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Mother (Blu-ray) (Black & White Version) (First Press Limited Edition) (Korea Version) Blu-ray Region A

Won Bin (Actor) | Bong Joon Ho (Director) | Kim Hye Ja (Actor) | Jin Goo (Actor)
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All Editions Rating: Customer Review Rated Bad 10 - 10 out of 10 (2)

YesAsia Editorial Description

The Host director Bong Joon Ho presents a different kind of monster in a searing, subversive mystery thriller that rips through the facade of small-town Korea. Veteran actress Kim Hye Ja delivers a commanding performance as the devoted mother who goes to desperate extremes to protect her mentally disabled son, played by popular actor Won Bin (Taegukgi) appearing in his first film in five years. Premiering at the Cannes Film Festival, Mother opened in Korea to blockbuster reception, proving to be another commercial and critical hit for Bong.

Seemingly normal people and places peel away to reveal an unsettling portrait of small-town Korea gone wrong in Mother. When mentally slow Do Joon (Won Bin) gets arrested for murder, his mother (Kim Hye Ja) faces an uphill battle to clear his name. Everyone including the police are convinced that Do Joon is the culprit, but she knows that her son wouldn't kill. She begins to dig left and right to find the real killer herself, but her sleepy hometown holds many secrets that are best left unturned.

This edition comes with audio commentary, making of, interview with Bong Joon Ho, deleted scenes with commentary, cast interview, art and music featurette, photo gallery, trailer, and other special features.

© 2013-2022 Ltd. All rights reserved. This original content has been created by or licensed to, and cannot be copied or republished in any medium without the express written permission of

Technical Information

Product Title: Mother (Blu-ray) (Black & White Version) (First Press Limited Edition) (Korea Version) 骨肉同謀 (又名: 母親) (Black & White Version) (Blu-ray) (首批限量版) (韓國版) 骨肉同谋 (又名: 母亲) (Black & White Version) (Blu-ray) (首批限量版) (韩国版) 母なる証明 (モノクロバージョン) (Blu-ray) (初回限定版) (韓国版) 마더 (블루레이) (흑백버전) (초회한정판) (한국판)
Artist Name(s): Won Bin (Actor) | Kim Hye Ja (Actor) | Jin Goo (Actor) 元斌 (Actor) | 金惠子 (Actor) | 晉久 (Actor) 元斌 (Actor) | 金惠子 (Actor) | 晋久 (Actor) ウォンビン (Actor) | キム・ヘジャ (Actor) | チン・グ (Actor) 원 빈 (Actor) | 김혜자 (Actor) | 진구 (Actor)
Director: Bong Joon Ho 奉 俊昊 奉 俊昊 ポン・ジュノ 봉준호
Blu-ray Region Code: A - Americas (North, Central and South except French Guiana), Korea, Japan, South East Asia (including Hong Kong, Macau and Taiwan) What is it?
Release Date: 2013-12-20
Language: Korean
Subtitles: English, Korean
Place of Origin: South Korea
Picture Format: [HD] High Definition, NTSC What is it?
Color Information: Black & White
Sound Information: DTS-HD Master Audio
Disc Format(s): Blu-ray
Screen Resolution: 1080p (1920 x 1080 progressive scan)
Rating: III
Publisher: Art Service
Other Information: 1-Disc
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1034783821

Product Information

마더 (블루레이) (흑백버전) (초회한정판) (한국판)

*Screen Format: 2.35 : 1, AVC, 1080P
- Commentary by 박태준 PD, 홍경표 촬영감독, 류성희 미술감독 이병우 음악감독, 양종규 조감독
- Commentary by 봉준호 감독
- 새로운 <마더> (흑백전환 관련 인터뷰)
- 마더, 아들, 살인 (메이킹필름)
- 김혜자 인터뷰 By 봉준호
- 삭제장면 with Commentary
- 엄마의 주변 (조연배우들 인터뷰)
- 키워드: 살인, SEX, 아들, 엄마
- 예술가들: 미술/로케이션, 촬영감독 인터뷰, 음악메이킹
- 스틸
- 예고편

*Director: 봉준호

-CJ E&M의 3번째 한국영화 블루레이 [마더] 흑백버젼! (3-1)
-초회 한정 스페셜 패키지
-흑백버전으로 재 탄생한 <마더>
-새롭게 녹음한 봉준호 감독님의 코멘터리 수록!

아들의 살인혐의, 엄마의 사투 | 아무도 믿지마 엄마가 구해줄께
읍내 약재상에서 일하며 아들과 단 둘이 사는 엄마(김혜자 扮). 그녀에게 아들, 도준은 온 세상과 마찬가지다. 스물 여덟. 도준(원빈 扮). 나이답지 않게 제 앞가림을 못 하는 어수룩한 그는 자잘한 사고를 치고 다니며 엄마의 애간장을 태운다.

어느 날, 한 소녀가 살해 당하고 어처구니없이 도준이 범인으로 몰린다. 아들을 구하기 위해 백방으로 뛰는 엄마. 하지만 경찰은 서둘러 사건을 종결 짓고 무능한 변호사는 돈만 밝힌다. 결국 아들을 구하기 위해 믿을 사람 하나 없이 범인을 찾아나선 엄마. 도준의 혐의가 굳어져 갈수록 엄마 또한 절박해져만 간다.

▣ <마더> 흑백버젼 초회 한정판 Blu-ray 패키지
: 1 DISC BD + 아웃박스 + 고급 디지팩
Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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YumCha! Asian Entertainment Reviews and Features

Professional Review of "Mother (Blu-ray) (Black & White Version) (First Press Limited Edition) (Korea Version)"

November 3, 2009

This professional review refers to Mother (2009) (DVD) (2-Disc) (Special Edition) (First Press Limited Edition) (Korea Version)
After the mega-blockbuster The Host (now Korea's highest-grossing film), director Bong Joon-Ho outdoes himself by trying not to outdo himself with Mother, a mystery-thriller that plays like a more intimate version of the director's 2003 classic Memories of Murder. While Mother doesn't achieve that level of masterful filmmaking, it still has the superb directorial touches and great performances to make this an easy pick for one of the best Korean films of 2009.

However, the film's potentially melodrama-infested plot is not the reason for the acclaim. Mentally-handicapped Do-Joon (Won Bin, in his first role since completing his military service) lives with his sometimes-overbearing Mother (Kim Hye-Ja, whose character is never given a name) in a small town, but he spends most of his time outside with his violent, foul-tempered friend Jin-Tae. One day, Do-Joon is nearly hit by a luxury car, prompting he and his friend to pursue revenge at the nearby country club. A sloppy confrontation later, Do-Joon's mother ends up having to pay for the damages, while Do-Joon simply goes home with a couple of golf balls with his name on it.

When Do-Joon's golf ball is found next to a murdered high school girl hanging over the roof of a building, the cops see it as an open-and-shut case and immediately arrest Do-Joon. Threatened by the police with interrogation and not having any memory of what happened that night, the absent-minded man-boy (who still sleeps next to his mother with his hand on her breast) can't even come up with proof to defend himself. However, his mother insists - even to the dead girl's family - that her son is innocent, and embarks on a journey to find the real killer.

Even though the investigation drives the film along, Bong Joon-Ho isn't interested in a crime procedural. Instead, the script by Bong and co-writer Park Eun-Kyo brings the clues to the Mother, and leaves the focus on her determined psychological state and the dangers she faces. Replacing a complicated web of clues is the complex emotions of the characters. In the hands of a lesser writer-director, Mother could've been overrun by hyperactive emotions, as it begins to resemble a melodrama. Bong and Park instead stick closely to thriller territory, telling the story with as little sentimentality as possible, and turning every human emotion into primitive instinct. This handling not only efficiently advances the story, but it also makes the characters' actions and their emotions more believable. This is not a film with a clear-cut ending, and the moral complexities suggested by the conclusion will disturb audiences who are used to seeing only good and evil in their films.

As strong as the script is, the strongest aspect of Mother is the continuing maturation in Bong's directorial style. Every shot and every camera movement is well-calculated, with no shot ever staying with a single frame for too long. Bong avoids the showy long-takes of his previous films, though the camera movements remain impressive at drawing attention to themselves. He also amps up the tension in a brilliant, Hitchcockian manner, often opting for extreme close-ups on specific actions or his actors' faces. The result is an often intense film by a confident filmmaker who doesn't need to resort to cheap loud scares to keep the audience on the edge of their seats.

Of course, the only way Bong can rely on extreme close-ups is if the actors deliver, and they certainly do. Despite all the hoopla and the obvious challenges, Won Bin's role as the dim-witted Do-Joon isn't as showy one might expect. Meanwhile, Jin Goo's tough masculine persona obviously caught enough attention to earn him a Best Supporting Actor nomination at this year's Grand Bell Awards. But both men take a backseat to Kim Hye-Ja, who naturally dominates the film as the mother by virtue of her screen time. But because of Bong's avoidance of melodrama, Kim's performance is subtler than one might expect from a veteran TV actress, to the point that it almost seems anti-climatic. Nevertheless, there's no doubt that Kim has the command and the acting chops to make her character constantly compelling to watch.

However, Mother is ultimately Bong Joon-Ho's show. Like his friend and fellow filmmaker Kim Ji-Woon, Bong takes genre conventions and twists them to fit his own brand of storytelling. While Kim simply gives conventional genres new visual aesthetics, Bong pushes his genres to extremes. Just like using a true-life murder case in Memories of Murder for social commentary, Bong uses the murder mystery in Mother to push maternal sacrifice at a primitive level. Naturally, the film isn't as audience-pleasing as The Host (despite moments of dark humor), but what's lost in entertainment value is compensated plenty by superb storytelling. The Host may be a better commercial movie, but Mother is the better film.

By Kevin Ma

Editor's Pick of "Mother (Blu-ray) (Black & White Version) (First Press Limited Edition) (Korea Version)"

Picked By Rockman
See all this editor's picks

January 20, 2014

Same film, different vibes
Some directors like going back to their films and creating new versions using previously deleted material. For example, director Ronny Yu created a new 142-minute director's cut of Fearless after its first video release, and Peter Jackson also created new extended versions of all his Lord of the Ring films. For the DVD release of Sympathy for Lady Vengeance, director Park Chan Wook even created a new version of the film that gradually transitions from color to black and white, just as he had originally intended. After the theatrical release of Snowpiercer, director Bong Joon Ho also joined that trend by returning to his 2009 thriller Mother.

Bong and his cinematographer Hong Kyung Pyo returned to the post-production studio and created a new black-and-white version of the film, and the result is a fresh new vision that all fans of the film should take the chance to see. Creating a black and white version of a film isn't as simple as turning on the de-saturation setting on a computer. Since Mother was originally produced in color, making a black and white version means having to re-tweak the light levels of every single shot in the film for black and white. While 99% of the shots have been re-calibrated, the film does switch back to color at a pivotal moment, and that transition actually elevates the emotional power of the moment.

A tense thriller mystery about parental sacrifice, Mother's noir-esque atmosphere is greatly enhanced by this new color scheme, especially in scenes set at night. See the depth of the shadows in the ferris wheel interrogation scene (featuring Jin Goo and several high school students), and the contrast between the two colors are so striking that viewers may forget that the film was ever made in color. The darkened image and emphasis on shadows (strengthened by the colorless visual design) also complement the murky gray moral area that characters have put themselves in.

Other than the new color scheme, the new version of Mother remains the same as the previous versions. It's still a superbly directed thriller featuring a masterful performance by Kim Hye Ja, and a film that truly highlights the maturation of Bong as a filmmaker. Neither the original color nor the new black and white version is the definitive version of the film; rather, both versions are worth watching.

This original content has been created by or licensed to, and cannot be copied or republished in any medium without the express written permission of

Customer Review of "Mother (Blu-ray) (Black & White Version) (First Press Limited Edition) (Korea Version)"

Average Customer Rating for All Editions of this Product: Customer Review Rated Bad 10 - 10 out of 10 (2)

See all my reviews

April 2, 2010

This customer review refers to Mother (2009) (Blu-ray) (Limited Edition) (Korea Version)
1 people found this review helpful

Won Bin comeback is a hit Customer Review Rated Bad 10 - 10 out of 10
Mother is a well awarded film. She deserves the Best Actress award. Played her role perfectly well up to the end.

It is story of a mother who is looking after her retarded son... depending him for a murder she believed she did not commit. A movie with twist.. you won't really see it coming.

Worth buying and worth every minute of your time.
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See all my reviews

March 4, 2010

This customer review refers to Mother (2009) (DVD) (2-Disc) (Special Edition) (First Press Limited Edition) (Korea Version)
1 people found this review helpful

A Mother’s Bother Customer Review Rated Bad 10 - 10 out of 10
To be philosophical, a mother is certainly the most treasured person in anyone’s life. But what happens when not-so-normal things lead a mother to do anything to protect her son. Such the tale here, where Do Joon (Bin Won) a mentally backward young man is dotted on by his long suffering mother (Hye Ja Kim) who raises him alone, sees her son arrested and whisked away in a police car for the murder of a local schoolgirl. Do Joon had followed the girl to an abandoned house one night after a drinking session. But when the girl throws a rock at him for following her (no chance of a kiss there!) Do Joon decides to go home, but drops some stolen golf balls he’d written on. The next day the girl is found dead folded over a roof rail as if hung out to dry and because of Do Joon’s misplaced golf balls makes him seem as guilty, of murder to police and town folk, like a messy puppy beside freshly made poo. So Do Joon’s life weathered mother turns sleuth to find the truth, convinced Do Joon is innocent and incapable of killing anyone.

Joon Ho Bong’s “Mother” is dark with dry humorous undertones having an opener of Do Joon’s mother walking solemnly in a field only to pause and then start slowly dancing on the spot. This weird little intro hints at Ja Kim’s protagonist to be a frustrated and tortured soul, with the whole film a flashback up to this unusual dancing moment. The dance is a respite to the constant overbearing stress of her son’s social misdemeanours. Similarly the exasperated mother assumes Do Joon’s violent friend Jin Tae to blame for the murder, discovering a red smeared golf club in Jin Tae’s wardrobe and quickly taking it to the police station as evidence to free her son, only to discover the red smear was lipstick from Jin Tae’s girlfriend. The golfing artefacts come from Do Joon and Jin Tae’s revenge on some bankers at a golf course, after Do Joon was hit by them in a hit and run and getting briefly arrested. Later Do Joon is arrested again and sent away to prison for the murder of the schoolgirl, a deed he denies and cannot remember. A logical ending awaits amidst a sleepy town’s neutral evils; social apathy, angry young men at rich society, schoolgirl promiscuity (abuse), dim-witted police logic (ending) and a young man foisted with mental aberration. Some people out of this rugged social mix go a little mad. Acting of course is excellent. Interesting extras, too, with Do Joon ‘dancing on the spot’ instead. Essential viewing!
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