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Terrorizers (Blu-ray+DVD) (English Subtitled) (Taiwan Version) Blu-ray Region All, DVD Region All

Edward Yang (Director) | King Shih Chieh (Actor) | Cora Miao (Actor) | Lee Li Chun (Actor)
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All Editions Rating: Customer Review Rated Bad 10 - 10 out of 10 (1)
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YesAsia Editorial Description

During the emergence of Taiwan New Cinema, the state-run Central Motion Pictures played a significant role in not only fostering directors of the movement, but the development of Taiwanese cinema in general. Under its new management, the revamped Central Pictures Corporation has digitally remastered six classic films from the 80s and the 90s, producing brand-new digital prints that guarantee to overcome the test of time. After Dust in the Wind, four more of these films are arriving in high-definition on Blu-ray for fans to see these films the best way they have ever looked before.

A shooting in the heart of Taipei sends several characters on a collision course in Edward Yang's ensemble drama The Terrorizers, which is influenced by the works of Michelangelo Antonioni. A researcher sells out a co-worker for a promotion, but it comes at the price of neglecting the troubles of his novelist wife. The girlfriend of the shooter manages to escape police custody, but her mother keeps her imprisoned at home, where she finds other ways to cause trouble. Meanwhile, a wandering photographer who captures the shooting moves into the apartment and becomes infatuated with the escaped girl.

This edition includes the film on both Blu-ray and DVD. The bonus DVD also comes with interviews about the late Edward Yang.

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Technical Information

Product Title: Terrorizers (Blu-ray+DVD) (English Subtitled) (Taiwan Version) 恐怖分子 (Blu-ray+DVD) (中英文字幕) (台灣版) 恐怖分子 (Blu-ray+DVD) (中英文字幕) (台湾版) 恐怖分子 (Blu-ray+DVD) (台湾版) Terrorizers (Blu-ray+DVD) (English Subtitled) (Taiwan Version)
Artist Name(s): Edward Yang | King Shih Chieh (Actor) | Cora Miao (Actor) | Lee Li Chun (Actor) 楊德昌 | 金 士傑 (Actor) | 繆騫人 (Actor) | 李 立群 (Actor) 杨德昌 | 金 士杰 (Actor) | 缪骞人 (Actor) | 李 立群 (Actor) 楊徳昌(エドワード・ヤン) | 金仕傑(カム・シーキット) (Actor) | 繆騫人(コラ・ミャオ) (Actor) | 李立群 (リー・リーチュン) (Actor) 에드워드 양 | King Shih Chieh (Actor) | Cora Miao (Actor) | Lee Li Chun (Actor)
Director: Edward Yang 楊德昌 杨德昌 楊徳昌(エドワード・ヤン) 에드워드 양
Blu-ray Region Code: All Region What is it?
Release Date: 2011-04-28
Language: Mandarin
Subtitles: English, Traditional Chinese
Place of Origin: Taiwan
Picture Format: [HD] High Definition, NTSC What is it?
Aspect Ratio: 1.85 : 1
Sound Information: LPCM
Disc Format(s): DVD, Blu-ray
Region Code: All Region What is it?
Screen Resolution: 1080p (1920 x 1080 progressive scan)
Duration: 109 (mins)
Publisher: Sony Music Entertainment (TW)
Package Weight: 200 (g)
Shipment Unit: 1 What is it?
YesAsia Catalog No.: 1024222895

Product Information

BD (電影本片)
內 容: 正片109分鐘
發  音: 國語
字  幕: 英文、繁體中文
螢 幕 比: 寬螢幕1.85:1
聲音格式: LPCM 2.0
區碼系統: 藍光全區
解 析 度: Full HD1080

DVD (電影本片+全新收錄幕後花絮)
內 容: 正片109分鐘、花絮20分鐘
發  音: 國語
字  幕: 英文、繁體中文
螢 幕 比: 寬螢幕1.85:1
聲音格式: LPCM 2.0
區碼系統: 全區NTSC



★ 榮獲1986年金馬獎最佳劇情片
★ 亞太影展最佳編劇獎


  淑安回 家後被母親關在家中,她開始很無聊的打電話開玩笑,其中有一通打給了一個叫周郁芬的女人,她假冒是周郁芬丈夫在外面的女友,懷了孕,要周郁芬出來談判這件事,深深刺激了周郁芬。









Additional Information may be provided by the manufacturer, supplier, or a third party, and may be in its original language

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Customer Review of "Terrorizers (Blu-ray+DVD) (English Subtitled) (Taiwan Version)"

Average Customer Rating for All Editions of this Product: Customer Review Rated Bad 10 - 10 out of 10 (1)

See all my reviews

December 16, 2005

This customer review refers to Goldenward Series Of Chinese Movies - Terrorizers
2 people found this review helpful

Great Edward Yang film Customer Review Rated Bad 10 - 10 out of 10
In the following I hope to write a review of Edward Yang’s ‘Terrorizer’ that does justice to its presentation of the twin themes of interconnectedness and disconnectedness, which move through the work like the forces of Yin and Yang.

Superficially, the movie deals with three couples in states of loose adherence. The characters, and the unstable relationships between them, are altered through tangential, almost incidental interactions among themselves.

Firstly, there is a photographer, evidently the son of a wealthy family, and his girlfriend, who he deserts for most of the film to follow his fascination with a rather unlikable Eurasian woman (White Chick) who he initially photographs fleeing from the police with a male accomplice. This fascination is the reason for the photographer’s break with his girlfriend. He goes on to rent the apartment she was escaping from, for use as a dark room. White Chick will later link up with a boyfriend to perpetrate a series of sex-scams, forming the second rather unstable ‘couple’ of the film, joined by the common pursuit of easy money rather than romantic attachment. The third ill-starred pair is a married couple, a doctor (Li-li Chong) and an authoress (Chou Yufen). The doctor has been waiting for a promotion and appears frustrated in its delay. His wife, a novelist, feels that her world as a housewife is growing smaller and smaller. How can she possibly write under such circumstances, she asks. A budding affair with her ex-colleague is further undermining the marriage.

This complicated tangle of trajectories is portrayed in the typically cool, disconnected, Taiwanese style, with naturalistic sound only, and no music except that which is played on radios etc. The manner in which the stories are presented and connected parallels their content, for there is no consistent point-of-view presented that could link us to any one character, and the editing tosses us from one situation to another, leaving it to the viewer to make the connections between the scenes, and in turn, the characters themselves. I suspect that this manner of presentation was itself designed to convey certain realities of life in Taipei, a rough mixture of fortuitous coincidence and disconnectedness, a situation which the technology such as phones and cameras, designed to make life better, only serve to compound further.

This is a film that I found enjoyable to ‘assemble’, and which rewarded concentrated viewing, even while avoiding answering many of the questions it raised. I suspect that further viewings may only raise other questions rather than bring me closer to answers. ‘Terrorizers’ is very much an art film, and very much a Taiwanese film. I would recommended it most to those who already profess an interest in this combination, such as lovers of Taiwanese New Wave films generally. Those who like Antonioni’s ‘Blow Up’ may also find some points of interest, as well as several interesting parallels. In sum: a mature work from an original and talented ‘auteur’.
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