to embrace his full-tilt wackiness is one of East Meets West's joys, and they're aided by creatively crazy costume design and gorgeously lurid art direction. Lau's hit-to-miss ratio on jokes is maybe 2-to-1, but that increases if audiences get the total sum of what he's doing, from skewering his actors (Kenny Bee's portrayal of himself is scathing) to referencing old works (again, Lau references his own and also Wong Kar-Wai's films) to recycling the themes of love and destiny that have been Lau's bread-and-butter over the past fifteen years. The time and energy spent pushing love can get overbearing and long-winded (especially during the film's drawn out climax), but thanks to the arresting imagery and romantic devices Lau employs, there's an undeniable attraction too. Lau's obsession with existential love isn't just in the script – it can be seen in the music, cinematography and even wordless gazes from the actors. There's craft and thought in all this Jeff Lau nonsense.
Does all the above make East Meets West excellent for audiences everywhere? Well, it's hard to qualify it as such, as the film is, like most of Jeff Lau's work, an acquired taste. Lau's films are great for fans of nonsense comedy, but they also speak for a bygone age of movies that are, well, bygone. Audiences have changed since Lau's heyday, and it may be hard for them to fully appreciate what makes Lau's films special. Jeff Lau makes more than nonsense - he makes literate, informed nonsense that's smarter and more ambitious than the genre implies. Similarly, Jeff Lau is more than just another Hong Kong comedy director. Jeff Lau is imaginative and unpredictable, and uses comedy for more than quick laughs or reactionary parody. Most of all, Jeff Lau makes movies about love, and even when the movies are bad or dismissed, he continues to make them. Believe it or not, like it or not, Jeff Lau is an auteur. And East Meets West, as impenetrable and flawed as it is, should be considered among Jeff Lau's most representative works.
by Kozo - LoveHKFilm.com
Editor's Pick of "East Meets West (2011) (Blu-ray) (Hong Kong Version)"
See all this editor's picks
January 31, 2012
Jeff Lau doesn't make smart movies, but he's one of the smartest comedy directors working today. Those who can see beyond the endless barrage of lowbrow gags in his films will actually see genuine thought and consideration going into how he tells his stories. This applies especially to East Meets West, easily Lau's best film since Chinese Odyssey 2002.
It's true that East Meets West is not a film for everyone, especially those not used to Lau's frenetic storytelling and comedic style. For those not sure whether East Meets West is for them, use the first 20 minutes as a litmus test. If you can handle Lau's manic pacing, nonsensical pop culture-specific humor (Kenny Bee playing Kenny Bee?!), and the existential musings thrown at you in that short timeframe, then strap yourself in for the ride.
Even though the main plot - about seven strangers who turn out to be mystical divine beings destined to unite as heroes from one lifetime to another - doesn't kick in until 40 minutes in, one will see on repeat viewing that Lau subtly lays out the path from the very beginning. Yes, Kenny Bee being able to speak to a bird named Roger will seem silly at first, but it's actually a joke that serves to foreshadow Bee's super powers.
Lau's brand of nonsensical (a.k.a. "mo lei tau") humor is not something everyone can handle, but that's exactly what makes him one of the most modestly clever directors working today. Lau never feels the need to explicitly show off how clever he is with lightning-speed quips or convoluted plotting in his films. Instead, he uses the nonsensical humor to get his audiences involved before delivering his stories' emotional and thematic payoffs.
As he has done throughout the years, Lau saves the emotional payoff in East Meets West for an unrequited romance. This time, the romance is Bee's daughter (Karen Mok), who is in love with a rich tycoon (Eason Chan) who is instead in love with her heroic alter ego. Injected amidst hilarious superhero shenanigans (one character's power is wrapping bad guys in giant dumplings) and an inevitable showdown against a super-villain (Stephy Tang), Lau's heavy messages about unrequited love make East Meets West one thematically packed movie. However, all the elements are gelled together in a surprisingly coherent fashion, and the bittersweet payoff of the romance may even end up tugging a few heartstrings.
East Meets West is by no means a great film - the climax does drag on a little too long, the creative energy fizzles out a little in the second half, and some of the heroes don't get their fair share of development. However, it's still incredibly funny, inspired, and a bit touching, even if Lau had to throw in the kitchen sink to achieve that effect. For those who miss manic eighties Hong Kong comedies that favored energy and jokes-per-minute rate over coherence, East Meets West is one of the smartest dumb movies from Hong Kong in years. Just be sure to do some research about Kenny Bee before watching it.