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GANTZ (DVD) (Japan Version) DVD Region 2

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GANTZ (DVD) (Japan Version)
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YesAsia Editorial Description

As Oku Hiroya's hit comic series Gantz continues into its 11th year, screenwriter Watanabe Yusuke (Bloody Monday, 20th Century Boys) and director Sato Shinsuke (Sands' Chronicle) now bring the sci-fi mystery to life with its big-budget film version. Arashi's Ninomiya Kazunari and Matsuyama Kenichi (Death Note) star as two childhood friends who die together and end up becoming warriors that fight aliens under the order of a giant, black orb.

Shot as a two-part film, the first part sets up the Gantz puzzle with explosive violence, amazingly rendered special effects, and plenty of burning questions for audiences to ponder before the story reaches its exciting conclusion in Perfect Answer. While a large part of part two is altered from the original comic for the film, part one remains mostly faithful to the source material, featuring classic battles with alien creatures like the onion-head alien and the giant Buddha statue that will leave the audience breathless.

One day, Kurono Kei (Ninomiya Kazunari) reunites with childhood friend Kato Masaru (Matsuyama Kenichi) in a subway station when they both help save a man on the tracks. After the two get killed in the process, they find themselves waking up in an empty room with a black orb in the center. Soon, they figure out that the orb sends them on missions to fight strange alien creatures, and each mission can help players earn points that go towards redeeming their own life back. While the two attempt to figure out the rules of the game, Kuruno falls for fellow player Kishimoto Kei (Natsuna), who is actually in love with Kato instead.

This edition comes with a bonus DVD with making of, director interview, stage event, and a trailer for Gantz Perfect Answer.

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Technical Information

Product Title: GANTZ (DVD) (Japan Version) GANTZ (DVD) (日本版) GANTZ (DVD) (日本版) GANTZ GANTZ (DVD) (Japan Version)
Artist Name(s): Ninomiya Kazunari | Matsuyama Kenichi | Hongo Kanata | Yoshitaka Yuriko | Taguchi Tomorowo | Ito Ayumi | Natsuna | Yamada Takayuki 二宮和也 | 松山研一 | 本鄉奏多 | 吉高由里子 | 田口智朗 | 伊藤步 | 夏菜 | 山田孝之 二宫和也 | 松山研一 | 本乡奏多 | Yoshitaka Yuriko | 田口智朗 | 伊藤步 | 夏菜 | 山田孝之 二宮和也 | 松山ケンイチ | 本郷奏多 | 吉高由里子 | 田口トモロヲ | 伊藤歩 | 夏菜 | 山田孝之 Ninomiya Kazunari | Matsuyama Kenichi | Hongo Kanata | Yoshitaka Yuriko | Taguchi Tomorowo | Ito Ayumi | Natsuna | Yamada Takayuki
Director: Sato Shinsuke 佐藤信介 佐藤信介 佐藤信介 사토 신스케
Release Date: 2011-07-13
Publisher Product Code: VPBT-13585
Language: Japanese
Country of Origin: Japan
Picture Format: NTSC What is it?
Disc Format(s): DVD
Region Code: 2 - Japan, Europe, South Africa, Greenland and the Middle East (including Egypt) What is it?
Other Information: 2DVDs
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1024389067

Product Information

[アーティスト/ キャスト]
二宮和也 / 松山ケンイチ / 吉高由里子 / 佐藤信介 (監督) / 奥浩哉 (原作) / 川井憲次 (音楽)

本編ディスク+特典ディスク
デジパック/三方背BOX

[特典情報]
封入特典:20ページブックレット、国際マーケット用フライヤーレプリカ/映像特典収録/音声特典収録

[テクニカル・インフォメーション]
本編130分+特典91分
製作国 : 日本 (Japan)
公開年 : 2011

[ストーリー]
幼馴染の玄野と加藤は、線路上に転落した酔っ払いを助けようとして電車に轢かれてしまう。次の瞬間2人は見慣れぬマンションの一室にいた。そこには同じように“死んだはずの人々”が集められ、リビングの中央には“ガンツ”と呼ばれる謎の大きな黒い球が異様な存在感を誇っていた。出ることの許されないその部屋で、生き残るためのミッションを“ガンツ”から与えられる。それは“星人と戦い、殺すこと”。戦いの場へと転送された彼らは、何者かも分からぬ異形の星人と対峙する。戦いを終え部屋に戻ると“ガンツ”による採点が行われ、星人を倒し得点を重ね“100てん”になると、この世界から解放されるか、好きな人を生き返らせることができると知らされ元の世界に一時的に戻される。“100てん”を取るまで終わらない戦いの連鎖。いつ呼び戻されるのか分からないまま元の世界での生活を続ける“死んだはずの人々”。戦いに目覚め、生き抜くことを選択する玄野と、暴力に支配された世界を嫌悪し、戦いを否定する加藤。生と死を実感しながら、その不条理な世界での戦いは苛烈を極めていく—。

[解説]
大切なものを守るため、彼らが犠牲にするものとは———。/残された最後のカリスマ漫画 全世界から映像化を熱望された『GANTZ』がついに禁断の実写映画化!

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YumCha! Asian Entertainment Reviews and Features

Professional Review of "GANTZ (DVD) (Japan Version)"

May 19, 2011

One of the biggest and most eagerly awaited Japanese blockbusters for some time arrives in the form of the explosive science fiction thriller Gantz adapted from Oku Hiroya's ongoing manga. Having already made it to the small screen as a cult hit anime, which controversially had to be censored during its original airing due to graphic content, the live action version sees director Sato Shinsuke (Sands' Chronicle) taking the reins, with a script from Watanabe Yusuke, who previously worked on the sprawling 20th Century Boys adaptation. Split into two parts, with this first instalment being followed by Gantz: Perfect Answer the films are slick, big budget affairs with an impressive youth-friendly cast headed by Arashi boy band member Ninomiya Kazunari (also in The Lady Shogun and her Men) and popular actor Matsuyama Kenichi (known for the Death Note series, and who recently starred in Norwegian Wood), with female eye candy in Natsuna (Kimi ni Todoke) and Yoshitaka Yuriko (Kaiji: the Ultimate Gambler).

Gantz revolves around a premise that is at once brutally simple and weirdly ambiguous. One day while waiting in a subway station, Kurono Kei (Ninomiya Kazunari) spots a drunken man staggering around on the track, clearly in danger of being hit by the coming train. Although he has no desire to help, he is shamed into getting involved by former childhood friend Kato Masaru (Matsuyama Kenichi), resulting in them both apparently being killed. They wake up in a strange apartment with a band of strangers and a large black orb in the centre of the room. To their surprise, the orb opens, presents them with suits and weapons, and instructs them to go out onto the streets and fight bizarre alien creatures, working towards the 100 point score which will either set them free or allow them to resurrect a dead teammate. In addition to staying alive, the boys come up against romantic complications, as Kurono finds himself attracted to a troubled young female player called Kishimoto Kei (Natsuna), who sadly only has eyes for Kato.

Unsurprisingly, in being adapted for the big screen and mass appeal, Gantz has been changed quite significantly from the manga and anime. In terms of graphic content, this was always going to be the case, and so it's arguably something that shouldn't really be counted against the film. For the most part, this involves pretty much all of the nudity and sex being excised, along with the more perverse elements of the material. Kurono has been significantly toned down from the sleazy, sex-obsessed character of the anime, with Kishimoto managing to keep her clothes on for the entire running time, though the orb Gantz does still make amusing references to certain parts of her anatomy. The violence is mostly retrained, and the film is vicious and bloody in places, with a Battle Royale feel as the cast are ruthlessly whittled down by the various aliens. Though things never get too over the top or particularly nasty, there are a number of gruesome money shots scattered throughout, enough so to satisfy fans.

Perhaps more importantly, the film has several thematic differences, as well as an overall shift in mood. Whilst the source material was to an extent characterised by an odd air of camp nihilism, Kurono, Kato and Kishimoto being the centre of a weird maelstrom of madness and dark social commentary, the film attempts more of an emotional connection with the audience and an exploration of fate and of taking one's place in the world. This actually works quite well, and certainly helps the film to get over the obstacle of being based on something episodic, providing more of a sense of character development and continuity. Although it does have a few unnecessarily ponderous stretches, Watanabe Yusuke's script is solid, and does a good job of combining the feel of the manga and anime with something a little more substantial, successfully holding the interest throughout what is actually a far longer film than it feels. Things do get quite grim in places, though both Ninomiya Kazunari and Matsuyama Kenichi are fine in the lead roles, adding depth and a few touches of charisma.

Similarly, there have been a few key plot changes, with the film basically covering the first series of the anime, though with some events shifted around. Of course, given that the film is only half the story, whilst it does build the tension and works towards a big and momentous finale, it leaves things hanging for the sequel - though perhaps not in a way which might have been expected, with there being a few welcome surprises along the way. Another interesting addition is that of Yuriko Yoshitaka's Tae, Kurono's manga-drawing former classmate, who appears both as a potential romantic interest, and as a source of thematic or narrative exposition to come.

Sato Shinsuke handles the material well, and avoids the pitfalls of many comic adaptations by playing the drama straight, giving the film a big budget blockbuster feel rather than being hell-bent on pleasing fans of some of the material's more geeky aspects. The film is for the most part nicely paced, gradually notching up the intensity of the alien encounters and matching this with character and plot revelations. The action scenes themselves are awesome, infused with a vicious energy that makes them amongst the best from Japanese cinema from the last couple of years. The money spent on the film is clearly up on screen, from the surprisingly not too ridiculous looking costumes through the neat guns and gadgets that the players are provided with by the sinister Gantz. Most impressive though are the aliens themselves, which have a marvellously old school feel, and though brought to life through CGI look almost like Ray Harryhausen style stop animation, particularly during the jaw-dropping final battle.

All of this combines to make Gantz a great deal of fun, and a film which is both one of the more successful comic adaptations of late and an exciting piece of commercial science fiction cinema in its own right. Whilst toned down from the manga and anime, it remains faithful to their oddball feel and packs in plenty of highly imaginative action, certainly whetting the appetite for Gantz: Perfect Answer.

by James Mudge - BeyondHollywood.com

This original content has been created by or licensed to YesAsia.com, and cannot be copied or republished in any medium without the express written permission of YesAsia.com.
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