K-20: Legend of the Mask (Blu-ray) (Japan Version) Blu-ray Region A
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YesAsia Editorial Description
Directed by Sato Shimako (Wizard of Darkness), K-20: Legend of the Mask is set in an alternate 1949 Japan still under imperial rule, and rife with class conflict. In these chaotic times, K-20, a masked thief who steals from the rich, is both villain and hero, and a perpetual thorn in the side for crime-busting detective Akechi (Nakamura Toru) and his assistant Kobayashi (Hongo Kanata). With the city of Teitu buzzing over Akechi's engagement with duchess Yoko (Matsu Takako), poor circus acrobat Heikichi (Takeshi Kaneshiro) is hired to take photos at their engagement, but he gets mistaken for K-20 and arrested. Realizing he's been set up, Heikichi manages to escape, but there's only one way to clear his name: to capture the real K-20.
Comes with making of, trailers, and poster gallery.
|Product Title:||K-20: Legend of the Mask (Blu-ray) (Japan Version) K-20: 怪人二十面相傳 (Blu-ray) (日本版) K-20: 怪人二十面相传 (Blu-ray) (日本版) Ｋ−２０ 怪人二十面相・伝 【Blu-rayDisc】 K-20: Legend of the Mask (Blu-ray) (Japan Version)|
|Also known as:||K-20 Kaijin Nijuu Mensou Den K-20 Kaijin Nijuu Mensou Den K-20 Kaijin Nijuu Mensou Den K-20 Kaijin Nijuu Mensou Den K-20 Kaijin Nijuu Mensou Den|
|Artist Name(s):||Kaneshiro Takeshi | Matsu Takako | Nakamura Toru | Kunimura Jun | Takashima Reiko | Hongo Kanata | Imai Yuki | Kino Hana | Masuoka Toru | Kaname Jun | Kaga Takeshi | Kushida Kazuyoshi | Kohinata Fumiyo | Matsushige Yutaka | Shimada Kyusaku | Otaki Hideji 金城 武 | 松隆子 | 仲村亨 | 國村準 | 高島禮子 | 本鄉奏多 | 今井悠貴 | 木野 花 | 益岡徹 | 要潤 | 鹿賀丈史 | 串田和美 | 小日向文世 | 松重豐 | 嶋田久作 | 大瀧秀治 金城 武 | 松隆子 | 仲村亨 | 国村准 | 高岛礼子 | 本乡奏多 | 今井悠贵 | 木野花 | Masuoka Toru | 要润 | 鹿贺丈史 | 串田和美 | 小日向文世 | 松重庆 | 嶋田久作 | 大泷秀治 金城武 | 松たか子 | 仲村トオル | 國村隼 | 高島礼子 | 本郷奏多 | 今井悠貴 | 木野花 | 益岡徹 | 要潤 | 鹿賀丈史 | 齋藤歩 | 串田和美 | 小日向文世 | 松重豊 | 嶋田久作 | 大滝秀治 금성무 | 마츠 타카코 | 나카무라 토오루 | Kunimura Jun | Takashima Reiko | Hongo Kanata | Imai Yuki | Kino Hana | Masuoka Toru | Kaname Jun | Kaga Takeshi | Kushida Kazuyoshi | Kohinata Fumiyo | Matsushige Yutaka | Shimada Kyusaku | Otaki Hideji|
|Director:||Sato Shimako 佐藤嗣麻子 佐藤嗣麻子 佐藤嗣麻子 Sato Shimako|
|Blu-ray Region Code:||A - Americas (North, Central and South except French Guiana), Korea, Japan, South East Asia (including Hong Kong, Macau and Taiwan) What is it?|
|Publisher Product Code:||VPXT-71065|
|Place of Origin:||Japan|
|Other Information:||Blu-ray Disc|
|Shipment Unit:||1 What is it?|
|YesAsia Catalog No.:||1019757637|
金城武 / 松たか子 / 仲村トオル / 佐藤嗣麻子 (監督、脚本) / 北村想 (原作) / 佐藤直紀 (音楽)
製作国 : 日本 (Japan)
公開年 : 2008
舞台は１９４９年の架空都市“帝都” ——。１９世紀から続く華族制度により極端な格差社会が生まれ、富のほとんどが一部の特権階級＝華族に集中するという、現在とはまったく違う発展を遂げた日本に、富裕層のみをターゲットに、美術品や骨董品を次々と魔法のような手口で盗んでしまう“怪人二十面相”が出現し、世間を騒がせていた。人は彼を“Ｋ−２０”と呼ぶ……。そんなＫ−２０に騙され、Ｋ−２０に仕立て上げられたサーカスの曲芸師・遠藤平吉（金城武）は、類い希なる身体能力と頭脳を武器に、Ｋ−２０に財宝を狙われた財閥の令嬢・羽柴葉子（松たか子）と、その婚約者であり探偵の明智小五郎（仲村トオル）とともに、Ｋ−２０との戦いを決意する。繰り広げられる激闘。 果たして平吉は、汚名を晴らすことができるのか？
映画は、１９４９年の架空の都市を舞台に、正体不明の大怪盗・怪人二十面相に嵌（は）められ、二十面相に間違われたサーカスの曲芸師・平吉を主人公に、彼と二十面相が狙う財閥の令嬢・葉子との恋や、おなじみの明智探偵、小林少年らも登場しての、怪人二十面相と対決を描く一大スペクタクル作品！キャストには、主人公・平吉にジョン・ウー監督の最新映画『レッドクリフ』シリーズでも主要キャストを演じているアジアのスター・金城武！ ヒロインの令嬢には松たか子。 そしてクールな探偵・明智小五郎に仲村トオルと、スケール感あふれる豪華な顔がそろいました。 他にも鹿賀丈史、高島礼子、小日向文世、要潤、國村隼ら実力派がしっかりと脇を固め、見ごたえのあるストーリーが展開します。
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YumCha! Asian Entertainment Reviews and Features
Professional Review of "K-20: Legend of the Mask (Blu-ray) (Japan Version)"
This professional review refers to K-20 (DVD) (English Subtitled) (Hong Kong Version)
Takeshi Kaneshiro is a star, no doubt about that. There are few actors that could take a preposterous, slight action-adventure like K-20: Legend of the Mask and make it so watchable, and Kaneshiro is one of them. Directed and written by Shimako Sato, K-20 takes place in 1949 in an alternate Japan where World War II never happened. Japan has continued beneath Imperial Japanese rule, with the upper and lower classes strictly separated, and tension existing between the haves and have-nots. Springing from the bubbling unrest is K-20 a.k.a. Kaijin Niju Menso or "The Fiend with 20 Faces", a cloaked thief who steals from the rich ostensibly to benefit the poor.
Opposing K-20 is Kogoro Akechi (Toru Nakamura), a renowned detective who solves crimes with the help of his teenage assistant Kobayashi (Kanata Hongo). Akechi is due to marry Duchess Yoko Hashiba (Takako Matsu), with their engagement being all the media rage. Amidst this, naive lower-class circus acrobat Heikichi Endo (Takeshi Kaneshiro) is asked to snap photos of Akechi and Yoko's engagement, with a large financial reward as compensation. Heikichi needs the money to pay for the circus ringmaster's (Fumiyo Kohinata) medical bills, so he agrees, but Heikichi is mistaken for K-20 at the scene and arrested. Realizing that he's been framed by the real K-20, Heikichi manages to escape with the help of thief and inventor Genji the Gimmick (Jun Kunimura). Heikichi is now a wanted man, and decides to find and do battle with K-20 in order to clear his name.
But how will Heikichi find K-20? Simple, he'll accidentally spot him on the rooftops when he's in the midst of his training. K-20's plot moves with utter convenience, sometimes stopping for static exposition before moving into action sequences set against CG-generated views of the Teito (a.k.a. Tokyo ) cityscape. The film takes flight during the scenes of Heikichi's training; he runs and jumps through the city using entertaining Parkour moves, with the filmmakers doing a decent job of switching between Takeshi Kaneshiro and his obviously more athletic stunt double. The film finds its footing there, managing a fun if ridiculous vibe that recalls a swashbuckling adventure or a live-action approximation of early Hayao Miyazaki. The steampunk trappings and cartoonish acting add to the live-action anime flavor.
A lot here is preposterous; people take far more punishment than they should, the humor is sometimes flat in its delivery, and the ultimate plot - the search for an electricity-controlling device created by famed inventor Nikola Tesla - is more convoluted than it needs to be. Director Sato hits a few bumps with her storyline, and the film grinds to a halt whenever anyone discusses anything serious. However, with an actor like Kaneshiro in the lead, suspension of disbelief is quite easy. Kaneshiro has star presence to spare, and is naturally charming and convincing as characters that could exist only in the movies. Kaneshiro effortlessly earns sympathy as the dopey and even clueless Heikichi, and when he's zipping across the Teito skyline like Spider-Man or Batman (Heikichi uses a nifty spring-loaded grappling gun), managing a smile is easy despite the ridiculousness of it all. This isn't really a superhero film - it's a live-action fantasy.
K-20 is based on the work of legendary mystery writer Edogawa Rampo, and The Fiend with 20 Faces was originally an arch-nemesis of master detective Kogoro Akechi, popularly known as the Japanese equivalent of Sherlock Holmes. Sato's screenplay (based on a novel by So Kitamura) departs heavily from Rampo's prolific work, making Akechi a supporting character and setting the whole thing in an imaginary world where World War II never happened. There's minor commentary here about class division, with Takako Matsu's spunky class-bridging heroine spouting corny, if well-meaning dialogue. The sentimentality in K-20 is of your standard commercial type, which means it's expected and completely unchallenging. However, the emotions ultimately prove quite tolerable, and at least reference familiar, universal concepts and not audience-polarizing nationalism.
The downside is that cynical audiences could have a field day with K-20. In this brave new cinema world of dark, complex superhero films, K-20 is as airy as a soap bubble, and as fragile too. Bursting K-20's bubble would be easy - the film has plot holes larger than Tokyo Tower and a convenient, largely illogical storyline. At the same time, playing the curmudgeon could also be quite cruel. For commercial entertainment, K-20 is quite agreeable, with likable characters, fun performances, and a positive, light tone that makes it decent family fare. Japanese films can often overcome cynical moviegoing expectations thanks to unflinching, wide-eyed optimism and characters who are exceptionally winning. Even if it doesn't completely convince, for two hours of time the film pays the entertainment bill. K-20 may be hard to totally buy, but it's ultimately quite easy to like.
by Kozo - LoveHKFilm.com
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Customer Review of "K-20: Legend of the Mask (Blu-ray) (Japan Version)"
See all my reviews
July 30, 2009
This customer review refers to K-20 (DVD) (English Subtitled) (Hong Kong Version)
Sheer eye-popping entertainment
"K-20" is pleasing, Saturday afternoon popcorn fare, fun for the whole family. Takeshi Kaneshiro stars as Endo Heikichi, an acrobatic illusionist working in a circus in an alternate 1949 Japan, a Japan in which World War II never happened and Japan's imperial order persisted, leading to a sharp divide between a fascistic overclass and an impoverished underclass. A mystery man hires Heikichi to take photos of the wedding of Baron Akechi Kogoro (Nakamura Toru) and Duchess Hashiba Yoko (Matsu Takako). Heikichi takes the job to earn money for his ringmaster's medical care. However, the camera that the mystery man gave Heikichi triggers explosions that interrupt the wedding. Heikichi swiftly is arrested by master detective Akechi.
Akechi accuses Heikichi of being K-20, the notorious Fiend of Many Faces. Heikichi realizes that the photography job had been a trap; the real K-20 had set Heikichi up so he would be identified as K-20. After Heikichi escapes from the police, he throws in with petty thieves to learn the art of disguises and employ the skills of a thief in tracking down the real K-20. The scenes of Heikichi's training are thrilling, as he leaps from building to building, learning to overcome all physical obstacles. During the course of his training, Heikichi stumbles upon the real K-20 attempting to kidnap Duchess Yoko. K-20 believes that Yoko can lead him to a machine created by the inventor Tesla to harness massive amounts of energy, a machine that can be used for good or for devastating destruction.
"K-20" delivers delirious action sequences amidst Akechi's attempts to recapture Heikichi, Heikichi's efforts to track down K-20, and K-20's schemes to acquire the Tesla machine. Subsidiary themes explore Yoko's exposure to an underworld she didn't know existed and a growing romance between Heikichi and Yoko. Matsu Takako plays her role with wide-eyed wonder, Nakamura Toru oozes stylish menace, and Kaneshiro steals the show with his noble charm. The story effectively conceals a surprising plot twist that yields a gripping finish. And the movie ends in a fashion that, I suspect, will set up a series of sequels. For sheer eye-popping entertainment, "K-20" is hard to beat.
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